Jazz Related

Jazz music community with reviews, MP3 (free download/stream) and forums

jazz related top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm | 60 min. caching

SOFT MACHINE Third Album Cover Third
SOFT MACHINE
4.75 | 53 ratings
Buy this album from MMA partners
YES Fragile Album Cover Fragile
YES
4.87 | 10 ratings
Buy this album from MMA partners
SANTANA Caravanserai Album Cover Caravanserai
SANTANA
4.68 | 43 ratings
Buy this album from MMA partners
PARLIAMENT Mothership Connection Album Cover Mothership Connection
PARLIAMENT
4.85 | 9 ratings
Buy this album from MMA partners
CURTIS MAYFIELD Superfly Album Cover Superfly
CURTIS MAYFIELD
4.96 | 6 ratings
Buy this album from MMA partners
KING CRIMSON Larks' Tongues In Aspic Album Cover Larks' Tongues In Aspic
KING CRIMSON
4.64 | 31 ratings
Buy this album from MMA partners
STEVIE WONDER Innervisions Album Cover Innervisions
STEVIE WONDER
4.73 | 14 ratings
Buy this album from MMA partners
JOHN ZORN Magick Album Cover Magick
JOHN ZORN
4.83 | 8 ratings
Buy this album from MMA partners
STEELY DAN Aja Album Cover Aja
STEELY DAN
4.65 | 23 ratings
Buy this album from MMA partners
YES The Yes Album Album Cover The Yes Album
YES
4.79 | 8 ratings
Buy this album from MMA partners
FRANK ZAPPA The Grand Wazoo (The Mothers) Album Cover The Grand Wazoo (The Mothers)
FRANK ZAPPA
4.58 | 38 ratings
Buy this album from MMA partners
MARTIN DENNY Exotica Album Cover Exotica
MARTIN DENNY
4.94 | 5 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

New jazz related free MP3/Stream

jazz related online videos

jazz related New Releases

.. Album Cover
Azul, Mis Dientes
Album
OMAR RODRÍGUEZ-LÓPEZ
Buy this album from MMA partners
.. Album Cover
Drum Poetry
Album
PIERRE VAN DER LINDEN
Buy this album from MMA partners
.. Album Cover
Music For A Family Picnic
Album
HARRI KUUSIJÄRVI KOUTUS
Buy this album from MMA partners
.. Album Cover
Ensayo De Un Desaparecido
Album
OMAR RODRÍGUEZ-LÓPEZ
Buy this album from MMA partners
.. Album Cover
Afro-Caribbean Mixtape
Album
NICHOLAS PAYTON
Buy this album from MMA partners
.. Album Cover
Natural
Album
CINDY BRADLEY
Buy this album from MMA partners
.. Album Cover
La La Land
Album
10000 VARIOUS ARTISTS
Buy this album from MMA partners
.. Album Cover
Okónkolo
Album
BOHEMIAN TRIO
Buy this album from MMA partners
.. Album Cover
Drunk
Album
THUNDERCAT
Buy this album from MMA partners
.. Album Cover
Chocolate Tumor Hormone Parade
Album
OMAR RODRÍGUEZ-LÓPEZ
Buy this album from MMA partners
.. Album Cover
Chris Thile & Brad Mehldau
Album
CHRIS THILE
Buy this album from MMA partners
.. Album Cover
Unfold
Album
THE NECKS
Buy this album from MMA partners
.. Album Cover
Connections
Album
CAMERA SOUL
Buy this album from MMA partners
.. Album Cover
Calm Fragrance
Single
FOX TERRITORY
Buy this album from MMA partners
.. Album Cover
Love In A Time Of Madness
Album
JOSÉ JAMES
Buy this album from MMA partners
.. Album Cover
Playing The 60s
Album
MADS TOLLING
Buy this album from MMA partners
.. Album Cover
Downtown Funk '74
Album
SPEEDOMETER
Buy this album from MMA partners
.. Album Cover
Acoustic Lousadzak : Need Eden
Album
CLAUDE TCHAMITCHIAN
Buy this album from MMA partners
.. Album Cover
Zen Thrills
Album
OMAR RODRÍGUEZ-LÓPEZ
Buy this album from MMA partners
.. Album Cover
Brutopianisti
Album
UTOPIANISTI
Buy this album from MMA partners
.. Album Cover
Around the Horn
Album
RICK BRAUN
Buy this album from MMA partners
.. Album Cover
Tarkovsky Quartet : Nuit Blanche
Album
FRANÇOIS COUTURIER
Buy this album from MMA partners
.. Album Cover
Roman Lips
Album
OMAR RODRÍGUEZ-LÓPEZ
Buy this album from MMA partners
.. Album Cover
The Morbid Tango
Album
COSMOSQUAD
Buy this album from MMA partners
.. Album Cover
Got Soul
Album
ROBERT RANDOLPH
Buy this album from MMA partners
.. Album Cover
Picture Him Happy
Album
BEN SIDRAN
Buy this album from MMA partners
.. Album Cover
Together
Album
CANDY DULFER
Buy this album from MMA partners
.. Album Cover
Reverence
Album
NATHAN EAST
Buy this album from MMA partners
.. Album Cover
The Big Wig
Live album
ANDREAS SCHAERER
Buy this album from MMA partners
.. Album Cover
21
Album
AKIRA JIMBO
Buy this album from MMA partners

