Jazz Related

Jazz music community with reviews, MP3 (free download/stream) and forums

jazz related top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm

PARLIAMENT Mothership Connection Album Cover Mothership Connection
PARLIAMENT
4.89 | 9 ratings
Buy this album from MMA partners
SOFT MACHINE Third Album Cover Third
SOFT MACHINE
4.65 | 48 ratings
Buy this album from MMA partners
FRANK ZAPPA The Grand Wazoo (The Mothers) Album Cover The Grand Wazoo (The Mothers)
FRANK ZAPPA
4.66 | 34 ratings
Buy this album from MMA partners
STEVIE WONDER Innervisions Album Cover Innervisions
STEVIE WONDER
4.75 | 12 ratings
Buy this album from MMA partners
STEELY DAN Aja Album Cover Aja
STEELY DAN
4.66 | 21 ratings
Buy this album from MMA partners
CURTIS MAYFIELD Superfly Album Cover Superfly
CURTIS MAYFIELD
4.99 | 5 ratings
Buy this album from MMA partners
FRANK ZAPPA One Size Fits All (as Frank Zappa And The Mothers Of Invention) Album Cover One Size Fits All (as Frank Zappa And The Mothers Of Invention)
FRANK ZAPPA
4.59 | 32 ratings
Buy this album from MMA partners
AREA Arbeit Macht Frei (Il Lavoro Rende Liberi) Album Cover Arbeit Macht Frei (Il Lavoro Rende Liberi)
AREA
4.66 | 15 ratings
Buy this album from MMA partners
FRANK ZAPPA Over-Nite Sensation (The Mothers) Album Cover Over-Nite Sensation (The Mothers)
FRANK ZAPPA
4.60 | 26 ratings
Buy this album from MMA partners
MARTIN DENNY Exotica Album Cover Exotica
MARTIN DENNY
4.94 | 5 ratings
Buy this album from MMA partners
STEELY DAN Countdown to Ecstasy Album Cover Countdown to Ecstasy
STEELY DAN
4.64 | 16 ratings
Buy this album from MMA partners
JOHN ZORN Magick Album Cover Magick
JOHN ZORN
4.86 | 6 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

