Eclectic Fusion

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Fusion was a term coined in the early 70s to designate a style of music that involved a combination of jazz, rock, funk and Latin styles. In the 80s a new style of fusion emerged that sometimes utilized those elements, but also turned to current musical developments such as punk, thrash metal, rap/hip-hop, neo-surf and diverse ethnic music such as klezmer, polka, Bulgarian wedding music and more. At JMA we call this 80s based fusion music, Eclectic Fusion. The Eclectic Fusion artist tends to be a bit more urban and hard edged than the 70s fusion artist, and is liable to call on a much more diverse array of influences. These artists can also be more prone towards an avant-garde and/or deconstructionist approach to their creations.

Some precedents to the Eclectic Fusion genre can be found in Miles Davis' "Black Magus" and Ornette Coleman's "Dancing in Your Head". Possibly the first full realization of Eclectic Fusion can be found in John Zorn's Naked City band. Other popular practitioners of Eclectic Fusion include Sax Ruins, Electric Masada, Panzerballet, Raoul Bjorkenheim's Krakatau, Led Bib, The Thing and Kazutoki Umezu.

eclectic fusion top albums

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LIBERATION PROPHECY Last Exit Angel Album Cover Last Exit Angel
LIBERATION PROPHECY
5.00 | 2 ratings
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SONNY SHARROCK Ask the Ages Album Cover Ask the Ages
SONNY SHARROCK
4.65 | 11 ratings
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MASADA At The Mountains Of Madness (Electric Masada) Album Cover At The Mountains Of Madness (Electric Masada)
MASADA
4.83 | 3 ratings
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CURLEW Live In Berlin Album Cover Live In Berlin
CURLEW
4.83 | 3 ratings
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CURLEW Bee Album Cover Bee
CURLEW
4.83 | 3 ratings
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DONNY MCCASLIN Beyond Now Album Cover Beyond Now
DONNY MCCASLIN
4.95 | 2 ratings
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AKA MOON In Real Time Album Cover In Real Time
AKA MOON
4.67 | 3 ratings
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PAUL MOTIAN The Paul Motian Trio at the Village Vanguard Album Cover The Paul Motian Trio at the Village Vanguard
PAUL MOTIAN
4.75 | 2 ratings
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BILL FRISELL Have a Little Faith Album Cover Have a Little Faith
BILL FRISELL
4.47 | 10 ratings
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KAZUTOKI UMEZU Eclecticism Album Cover Eclecticism
KAZUTOKI UMEZU
4.52 | 4 ratings
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PAUL MOTIAN Paul Motian Trio: Sound of Love Album Cover Paul Motian Trio: Sound of Love
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4.52 | 3 ratings
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MASADA 50⁴ (Electric Masada) Album Cover 50⁴ (Electric Masada)
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4.48 | 4 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

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eclectic fusion Music Reviews

GINGER BAKER Ginger Baker Trio ‎: Going Back Home

Album · 1994 · Eclectic Fusion
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snobb
Imagine British rock supergroup Cream with jazz bassist Charlie Haden instead of Jack Bruce and Americana-jazz guitarist Bill Frisell instead of Eric Clapton. Here they are - original Cream drummer-led Ginger Baker Trio. They sound actually as it looks on paper - quite odd.

Frisell fans will recognize his guitar sound from very first seconds, and it stays a signature sound for all of the album. Haden, most of the time, stays on safe support, but Baker's ambition to be a leader is obvious, not always for good. His playing recalls an elephant, dancing in a crystal glass room, elegance (with big help of strangely sounding drum set, probably a rock band's one), and this thunder like drums are placed on the front of the sound mix.

Two standards (incl.Monk's Straight, No Chaser) sound unusual, but hardly all that attractive. Other songs are members' originals, some sound more like rock songs (and they are probably among the better songs). Most of the time I've been thinking that this album's edition in "minus one" format (without the drummer, of course) would sound really more attractive (if a bit too sleepy, as many similar Frisell works). In general, all the music sounds as if it has been recorded separately by each musician at home and then mixed as one in the studio, not a good feeling for jazz of any form.

Not really unlistenable, this album has its attraction in the weird combination of musicians, but too often it doesn't work properly.

AVRAM FEFER Avram Fefer Quartet : Testament

Album · 2019 · Eclectic Fusion
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snobb
Sax player Avram Fefer's trio, already known from their two previously released albums, has improved with their new release by adding cult guitarist Marc Ribot. The final result is accessible and enjoyable music, a mix of all-in-one but without possibly expecting chaos.

There are a lot of things happening when you start listening, and it's difficult to decide whether it is a jamming rock band led by shredding guitar hero Marc Ribot, or is it an Ayleresque avant-garde jazz quartet with tuneful high energy saxist Fefer on the front. Up tempo compositions contain explosive guitars, a lot of exotic influences (from African to klezmer), and very groovy pushing ahead rhythm section.

Different from many bands of the same genre, Fefer's quartet doesn't sound too serious, too complex or too abstract - not at all. Just don't expect to find any directions here - the musicians obviously enjoy playing their music and they expect the listener feels the same way.

HANS KOLLER (SAXOPHONE) Nome

Live album · 2017 · Eclectic Fusion
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Igor91
After discovering Hans Koller's impressive 1974 release, "Kunstkopfindianer," I came across this live recording of the same line-up for that album. This CD release is on the B.Free label, which is listed as a bootleg label on Discogs, yet the parent label, Be!Sharp, is not listed as such. Bootleg or not, the sound quality on this release is excellent. The packaging states that it was recorded May 15, 1974 in Cologne, Germany "from the original tapes in pristine audio," and it certainly sounds that way. This was apparently taped for a radio broadcast. Along with Koller are Wolfgang Dauner on keys, Zbigniew Seifert on violin and alto sax, Adelhard Roidinger on bass, and Janusz Stefanski on drums.