jazz related Music Reviews

YOJO Abduction

Album · 2016 · Jazz Related Rock
Cover art Buy this album from MMA partners
Modrigue
Elegance and melancholy embracing post-jazz

Second effort by Russian instrumental quintet YOJO, "Abduction" develops the classy and smoky ambiance depicted in the band's first opus, however with a few evolutions. Still displaying impressions of desolation and sadness, the music becomes softer, less oppressive, more jazz-oriented. The orchestration is reinforced by the presence of five invited wind instrumentalists. The guitars are less present and aggressive, resulting in a smoother listening experience than on the band's eponymous debut.

Once again, the surrealistic cover art - this time reminding René Magritte - faithfully transcribes the album's content. The compositions offer a sensation of something vanishing, an evanescent humanity in the modern crowded world, like if people were feeling more and more stranger to each other...

The opener is contradictory reference to the famous 70's fusion band. "Weather Report" is not funky, but rather a nice fusion/jazz title, soothing and mesmerizing instead. The cool "Contact" is quite somber and depressive, whereas the delicate "5 A.M." reveals bright moments of hope immersed in an enigmatic atmosphere. Our journey through the mysterious haze continues with "Cold Case", a soft heavy prog track, and the interrogative touching "Wipers", full of melancholy.

The "Tourist" from this record can only wander into a desolated land, maybe populated in appearance, but empty in essence. Driven by trumpet, this sad and soft waltz is pleasant, although a bit lengthy. The relaxing "Swell" displays rather strange obscure lights progressively increasing in intensity, until a free-jazz explosion. Back to depression with the nostalgic "Jump in the Mirror", evoking alternatively an once familiar but now torn environment, the mirror being the transition bridge. The emotional trip ends with the longest track of the disc, "Hazebook". Certainly a pun referring the well-known social network, these 7 minutes of sorrow are calm, sensitive, nearly aquatic. Is nowadays' ocean of over-connectivity just made of individual drops of loneliness? Perhaps...

More accessible than their first opus, "Abduction" offers a clever and suave revisit of post-rock / heavy-prog through jazz's orchestration and mindset. Again, the interest is present and the composition quality is homogeneous. Well anchored in the 21th Century and its human interrogations, YOJO confirms its talent by refining its musical style, painting melancholic, smoky, dehumanized vanishing landscapes. Another land of grey and pink...

As a conclusion, if you enjoy original and elegant modern jazz soundscapes, don't let this album being "abducted" from you!