New jazz related free MP3/Stream

jazz related online videos

jazz related New Releases

.. Album Cover
Damogen Furies
Album
SQUAREPUSHER
Buy this album from MMA partners
.. Album Cover
Bilmawn - Little Village
EP
BILL LASWELL
Buy this album from MMA partners
.. Album Cover
Heartland
Album
INDRA RIOS-MOORE
Buy this album from MMA partners
.. Album Cover
Duos With Guitars
Album
GIOVANNI DI DOMENICO
Buy this album from MMA partners
.. Album Cover
Jagged Rocks
Album
THROTTLE ELEVATOR MUSIC
Buy this album from MMA partners
.. Album Cover
Gov't Mule: Dub Side of the Mule
Live album
GOV'T MULE
Buy this album from MMA partners
.. Album Cover
Hooffoot
Album
HOOFFOOT
Buy this album from MMA partners
.. Album Cover
Garden of Memory
Live album
HENRY KAISER
Buy this album from MMA partners
.. Album Cover
Dress Code
Album
CAMERA SOUL
Buy this album from MMA partners
.. Album Cover
Time & The River
Album
DAVID SANBORN
Buy this album from MMA partners
.. Album Cover
The Ultimate Collection
Boxset / Compilation
GEORGE BENSON
Buy this album from MMA partners
.. Album Cover
A Fool to Care
Album
BOZ SCAGGS
Buy this album from MMA partners
.. Album Cover
Third
Album
PERHAPS
Buy this album from MMA partners
.. Album Cover
My Weekly Reader
Album
NELLIE MCKAY
Buy this album from MMA partners
.. Album Cover
There Goes That
Album
RAY OBIEDO
Buy this album from MMA partners
.. Album Cover
Wild Man Dance
Live album
CHARLES LLOYD
Buy this album from MMA partners
.. Album Cover
Only Sky
Album
DAVID TORN
Buy this album from MMA partners
.. Album Cover
Creation
Live album
KEITH JARRETT
Buy this album from MMA partners
.. Album Cover
The Vault
Album
JEFF GOLUB
Buy this album from MMA partners
.. Album Cover
Futuresoul
Album
BONEY JAMES
Buy this album from MMA partners
.. Album Cover
Vienna, World
Album
WOLFGANG MUTHSPIEL
Buy this album from MMA partners
.. Album Cover
Portico : Living Fields
Album
PORTICO QUARTET
Buy this album from MMA partners
.. Album Cover
Technicians Of The Sacred
Album
OZRIC TENTACLES
Buy this album from MMA partners
.. Album Cover
What Is Constant
Album
PTF
Buy this album from MMA partners
.. Album Cover
Into The Sun
Album
ROBBEN FORD
Buy this album from MMA partners
.. Album Cover
Raphaël Imbert & Karol Beffa : Libres
Live album
RAPHAËL IMBERT
Buy this album from MMA partners
.. Album Cover
The Origin of Adjustable Things
Album
JOANNA WALLFISCH
Buy this album from MMA partners
.. Album Cover
Derek Charke: Tundra Songs
Album
KRONOS QUARTET
Buy this album from MMA partners
.. Album Cover
Cortar Todo
Album
ZU
Buy this album from MMA partners
.. Album Cover
Live From Belle Vue
Live album
JAMES BOOKER
Buy this album from MMA partners
.. Album Cover
Soul Traveler
Album
MARION MEADOWS
Buy this album from MMA partners
.. Album Cover
Lions
Album
YELENA ECKEMOFF
Buy this album from MMA partners
.. Album Cover
Fractions
Live album
STEFEN KEUNE
Buy this album from MMA partners
.. Album Cover
Bucket of Songs
Album
LABFIELD
Buy this album from MMA partners
.. Album Cover
Slag Tanz
EP
MAGMA
Buy this album from MMA partners
.. Album Cover
Look with Thine Ears
Album
PASCAL NIGGENKEMPER
Buy this album from MMA partners
.. Album Cover
Octal: Book Three
Album
ELLIOTT SHARP
Buy this album from MMA partners
.. Album Cover
Des pas sur la neige
Album
EVE RISSER
Buy this album from MMA partners
.. Album Cover
Jazz at Berlin Philharmonic III
Live album
LESZEK MOŻDŻER
Buy this album from MMA partners
.. Album Cover
Trees Of Light
Album
ANDERS JORMIN
Buy this album from MMA partners
.. Album Cover
That Lovin' Feeling
Album
STEVE TYRELL
Buy this album from MMA partners
.. Album Cover
Ear Candy
Album
PAULA ATHERTON
Buy this album from MMA partners
.. Album Cover
Hen To Pan
Album
JOHN ZORN
Buy this album from MMA partners
.. Album Cover
Beauty Indestructible
Album
ASHLEY DANEMAN
Buy this album from MMA partners
.. Album Cover
X
Album
SCHNELLERTOLLERMEIER
Buy this album from MMA partners
.. Album Cover
Fritzenized
Album
JONATHAN FRITZÉN
Buy this album from MMA partners
.. Album Cover
Young At Heart
Album
IDA SAND
Buy this album from MMA partners
.. Album Cover
Out Of A Dream
Album
BRIAN SIMPSON
Buy this album from MMA partners
.. Album Cover
Does The Divas
Album
STREETWIZE
Buy this album from MMA partners
.. Album Cover
Twisted Soul
Album
JESSI TEICH
Buy this album from MMA partners
.. Album Cover
Two City Blues 1
Live album
KEIJI HAINO
Buy this album from MMA partners
.. Album Cover
Frammenti
Album
MASCHERE VUOTE
Buy this album from MMA partners
.. Album Cover
Hard Food
Album
DUB SYNDICATE
Buy this album from MMA partners
.. Album Cover
Clowns Will Be Arriving
Album
TED KOOSHIAN
Buy this album from MMA partners
.. Album Cover
Trying Not To Fall
Boxset / Compilation
JIMMY WITHERSPOON
Buy this album from MMA partners
.. Album Cover
Live At The Orpheum
Live album
KING CRIMSON
Buy this album from MMA partners
.. Album Cover
Hotel Zauberberg
Live album
AKI TAKASE
Buy this album from MMA partners
.. Album Cover
Into The Shadow
EP
SLOWLY ROLLING CAMERA
Buy this album from MMA partners
.. Album Cover
Crossing The Line
Album
EDDIE DANIELS
Buy this album from MMA partners
.. Album Cover
Imaginary Cities
Album
CHRIS POTTER
Buy this album from MMA partners
.. Album Cover
Brazilian Nights
Album
KENNY G
Buy this album from MMA partners
.. Album Cover
Live
Live album
BRIAN CULBERTSON
Buy this album from MMA partners
.. Album Cover
Mein Beethoven
Album
DIETER ILG
Buy this album from MMA partners
.. Album Cover
Backscatter Bright Blue
Album
FRED FRITH
Buy this album from MMA partners
.. Album Cover
Heritage/Evolution, Volume 1
Album
PRISM QUARTET
Buy this album from MMA partners