This live recording draws from the material on the album "Kunstkopfindianer," but, like any good live performance, expands the boundaries of the studio recordings. The avant-garde/free jazz aspects of "Kunstkopfindianer" are further explored here, making it a more challenging listen than the studio versions. That's not to say it isn't good, you just need more attention and patience when listening. "Nome" (the song) is a whopping 40 plus minutes long, a huge leap from the mere 6 1/2 minutes of the studio version. The remaining 35 minutes consist of 3 other tracks from the studio album and some needlessly included announcements.

As would be expected, the musicianship displayed here is top-notch, and, as mentioned above, the recording is impeccable. Overall, a wonderful document of a great group of musicians at the top of their game. If you like "Kunstkopfindianer" or Dauner's experimental jazz and fusion, then this is a must-hear. 4 stars.



HANS KOLLER (SAXOPHONE) Kunstkopfindianer

Album · 1974 · Eclectic Fusion
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Igor91
I came across this album while searching works by Wolfgang Dauner in Discogs and decided to give it a listen. I was happy I did, for this is an excellent example of experimental fusion from that era.

While the album is under saxophonist Hans Koller's name, it is heavily influenced by Dauner's experimental work of that time period. This is really more of a band project, with Koller being just one of the equally important members. Koller, the elder statesman in the group, was in his early 50's at the time, and I give the man credit for releasing music like this at this point in his career. I haven't heard much of his earlier work, but what I did listen to was firmly in the bop tradition. "Kunstkopfindianer" is something quite different.

I would describe this album as a mix of fusion, avant-garde/free jazz, and hard bop. The free jazz/avant-garde aspects of the music never goes too far before becoming grounded by some element of structure and melody. All of the musicians give superb performances, and all but drummer Janusz Stefanski contribute compositions. Stefanski does, however, lay down some incredible, at times ferocious, drum-work throughout the LP. Dauner is his usual genius on the keys, while bassist Adelhard Roidinger is all over the place (in a good way) on his instrument. Koller delivers a convincing performance in the mix, like he'd been a free jazz master all of his life.

I truly enjoy listening to this album and would recommend it to those who like Dauner's experimental work, such as Et Cetera. I give it a solid 4 1/2 stars - an obscure, yet essential album of experimental 70's jazz fusion.

LE REX Escape of the Fire Ants

Album · 2019 · Eclectic Fusion
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kev rowland
It is safe to say there are few bands quite like Le Rex. While there are many who are challenging existing musical forms there can be few who can be said to be attacking quite like this. For a start, I can’t think of another band who have a line-up quite like this, as we have alto saxophonist Benedikt Reising, tenor saxophonist Marc Stucki, trombonist Andreas Tschopp, tuba player Marc Unternährer and drummer Rico Baumann. Yes, you read that correctly, four horns and a drummer, no guitar, bass or piano in sight, and of course no room whatsoever for a singer. Although arguably it can be said that the tuba does sometimes play the role of a bass as it anchors the bottom end of the sound, it is far more common for Unternährer to be a key part of the melody and there are times when he takes on the lead role.

Although jazz is the starting point, on the way to the end Le Rex are actually incredibly progressive in their outlook as they bring their eclectic bent into songs which are always fascinating and interesting, moving in directions one can rarely fathom: there is no way to predict what is going to happen next. But these are all songs as opposed to improvisations, and originally were scored, although the band rehearsed them so they could play them live in the studio without reference. When I play this, I have discovered that sometimes my ear is following one particular musician through the threads, at others I am jumping between them, and others when I open my mind and try to take it all in at once. Interwoven, complex and complicated, one would imagine that this might be a hard album to listen to, but nothing could be further from the truth as it is such a delight from beginning to end. I can imagine fans of the likes of Art Zoyd getting as much from this as those who would consider themselves to be more traditional jazz lovers as opposed to prog. Yet another great release from Cuneiform Records, so glad they are back on the scene.

eclectic fusion movie reviews

MEDESKI MARTIN AND WOOD Fly In A Bottle

Movie · 2011 · Eclectic Fusion
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js
“Fly in a Bottle” is a documentary that follows Medeski, Martin and Wood while they are on tour developing the music that will become “Radiolarians”, as well as some of the recording sessions for that same album. The music on here is excellent, MM&W have a come a long way over the years. They were always a talented band from the start, but their confidence has grown. The funky tunes are funkier than ever, and the psychedelic jazz-rock tunes are more powerful, imaginative and original. Almost any music fan might enjoy watching their concerts and even some of their recording sessions, but a lot of the rest of this DVD is for hardcore fans only.

Along with the footage of MM&W playing music, you also get a lot of footage of them on tour visiting ecological tourist spots and talking, hanging out etc, which is where I think a lot of non-fans will probably start losing interest. They seem like nice sincere guys, but they aren’t particularly entertaining or charismatic, which is often the case with nice sincere guys. There are also some artsy short videos that follow the main feature, some more entertaining than others. Fans of MM&W may want to pick this up, it’s a well-made video and the music is excellent, but non-fans may find this lacking in substance in places.

Artists with Eclectic Fusion release(s)

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