YOJO Yojo

Album · 2013 · Jazz Related Rock
Cover art Buy this album from MMA partners
Modrigue
Post-rock wearing the clothes of Jazz

A pterodactyl flying over a cloudy megalopolis... This surrealistic black and white cover picture suits the music very well: light and floating, classy and sober. YOJO's promising eponymous debut offers a fluent and clever mixture of post-rock atmospheres with cool jazz, plus a touch of heavy prog for the depressive mood. Instrumental, driven by the trumpet and supported by guitars, this hazy soundtrack well depicts impressions of loneliness and melancholy, the elegant way. Furthermore, the compositions are quite accessible and of constant quality.

The suave jazzy "Sundiver" is dark and enigmatic, like if you were wandering through a rainy city, looking at unknown faces. Then the track turns more dynamic. Beautiful! The mournful trumpet describes a desolated landscape all over the slow and changing "VHS", while the ethereal "Pterodactyl" is rather mystical with its raging and floating guitar. Magic! You'll be immersed into an ocean of despair hearing "Captain Kirk Had a Bad Day", and intrigued by a mysterious light through the smoky "Waltz"

Longest title of the album, "Alien" is also the strangest. From a spacey free-jazzy background, the music glows in the dark using changing rhythms and cool bass lines, reminding John Surman at times. Featuring a dialog from David Lynch's "Eraserhead", the gloomy "Aftermath" is quite pleasant, while the heavy progressive "Double Henry" is the rockiest passage of the disc. The ender, "Rough Sleeper", is divided in two sections. The first half is an atmospheric hazy ballad including samples from the monologue "How Should I Live, Angels?", written and narrated by Russian writer Mikhail Zhvanetsky. The second half turns more towards free jazz and contains this time a speech by Barack Obama. Enjoyable but too long and a little dissonant for my tastes.

YOJO's first effort is very convincing and promising. This elegant and clever arrangement of post-rock and heavy prog with jazz is really original and inventive. The perfect soundtrack for a lonely rainy day, looking down at the city and its swarming interlaced lives through the window, wondering, observing, feeling like a stranger who doesn't fit in... Finally, like the pterodactyl on the cover art...

A band to keep an eye on, very recommended to modern jazzscapes fans!

KING CRIMSON Lizard

Album · 1970 · Jazz Related Rock
Cover art Buy this album from MMA partners
Miler72
Some probably felt King Crimson hit a brick wall with In the Wake of Poseidon, considering it nothing more than a clone of its debut. That's a bit unfair, because you really can't imagine "Cat Food" and "The Devil's Triangle" having been already explored on its predecessor. True "Pictures of a City" has a "21st Century Schizoid Man" approach, "Cadence and Cascade" resembles "I Talk to the Wind", and the title track is similar to "Epitaph", but that's just side one. On Lizard, Greg Lake and Michael Giles were gong, in comes Andy McCulloch (who later played in Fields and Greenslade)and Gordon Haskell (who already provided vocals on "Cadence and Cascade"), plus a horn section, many members coming from Soft Machine. This is without a doubt the jazziest of the King Crimson albums. "Cirkus" shows that Gordon Haskell has his own voice distinct from Greg Lake. "Indoor Games" shows a less serious side, while "Happy Family" appears to address the breakup of the Beatles (you can even see the Beatles on the cover of the album). "Lady of the Dancing Water" is probably the weakest thing on the album, a pleasant ballad, but nothing much more. The title track is the only side-length piece Crimson ever done. Jon Anderson made a guest appearance (Yes apparently wanted Robert Fripp to replace Peter Banks in Yes, but Fripp declined because he probably knew where Yes was heading, and wouldn't be compatible with the band, and Yes was more democratic than Crimson). There are some bolero/big band jazz passages, and some really strange typical Crimson type parts with Mellotron and even Fripp's trademark sustained lead guitar at the end. It wasn't an easy listen. The rock critics were never kind to this album, even some fans thought they went off the tracks here. But I gave it a few listens, and the payoff was great. It's another great album worth having.