jazz related Music Reviews

QUIET SUN Mainstream

Album · 1975 · Jazz Related Rock
Cover art Buy this album from MMA partners
siLLy puPPy
QUIET SUN is a strange little beast. The jazz-fusion band existing in the Canterbury Scene was one of the few to incorporate highly distorted rock guitar in its sound. The band actually started under the ridiculous Pooh And The Ostrich Feather moniker in 1970. The band’s existence has everything to do with Robert Wyatt who with Bill McCormick the bassist brought this idea into fruition. MAINSTREAM is the first and only offering from this band which formed and disbanded and then reunited and because of Phil Manzanera’s success in Roxy Music allowed this group to reform and record these ideas and finally release this wonderful musical magic in 1975.

The band consisted of percussionist old-school friend Charles Hayward (This Heat, Mal Dean’s Amazing Band, Radar Favourites, Dolphin Logic), bassist Bill MacCormick (Matching Mole, Robert Wyatt, 801 w/ Manzanera, Eno, etc) and of course, Phil Manzanera, who is most famous for his lead guitar work in Roxy Music but is also less famous for his Latin American music hailing from Colombia and Venezuela. This album, however, was his very first collaborative effort and what a beautiful one it is.

While MAINSTREAM incorporates all those wonderful, delectable sounds that make up the Canterbury scene of jazz-rock fusion like the beautiful jazz-rock offerings of Hatfield and the North, QUIET SUN offers some serious rock guitar to the mix above and beyond the call of duty. It didn’t hurt that Brian Eno participated in the project as well as long time music critic and Nick Drake popularizer Ian MacDonald who not only contributed as a lyricist with QUIET SUN but also lent his vehement support of the band’s credentials in the progressive musical world.

Really, how can you go wrong with such progressive classics titled “Mummy Was An Asteroid, Daddy Was A Small Non-Stick Kitchen Utensil”? The Canterbury scene is here in full swing with the addition of excellent guitar contributions. The musicianship is absolutely brilliant and the tracks may need a bit of time to grow on you but ultimately they have won me over big time. This is an album that whispers in my ear that it’s time to hear it again.

When i ordered this i expected a simple original album format but i ended up with the 2011 remastered version that is in a strange form of a booklet that explains the entire history of the band and although it doesn’t fit neatly in the midst of my CD collection, it does present itself as a standout amongst the crowd in not only packaging but also in its unique approach of incorporating the Canterbury Scene with the hard rock that dominated the mid-70s. I, for one, find this to occupy a unique niche in all of music history at a particular time and place. The irony is that this album which was an idea of the earliest of 70s almost never came to be. I am grateful that it did because it is one beauty in the making.

SLY AND ROBBIE Language Barrier

Album · 1985 · Dub Fusion
Cover art Buy this album from MMA partners
Matt
In 1985 Island Records released Sly and Robbie’s first foray to be recorded with Reggae placed as an influence and not the major component within the recording by bringing a digitalised funk and Hip Hop sound to the recordings fore front. Looking back today when one listens closely to “Language Barrier” you realise just how far in front of the pack they were running. Afrika Bambaata, had only been known for three years with a complete new genre of music still in its infancy being Rap and Hip Hop which was still facing more criticism than appreciation except within the younger music community and not content with just Afrika Bambaata the imitable Doug E. Fresh with his own sounds being the human beat box even took things to another original level. As well, we had another fairly new artist making quite a name on the scene for himself being the Producer and bassist Bill Laswell who was currently with his band Material back in 1985 bringing already a diverse original anything goes approach with his take on creating modern music. Wally Badarou is also present on synthesizer, Herbie Hancock, Robbie Lyn and Bernie Worrell are also included supplying keyboards and piano. Manu Dibango on sax, Daniel Ponce, congas, Bernard Fowler, backing vocals and vocals, Eddie Martinez, Pat Thrall, Mike Hampton, Mikey Chung and Barry Reynolds all supplied guitar at various stages from Funk, Jazz and Rock and talking about Rock, Bob Dylan even provides harmonica in the album.

