When Erroll Garner’s long time agent, Martha Glaser, passed away in 2014, she donated her archive of unreleased Garner recordings to the University of Pittsburg. In 2016, Glaser’s niece, Susan Rosenberg, began to release those recordings to the public, with the first installment being the CD/LP, “Ready Take One”. Its great that Garner is getting a second shot at recognition as his legacy has faded a bit over the years, an undeserved fade at that because one listen to “Ready Take One” will convince any music fan that Garner was a remarkable genius blessed with a technique that is very difficult to imitate.
Erroll came up during the swing/stride era, when pianists were expected to imitate an orchestra with a big full two handed approach, much different from today’s post bop world (with Matthew Shipp and a few others being an exception), where a more minimal and lyrical approach dominates. When bebop came along in the 40s, Garner willingly participated, but always kept his original older style intact. What is interesting about the recordings on “Ready Take One”, all of which were made in the late 60s, is that apparently Garner did take an interest in 60s soul jazz, with many of his originals on here sounding a lot like Les McCann or Gene Harris, but with Erroll’s very personal approach. A lot of fans of jazz piano probably didn’t even know that Garner played in this soul style, which is all part of the revelatory nature of these previously unreleased recordings.
If you are looking for an introduction to Garner’s music, this CD would be a great place to start, with about half of the tunes being classic standards in the older swing style, and the other half being more modern originals in the 60s soul style. Both styles blend well as Garner displays his formidable technique based around his ability to play in one time signature in the left hand, while another in the right. Throughout this album, Garner’s rhythmic sophistication is mind boggling and will have many aspiring pianists thinking they will never achieve these heights. None of this music sounds overly technical though, in his heart Garner was always a bit of a pop musician who loved to entertain with a generous, gregarious attitude often missing from today’s pianists. Another salient feature to Garner’s playing are his solo intros to the tunes that often pull from modern concert hall music. For instance, the opening to “Chase Me’ almost sounds like Schoenberg, while the opening to “Wild Music” may remind some of Rachmaninoff.
All of the cuts on here are outstanding, with some of the best being the almost avant-garde take on “Caravan”, and the sublimely beautiful original bluesy ballad, “Back to You”. It doesn’t hurt that the recoding quality of all these tracks is quite good.