BRAIN TENTACLES Brain Tentacles

Album · 2016 · Jazz Related Rock
Cover art Buy this album from MMA partners
siLLy puPPy
BRAIN TENTACLES is a newer breed of hardcore bands that strives to create the ultimate fusion effect by tackling the disparate styles of metal and jazz and making them swirl around and dance together like a ballerina in a Russian palace. This Chicago based trio is comprised of three music veterans with Bruce Lamont (Yakuza, Blloodlest, etc) contributing horns, vocals and keys, Dave Witte (Discordance Axis, Municipal Waste, etc) on drums and Aaron Dallson (Keelhaul) on bass, vocals and synth. It’s been over 25 years since John Zorn and his project Painkiller first unleashed the creative possibilities of mixing avant-garde jazz with metal elements and although a few bands like Mr Bungle, Zu and Diablo Swing Orchestra tackled the jazz meets metal thing in their own unique ways, it has not exactly been a highly tackled type of fushion and even rarer that BRAIN TENTACLES reverts back to the original Zorn formula by leaving out any trace of metal guitar whatsoever.

Despite the bass being the only stringed instrument on board here, it somewhat adequately covers the metal stomping grounds as it pummels along with the intense percussive workouts and creates a relentless rhythmic drive while Lamont channels his inner Zorn to deliver the sax lines that provide the melodic structure of the compositions. He’s also quite the accomplished soloist however he doesn’t delve into the freakazoid zone like Zorn tends to with pig squeals and unearthly torturous timbres. The music on this one tends to stay within the accessibility zone with mostly short and to-the-point tracks but delivers a few progressive treats such as the lengthy “Cosmic Warriors Girth Curse” which sounds like the disparate sounds of doom metal meeting surf rock (think Dick Dale & His Del-Tones in the horn department) and one of the few tracks to contain vocals which happen to sounds frantic enough to come from the extreme metal underground world of grind or metalcore. It’s actually one of the best tracks as it even ventures into psychedelic Krautrock meanderings while the drums churn along in their own world.

Tracks like “Hand Of God” start out sounding like a high school marching band really wanting to be a doom metal band instead and since the album was produced by Sanford Parker of Minsk and Yob fame, it’s no wonder that some doom metal aspects made it into the mix. “The Spoiler” is probably the most intense and closest to metal with screaming vocals, crushing bass and drums except for a sax instead of a guitar! The grooves are fast and frenetic. “The Sadist” is another metal monster with black metal raspy vocals and the usual bass and sax shtick however the drums are on fire on this one and perhaps the best percussion on the entire album. “Fata Morgana” takes on a post-metal type of flavor with sultry speakeasy sax ostinato that takes on a Swans type of vocal style. “Palantine” is the longest track clocking in at over 12 and 1/2 minutes and begins as a monotonous jazzy groove that extends to over 4 minutes and then turns into a lame telephone conversation that goes nowhere and seems like it will never end. I absolutely HATE these types of things tacked on to the end of the album. It’s another attempt to add some humor but fails to do so and seriously cheapens the serious effect of the rest of the album. This whole track should have been chucked. A total waste of time.

While i wouldn’t call the sound of BRAIN TENTACLES revolutionary or anything since the idea has been around for well over two decades, they do manage to create a much more melodic take of Zorn’s vision and de-emphasize the chaotic aspects to a certain degree and tame them into more digestible forms. The hypnotic repetitive parts add a solid foundation to the rhythm while the conservative solos are dished out only occasionally for contrast’s sake. Several aspects water this interesting album down for me a bit. First are the childish conversational bits such as on “Gassed” and “Palantine” which sound like some teenage funk rock bands from the 80s. Secondly is the band isn’t always adventurous enough to keep the ideas interesting. While the Zorn influences are aplenty, there is never any larger than life moments that transcend the listener into another dimension like excellent avant-garde and experimental music should. While the overall songs are themselves well composed, BRAIN TENTACLES just doesn’t go beyond an established comfort zone. A little more hot sauce on the plate please. Having said that, this is a decent debut album that shows great potential and has a great variation of styles on display. I do however think they would sound better with at least some guitar supplementation on board or even some other instrumental contribution as the music seems a little sparse at times.