During this period Sly and Robbie had not long finished recording Mick Jagger’s solo debut, “She’s The Boss” with Bill Laswell where many of these musicians came into contact. Some of the others had already been playing in the Compass Band which was Island Records studio band for many of their productions during this period with most of the band members originating from Jamacia and a Reggae background. Bob Dylan had not long before had Sly and Robbie provide support for his latest release “Empire Burlesque” with the most memorable song of the album recorded being Bob’s second shot at “When The Night Comes Falling From The Sky” containing Sly’s electric drum kit and Robbie’s beautiful bass line. In addition to all this consorting Bill Laswell with a few of the artists mentioned above had just recorded Manu Dibango’s ,“Electric Africa” bringing Manu along to lend his superb saxophone with that gorgeous tone on various album tracks, found within “Language Barrier”.

Sly’s electronic drums open up with the Funk coming in quick, Manu Dibango’s sax is darting in and out, Wally’s synthesizer is whirling around and Afrika Bambaata are chanting “make em’ move, make em’ move” with additional verse lyrics and with three cracking guitar solos inserted with of course Robbie’s bass lines and the first number “Make Em’ Move” gets the album underway. “No Name On The Bullet” which follows is one rhythm worked over beautifully with Hip Hop added over a dub and an another album highlight which is followed by the Miles Davis composition “Black Satin” aptly named “Miles” within the album’s track listings with more fabulous rhythm employed as the bed rock , two fabulous drum leads from Sly, more Synthesizer and guitar, a keyboard loop that just keeps repeating and one quite distinct take was created. “Bass And Trouble” is the first on the flip with Manu Dibango providing quite a nice solo and input over more electronics used for the rhythm with Doug E. Fresh doing his sound effects, Wally’s synthesizer is back, Mike Hampton is putting in the Funk guitar and Sly and Robbie are once again a stunning back bone to it all. The rhythm just keeps pounding along for the title track “Language Barrier” with Doug back rapping effects and even more funk lines from Mike Hampton’s guitar. Of course funk finishes the album up with quite a catchy “ Get To This, Get To That” and here we get to hear Bernard Fowler singing lead over more of a seventies style take albeit it is laced with electronics.

It did not receive the recognition that this album deserved when it was released garnering quite a mixed reception but if one looks back with today’s view point you will notice these musicians are light years ahead or right on the cusp if you prefer. Myself personally I love the use of the electronic kit that Sly Dunbar played and how he used the full electronic sound with Robbie’s pumping bass providing the support and Bill Laswell’s production. Their next similar album “Rhythm Killers” which garnered a much better reception is perhaps better played and mixed but “Language Barrier” was a more original album and who else would rush in and get that new Rap stuff included, although at this time it was really not all that new for the Rhythm Twins as they had been doing Jamaican Dancehall for around 7 to 8 years by then, “Yep, they were light year s ahead”.

ANIMALS AS LEADERS Animals As Leaders

Album · 2009 · Jazz Related Rock
Cover art Buy this album from MMA partners
siLLy puPPy
The brainchild of founder Tosin Abasi from Washington DC, the all instrumental jazz-fusion meets djent project ANIMALS AS LEADERS is more or less his baby although the band tours and presents itself as a full-fledged musical collaboration. This creative outlet began with Abasi’s involvement as the guitarist in the tech metal core band Reflux. After the band ceased to be, Abasi was approached by the metal record label Prosthetic Records who were majorly impressed with his chops and wanted him to record a solo album but Abasi declined feeling the idea was self-indulgent and instead he took a year off to study music in an academic setting to further his growing interest in jazz, classical guitar and composition. After he finished his homework he took Prosthetic up on their offer and then proceeded to let it all rip and roar. He chose the name ANIMALS AS LEADERS after reading the novel “Ishmael” by Daniel Quinn which dealt with the subject of anthropocentrism.

In 2009 Tosin released his first album playing his eight-string guitar and bass as well as co-producing with his partner in crime Misha Mansoor who handled engineering, drum programming and mixing. This album got a lot of praise when it came out due to its challenging virtuosic performances that add a lot of variety and spice to the often impressive but sterile compositions that many a virtuoso can dish out. A child of his time, Abasi pretty much handled all the duties formerly requiring an army of talents to accomplish and if he had been ten to twenty years older he could have easily fit in on the Shrapnel Records label that ushered in all kinds of young talented virtuoso guitarists to the world. Some of those artists like Tony MacAlpine and Greg Howe seem like antecedent influences to Abasi’s work, but i also hear some Pat Metheny in some of the lighter fluffier pieces, some mid-tempo ones bringing Allan Holdsworth and even Shawn Lane to mind and of course, the undeniable palm-muted technique of djent tech thrashers Meshuggah in the metallic edge that many of these tracks dish out.

While the influences on board are plenty, what i find refreshing about the debut album by ANIMALS AS LEADERS is how some fresh new takes on these techy fusion guitar jams play out. While the album is clearly created to show off Abasi’s technical wizardry, he was prescient enough to know that wizardry alone for wizardry’s sake had been played out and that extra oomph was needed to guarantee a pleasant listening experience. Well, pleasant this is indeed with lots of chops to excite my hunger for lightning fast guitar runs configured with insanely fast and unpredictable progressive time signatures alternating between quiet cozy numbers and rowdy rockers that unleash monster riffage and extreme bass frenetics.

My only complaint is that this album may be a tad too long for its intensity and contains a couple tracks that seem a little redundant but overall i find this to be a beautifully constructed modern day jazz-fusion guitar and bass extravaganza with beautiful atmosphere, crystal clear production and a musical passion that keeps the quality sizzling. OK, one more complaint. I wish there would have been a real drummer. While the programmed drumming is far from unpleasant or bad in any way, it really is no proper substitute for a talented jazz-fusion drummer who can really bring out the best in a band like classic Bill Bruford did in Yes. Excellent album but not quite a classic.

SLY AND ROBBIE Dubrising

Album · 2014 · Dub Fusion
Cover art Buy this album from MMA partners
Matt
Last time the Dub was underwater but this year it is rising with the latest Dub offering from the Rhythm Twins. I could go on for hours about these two who have appeared with everybody at some time or the other and if they have not appeared with them then they most likely Produced their album. Still Sly Dunbar and Robbie Shakespeare have always kept those Jamaican Roots to the forefront within their own music and releases while still staying contemporary in the genre at the same time. After all it was Sly and Robbie who were the main movers toward digital within the Reggae scene back in the eighties and like it or not it is here to stay with the introduction of Dancehall and Ragga but with “Dubrising” it 100% good old Dub.

Paul “Groucho” Smykle is the man behind the mixing board who has not worked with Sly and Robbie for nearly 30 years when he mixed their two earlier albums “Raiders of the Lost Dub” and “Dub Experience”. The tracks from the album were picked by Groucho using Sly and Robbie’s prior Productions from Horace Andy, Chezidek, Bunny Rugs and Khalifa between 2006 to 2012 bringing quite a modern feel but still staying right at the Old School. The instrumentals were recorded live at two studios in Kingston. Dan Donovan from Big Audio Dynamite added synthesizer and Bunny McKenzie added dread harmonica. No Protools were used as Groucho mixed it live to bring that old feel of how it was done back in those Lee Perry and King Tubby days during the seventies where if things did go wrong, it was start again and not just a quick patch up.

The dubs themselves come through beautifully with a mix of tempos throughout the rhythms used with all the reverb and echo employed and as heard on “Satan Fall” and the 2nd Dub “Freedom Ring”. The synthesizer provides a little more fill bringing a good fresh quality and is quite a nice touch. “Drone Snipers” motors along with a great echo and vocal remnants with the addition of Bunny McKenzie playing his dread harmonica. There are plenty of sound effects with zaps and whirrs layered over great rhythms which keep up a nice rapid tempo for the majority of Dubs that follow. “To The Rescue" is laced with Synthesizer and vocal remnants put to echo, “No Surrender”, “Flame Thrower” with its effects and slightly slower tempo and then to finish the pumping bass of “Double Agent” which comes in last.