UTOPIANISTI Brutopianisti

Album · 2017 · Jazz Related Rock
Cover art Buy this album from MMA partners
siLLy puPPy
UTOPIANISTI is quite the unique act and one with which i have become quite the fan in relatively short time based solely on 2016’s stellar performances on “The Third Frontier” which found a new lease on the whole jazz-rock fusion meets brutal avant-prog thing. This project is led by the multi-instrumentalist Markus Pajakkala who specializes in saxophones, flutes, clarinets, keys and percussion. While on previous albums which consisted of whole ensembles of musicians churning out quirky rhythms and Rock In Opposition melodies, the newest release BRUTOPIANISTI seems to be more of a solo project by Pajakkala with only a handful of extras on board helping out in expanding the vocal range along with a few synth parts. Instrumentally speaking this is basically the Markus Pajakkla show as he plays drums, bass clarinet, soprano sax, xylophone and various flutes.

If you are expecting another slice of that ridiculously, superbly orchestrated avant-prog dancing in the jazz-fusion arenas of prog heaven then look elsewhere because this album goes in a completely different direction and displays a modern day trend of a quickening that is increasingly blurring the lines between metal, jazz, prog rock and ethnic world music. This music slaps you on the face from the very first frenetic drumbeats of “Gróyul Ghóul Ghò“ which combine a frenetic grindcore metal groove with Tuvan style throat singing as well as death metal growls! Despite the extreme metal feel to the whole thing, there are no signs of either guitar or bass guitar in the mix as the bass clarinet and other wind instruments pick up the rhythmic aspects of the music while screams, growls and other strange vocal utterings decorate the soundscape. This short little release barely clocks in over the half hour mark but packs a punch in its ruthless intensity and power punk attack.

While all this craziness unfolds, it sounds like the sax, flutes and bass clarinet borrow a lot from world influences ranging from Klezmer to traditional Chinese music as well as the aforementioned throat singing performed like a pro by Sampo Salonen. While the drums sound totally programed, it actually adds another layer of strangeness to the overall sound as it makes me think of such electronic wizards as Amon Tobin or other IDM (intelligent dance music) artists like Squarepusher (showing off his indietronica talents from his other project Poutatorvi). Between the metal intensity of the vocals, the electronic relentlessness along side with brutal avant-prog time signatures laced with swinging jazzy melodies and ethnic undertones with psychedelic twists and turns, we’re left with a very demanding listen indeed but not one that is too alienating even upon first listen. There is a firm sense of balance on BRUTOPIANISTI as not to overwhelm the listener with too much at any given moment.

BRUTOPIANISTI is certainly a curve ball thrown at us in the discography of UTOPIANISTI, not only in terms of how quickly it was released after the previous album as prog oriented artists of this magnitude often take many years to polish new albums into perfection, but also in how utterly different it is from their previous offerings. I would imagine that for those who don’t take a liking to this one because it strays too far too fast from the previous efforts will probably be assured that this will not likely be the style that Pajakkala intends to continue ad infinitum but rather a playful little side project that needed to be released. Be assured for as different as this album is, it is chock full of brilliant ideas mixing and melding their way into pure brilliance. Tracks such as “Hóllò” deliver a percussive beat that sounds like a warehouse of fireworks that caught on fire with lysergic ambience mellowing it out and “Zhími Bàgi Dá” with death metal growls and bass clarinet quickly morphing into an elves’ LSD party on Neptune sounds as otherworldly as the fictional language titles. This is truly bizarre stuff that will either reel you in instantly like an unfortunate bass on Lake Michigan or repel you like a mosquito from freshly deeted body in the malaria zone. Either way you won’t think that you’ve heard this before even from UTOPIANISTI itself but regardless it will leave some sort of impression. For me, i’m digging this one a lot!