Wonderful new Dub album from Sly and Robbie with a wonderful sounding mix from Groucho.

MASAHIKO TOGASHI Masahiko Togashi, Isao Suzuki : A Day Of The Sun

Album · 1979 · Jazz Related Improv/Composition
Cover art Buy this album from MMA partners
snobb
"A Day Of The Sun" is two Japanese jazz greats duo's album. Percussionist Masahiko Togashi (besides of pianist Masahiko Satoh) are key figure of Japanese free jazz,played with virtually everyone of important Japanese advanced jazz musician and recorded lot of albums,some of them (especially recorded in late 60s - early 70s)are part of Japanese jazz "golden fund". Acoustic bassist Isao Suzuki is even more legendary figure - in Japan he is usually titled "Godfather of Jazz".

Born in Tokyo in 1933,he started his jazz career in 1953 playing bass with Louis Armstrong when the later to Japan that year.I have read in Isao's interview that he was in Armstrong concert and next day found out that Armstrong band is searching for bassist. Isao asked his mother to buy him a bass (he never played the instrument before) and went to rehearsal. According to Isao, bandleader hired him and showed how to play bass - that's how he started.Later he played for two or three years in US Navy base band and than joined Jun Kiyomizu band - his first Japanese band ever.He played around Japan (mostly in local cabarets) till late 60s when "Ginpary"(or "Silver Paris" - psychedelic jam sessions on very early Japanese free jazz stage) fashion pushed mainstream jazz musicians aside.Isao still participated in some gigs and even was one-time member of quartet with Sadao Watanabe,Togashi and Kikuchi(that was one of "Ginpary" session where Isao met Masahiko Togashi for the first time).In 1969 he played with Art Blakey who invited him to America where Isao stayed for two years (mostly traveling around the country and Canada in old Caddilac with Art Blakey and playing gigs mostly in black clubs).Art Blakey's band of the time included George Cables,Woody Shaw and Ramon Morris.Isao played lot of jams with Jim Hall, Kenny Burrell,Elvin Jones,Duke Pearson and Lee Morgan among others. He spent a lot of time in Rudy Van Gelder recording studio as well where Rudy tough him many secrets of good recording sound.Isao even was a bassist in Ella Fitzgerald band, but when one day in airport on their way to Canada Art Blakey got basted on cocaine,Isao same day just took the flight back to Japan.On return he made a lot introducing his experience in development of jazz in Japan.His first albums for Three Blind Mices (cult audiophile label,kind Japanese ECM but with very physical,deep and warm sound)built recordings sound and mix quality standard for decades to come.In 1980 he released "Self-Portrait" - first ever one-man recording using multilayer techniques in Japanese jazz (Isao played 22 different instruments on this album).

Main Isao's personality importance is still that that he's one among few extremely respectable Japanese jazz artists having hard-bop background.Other his generation known jazzmen come mostly from big bands (formed under US bases orchestras influence),late 60s pushed ahead new noisy and angry generation which stepped right to radical avant-garde.

With all series of strong hard-bop albums,Isao stayed innovative for decades though. His second important influence was fusion,but he released albums containing Latin jazz or even modern electronic remixes. During his long career Isao played with percussionist Masahiko Tagashi quite regularly, on Masahiko's or his own albums. "A Day of The Sun" is duo's collaboration,significant for both artists. Similarly like fusion popularity fast decrease in mid-late 70s on Western jazz scenes left lot of jazz musicians on the thin ice (and sometimes without job),in Japan that time is a time when jazz lost its importance as major part of modern musical culture. One of popular trend where many previous avant-garde and fusion artists switched to became etno-influenced improvisational (often meditative) music. "A Day Of The Sun" (percussionist and bassist duo recording,both uses some synth and other instruments though) is one good example. Fortunately differently from many of similar releases music here doesn't become endless hypnotizing noodling and successfully avoids similarities with upcoming new age. Two musicians are both too big personalities and too great masters to fade to grey zone - even if there are very free form compositions presented,them all have lot of blood and bones (deep physical bass, multilayered and complex percussion,all the time changing rhythms and grooves); probably good comparison is some ECM early proto-ambient recordings, where sound still wasn't all that liquid and super-polished.

Togashi will continue developing same formula on his later works,Suzuki will return to his more usual mainstream jazz, but "A Day Of The Sun" will stay as great evidence of two giant collaboration and excellent example of non-boring improvisational music.

jazz related movie reviews

KING CRIMSON Neal And Jack And Me

Movie · 2004 · Jazz Related Rock
Cover art Buy this album from MMA partners
Sean Trane
This DVD will please many of the third Crimson phase fans combines two tours: the Beat tour and the Three Of A Perfect pair. Oddly enough, they are presented in a non- chronological order, but this is a very minor point. One of the things I was particularly uneasy about was Bruford's use of electronic percussions and drums and we get a load of those "things" and like all technology novelty, the risk is that it ages poorly and sadly here, it is the case. Another point I had not appreciated is the stage presence of Adrian Belew, which is clearly copied from David Byrne from his collaborations with The Talking Heads - I love the T Heads, but Belew's stage antics are too derivative and ill fitted for Crimson. There are a few tracks present twice and most notably the boring Mate Kusadai.

Strictly on the visual front, Crimson was clearly making efforts to look hip and appeal to a more new-wave-ish public. Those were the days! But I never said that they were good, either!

Among the bonuses, are a video clip and a few titbits, but sadly still missing is that mini- concert footage filmed for the Discipline release and them playing four tracks in front of a red curtain. I may be severe with my rating of this DVD but I am not a real fan of that era.

GONG Classic Rock Legends

Movie · 2000 · Jazz Related Rock
Cover art Buy this album from MMA partners
seyo
This video contains live performances from 1990 Live on TV album. Four original members of GonG are present: Pip Pyle, Didier Malherbe, Gilli Smyth and an oddball-harlequin persona of the spiritus movens, Daevid Allen.

Performance is focused on their legendary Radio Gnome Invisible trilogy, with 3 starters from Camembert Electrique. Since I have no idea what GonG looked like on scene back in the early 1970s (that is, before I took a peek at several Youtube clips recently), I guess this DVD makes up a lot for that, the age of the performers notwithstanding.

In fact, seeing these unique art-performers in their senior age can just assure you how the music and art in general can surpass generations, years and ages if you wish. Musicianship is great, movie direction very good with several cameras shooting from different angles, while only the engagement of the dancers to invoke the mystical gnomey creatures may be seen as too over-stressed.

The finale presents perhaps too long goodbye with the extended "I Am You" jam, but when Daevid jumps down into the audience you can actually see the highly emotional and spiritual connection between the band and the people, done in an almost religious-like chanting. This is excellent video and should be seen by all those who have at least some knowledge of the Planet GonG trilogy repertoire!

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
Cover art Buy this album from MMA partners
Dick Heath
I remember seeing this originally on BBC 2 a few weeks after it was recorded in one of the canteens of Oxford Poly, and getting a mix of intense pleasure. In particular pleasure from the tour de force that Holdsworth had developed into (and screamed out at me on Feels Good To Me)and the unknown bass-wiz Jeff Berlin. But there was disappointment over Annette's contribution to the set - when her husky voice breathed sex at me on the album.

Now here from the Beeb's archives is the original 70's video quality footage as originally shown on 625 lines. The pleasure points remain, with some details emphasised. However the disappointment is worse, in particular there is a promise of something special as Peacock flounces on part way through the set, dressed as the fashion queen,(thereby drawing the contrast with the blokes in the band). However,again the expectation of something special evaporates quickly - the diva can't 'deave' live in sympathy with the music, the band i.e. her vocals are poor. Fortunately we don't have to suffer this for long and thank goodness for the skip button.

Yes this is a short recording*, and isn't there a missed opportunity here? One DVD burn (of a copy of a copy, etc.) of this gig I saw some years ago and suffering horribly from colour dropout, had the addition of two extra numbers by Bruford recorded off from the Old Grey Whistle Test - here with I think Neil Murray deputing for Jeff Berlin. Surely the Beeb could had offered these as well?

*Interesting to see another Rock Goes To College recording of Herbie Hancock & the Headhunters recorded at the now defuncted Chelsea College, that had resurfaced on BBC 4 2 years ago, was an hour long.

STING Bring On The Night

Movie · 2005 · Pop Jazz/Crossover
Cover art Buy this album from MMA partners
Slartibartfast
The concept here is a documentary of a band forming, The Blue Turtles Band, rather than a band at their peak or breaking up. Fortunately it is heavier on the music than the documentary.