jazz related movie reviews

KING CRIMSON Neal And Jack And Me

Movie · 2004 · Jazz Related Rock
Cover art Buy this album from MMA partners
Sean Trane
This DVD will please many of the third Crimson phase fans combines two tours: the Beat tour and the Three Of A Perfect pair. Oddly enough, they are presented in a non- chronological order, but this is a very minor point. One of the things I was particularly uneasy about was Bruford's use of electronic percussions and drums and we get a load of those "things" and like all technology novelty, the risk is that it ages poorly and sadly here, it is the case. Another point I had not appreciated is the stage presence of Adrian Belew, which is clearly copied from David Byrne from his collaborations with The Talking Heads - I love the T Heads, but Belew's stage antics are too derivative and ill fitted for Crimson. There are a few tracks present twice and most notably the boring Mate Kusadai.

Strictly on the visual front, Crimson was clearly making efforts to look hip and appeal to a more new-wave-ish public. Those were the days! But I never said that they were good, either!

Among the bonuses, are a video clip and a few titbits, but sadly still missing is that mini- concert footage filmed for the Discipline release and them playing four tracks in front of a red curtain. I may be severe with my rating of this DVD but I am not a real fan of that era.

GONG Classic Rock Legends

Movie · 2000 · Jazz Related Rock
Cover art Buy this album from MMA partners
seyo
This video contains live performances from 1990 Live on TV album. Four original members of GonG are present: Pip Pyle, Didier Malherbe, Gilli Smyth and an oddball-harlequin persona of the spiritus movens, Daevid Allen.

Performance is focused on their legendary Radio Gnome Invisible trilogy, with 3 starters from Camembert Electrique. Since I have no idea what GonG looked like on scene back in the early 1970s (that is, before I took a peek at several Youtube clips recently), I guess this DVD makes up a lot for that, the age of the performers notwithstanding.

In fact, seeing these unique art-performers in their senior age can just assure you how the music and art in general can surpass generations, years and ages if you wish. Musicianship is great, movie direction very good with several cameras shooting from different angles, while only the engagement of the dancers to invoke the mystical gnomey creatures may be seen as too over-stressed.

The finale presents perhaps too long goodbye with the extended "I Am You" jam, but when Daevid jumps down into the audience you can actually see the highly emotional and spiritual connection between the band and the people, done in an almost religious-like chanting. This is excellent video and should be seen by all those who have at least some knowledge of the Planet GonG trilogy repertoire!

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
Cover art Buy this album from MMA partners
Dick Heath
I remember seeing this originally on BBC 2 a few weeks after it was recorded in one of the canteens of Oxford Poly, and getting a mix of intense pleasure. In particular pleasure from the tour de force that Holdsworth had developed into (and screamed out at me on Feels Good To Me)and the unknown bass-wiz Jeff Berlin. But there was disappointment over Annette's contribution to the set - when her husky voice breathed sex at me on the album.

Now here from the Beeb's archives is the original 70's video quality footage as originally shown on 625 lines. The pleasure points remain, with some details emphasised. However the disappointment is worse, in particular there is a promise of something special as Peacock flounces on part way through the set, dressed as the fashion queen,(thereby drawing the contrast with the blokes in the band). However,again the expectation of something special evaporates quickly - the diva can't 'deave' live in sympathy with the music, the band i.e. her vocals are poor. Fortunately we don't have to suffer this for long and thank goodness for the skip button.

Yes this is a short recording*, and isn't there a missed opportunity here? One DVD burn (of a copy of a copy, etc.) of this gig I saw some years ago and suffering horribly from colour dropout, had the addition of two extra numbers by Bruford recorded off from the Old Grey Whistle Test - here with I think Neil Murray deputing for Jeff Berlin. Surely the Beeb could had offered these as well?

*Interesting to see another Rock Goes To College recording of Herbie Hancock & the Headhunters recorded at the now defuncted Chelsea College, that had resurfaced on BBC 4 2 years ago, was an hour long.