The first half takes place in a French countryside chateaux and consists of presentable songs from nine days of practice sessions for what was to be their first show. Everyone in the band seems to be having a good time. The chateaux provides nice a nice backdrop to the sessions. The second half is the show itself.

Since this was Sting's first post Police effort, there's a lot of reworked Police songs mixed in with tracks from the first album. It's sort of like the Police meets jazz with Andy Summers ejected so Sting could play guitar. The band line up is primarily younger jazz musicians that already had a good reputation for work they had done before hooking up with Sting.

There are interview excerpts between the songs. One of the more interesting ones was Miles Copeland, Sting's manager and Stewart's brother going on about negotiations with the rest of the band. He was extremely dismissive of the band in relation to Sting when it came to monetary compensation. I suspect that was more about himself getting a bigger piece of the pie than a reflection on Sting, although I do recall him guest appearing on a Saturday Night Live show with Steve Marting and Steve introducing him as Stin-gy.

I originally saw this one in a theater and was really pleased to see it released being reworked with "high definition digital anamorphic picture transfer and digitally remastered surround audio." It actually does look a little sharper than I recall and I think the orginal sound was just stereo.

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
Cover art Buy this album from MMA partners
Slartibartfast
This is incredible. I had the good fortune of seeing Bruford, unfortunately post Holdsworth, at the now defunct Atlanta Agora. I did get to catch Holdsworth touring for his I.O.U. album, but that's another story. My first pass through this concert really gave me the goosebumps.

It is unfortunate that this DVD is only 41 minutes, but the set list is excellent. Four tracks from Bruford's best album, One of a Kind. Annette Peacock even shows up for a couple of songs. I always thought that she didn't fit in well with this kind of music, but it's nice to see her all the same. I hope I'm wrong, but I don't think there's any live video out there of Alan Holdsworth, so seeing him in action is a special treat. One of the things I remember most from seeing Bruford was that at times Jeff Berlin's picking fingers were a blur and seeing him again live, I know I wasn't imagining it. Dave Stewart, or as I like to call him, The Dave Stewart, not that Eurythmics guy, is also a lot of fun to see in action. I noticed he had a music stand with no sheet music, but a synthesizer diagram, interesting. And then of course there's Bill. Those of you who may dislike his electronic drum work, I'm not one, will be happy to him playing strictly acoustic. What can I say? He's really one of best drummers around. The audio quality is excellent and sometimes the camera man crop off Holdsworth's left hand when I'd like to see it, but other than that, this is really nice for a concert captured in 1979.

Artists with Jazz Related release(s)

JMA TOP 5 Jazz ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Kind of Blue Cool Jazz
MILES DAVIS
Buy this album from our partners
A Love Supreme Post Bop
JOHN COLTRANE
Buy this album from our partners
The Black Saint and the Sinner Lady Post Bop
CHARLES MINGUS
Buy this album from our partners
'Out to Lunch!' Avant-Garde Jazz
ERIC DOLPHY
Buy this album from our partners
Giant Steps Hard Bop
JOHN COLTRANE
Buy this album from our partners

New Jazz Artists

New Jazz Releases

Partenika Avant-Garde Jazz
MARTA SÁNCHEZ
Buy this album from MMA partners
Michel Lambert / Rafał Mazur : Unknowable Avant-Garde Jazz
FRANÇOIS CARRIER
Buy this album from MMA partners
Mats Gustafsson & NU ensemble : Hidros 6 - Knockin´ Avant-Garde Jazz
MATS GUSTAFSSON
Buy this album from MMA partners
Ode to Heroes Vocal Jazz
THANA ALEXA
Buy this album from MMA partners
More new releases

New Free Jazz MP3 download/stream

New Jazz Online Videos

Thana Alexa Ode to Heroes LIVE EPK
THANA ALEXA
js· 13 hours ago
Let it Be Told Promo
JULIAN ARGÜELLES
js· 1 day ago
ERIC DARIUS ? Happy?HQ?
ERIC DARIUS
js· 1 day ago
More videos

New JMA Jazz Forum Topics

More in the forums

New Site interactions

More...

Latest Jazz News

members-submitted

More in the forums

Social Media

Share this site
Follow us