STING Bring On The Night

Movie · 2005 · Pop Jazz/Crossover
Cover art Buy this album from MMA partners
Slartibartfast
The concept here is a documentary of a band forming, The Blue Turtles Band, rather than a band at their peak or breaking up. Fortunately it is heavier on the music than the documentary.

The first half takes place in a French countryside chateaux and consists of presentable songs from nine days of practice sessions for what was to be their first show. Everyone in the band seems to be having a good time. The chateaux provides nice a nice backdrop to the sessions. The second half is the show itself.

Since this was Sting's first post Police effort, there's a lot of reworked Police songs mixed in with tracks from the first album. It's sort of like the Police meets jazz with Andy Summers ejected so Sting could play guitar. The band line up is primarily younger jazz musicians that already had a good reputation for work they had done before hooking up with Sting.

There are interview excerpts between the songs. One of the more interesting ones was Miles Copeland, Sting's manager and Stewart's brother going on about negotiations with the rest of the band. He was extremely dismissive of the band in relation to Sting when it came to monetary compensation. I suspect that was more about himself getting a bigger piece of the pie than a reflection on Sting, although I do recall him guest appearing on a Saturday Night Live show with Steve Marting and Steve introducing him as Stin-gy.

I originally saw this one in a theater and was really pleased to see it released being reworked with "high definition digital anamorphic picture transfer and digitally remastered surround audio." It actually does look a little sharper than I recall and I think the orginal sound was just stereo.

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
Cover art Buy this album from MMA partners
Slartibartfast
This is incredible. I had the good fortune of seeing Bruford, unfortunately post Holdsworth, at the now defunct Atlanta Agora. I did get to catch Holdsworth touring for his I.O.U. album, but that's another story. My first pass through this concert really gave me the goosebumps.

It is unfortunate that this DVD is only 41 minutes, but the set list is excellent. Four tracks from Bruford's best album, One of a Kind. Annette Peacock even shows up for a couple of songs. I always thought that she didn't fit in well with this kind of music, but it's nice to see her all the same. I hope I'm wrong, but I don't think there's any live video out there of Alan Holdsworth, so seeing him in action is a special treat. One of the things I remember most from seeing Bruford was that at times Jeff Berlin's picking fingers were a blur and seeing him again live, I know I wasn't imagining it. Dave Stewart, or as I like to call him, The Dave Stewart, not that Eurythmics guy, is also a lot of fun to see in action. I noticed he had a music stand with no sheet music, but a synthesizer diagram, interesting. And then of course there's Bill. Those of you who may dislike his electronic drum work, I'm not one, will be happy to him playing strictly acoustic. What can I say? He's really one of best drummers around. The audio quality is excellent and sometimes the camera man crop off Holdsworth's left hand when I'd like to see it, but other than that, this is really nice for a concert captured in 1979.

Artists with Jazz Related release(s)

JMA TOP 5 Jazz ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Kind of Blue Cool Jazz
MILES DAVIS
Buy this album from our partners
A Love Supreme Post Bop
JOHN COLTRANE
Buy this album from our partners
The Black Saint and the Sinner Lady Post Bop
CHARLES MINGUS
Buy this album from our partners
Miles Davis Quintet : Miles Smiles Post Bop
MILES DAVIS
Buy this album from our partners

New Jazz Artists

New Jazz Releases

The Garden Of Earthly Delights (Post-70s) Eclectic Fusion
JOHN ZORN
Buy this album from MMA partners
Secret Stash Post Bop
PETER BERNSTEIN
Buy this album from MMA partners
Turn Up The Quiet Vocal Jazz
DIANA KRALL
Buy this album from MMA partners
Music of Miles Davis & Original Compositions Classic Fusion
SF JAZZ COLLECTIVE
Buy this album from MMA partners
More new releases

New Free Jazz MP3 download/stream

New Jazz Online Videos

More videos

New JMA Jazz Forum Topics

More in the forums

New Site interactions

More...

Latest Jazz News

members-submitted

More in the forums

Social Media

Share this site
Follow us