Eclectic Fusion

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Fusion was a term coined in the early 70s to designate a style of music that involved a combination of jazz, rock, funk and Latin styles. In the 80s a new style of fusion emerged that sometimes utilized those elements, but also turned to current musical developments such as punk, thrash metal, rap/hip-hop, neo-surf and diverse ethnic music such as klezmer, polka, Bulgarian wedding music and more. At JMA we call this 80s based fusion music, Eclectic Fusion. The Eclectic Fusion artist tends to be a bit more urban and hard edged than the 70s fusion artist, and is liable to call on a much more diverse array of influences. These artists can also be more prone towards an avant-garde and/or deconstructionist approach to their creations.

Some precedents to the Eclectic Fusion genre can be found in Miles Davis' "Black Magus" and Ornette Coleman's "Dancing in Your Head". Possibly the first full realization of Eclectic Fusion can be found in John Zorn's Naked City band. Other popular practitioners of Eclectic Fusion include Sax Ruins, Electric Masada, Panzerballet, Raoul Bjorkenheim's Krakatau, Led Bib, The Thing and Kazutoki Umezu.

eclectic fusion top albums

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MASADA At The Mountains Of Madness (Electric Masada) Album Cover At The Mountains Of Madness (Electric Masada)
MASADA
4.88 | 4 ratings
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DONNY MCCASLIN Beyond Now Album Cover Beyond Now
DONNY MCCASLIN
4.91 | 3 ratings
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PAUL MOTIAN Monk in Motian Album Cover Monk in Motian
PAUL MOTIAN
4.83 | 3 ratings
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SONNY SHARROCK Ask the Ages Album Cover Ask the Ages
SONNY SHARROCK
4.60 | 13 ratings
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OMAR RODRÍGUEZ-LÓPEZ Omar Rodriguez Lopez Quintet ‎: The Apocalypse Inside Of An Orange Album Cover Omar Rodriguez Lopez Quintet ‎: The Apocalypse Inside Of An Orange
OMAR RODRÍGUEZ-LÓPEZ
4.75 | 3 ratings
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CURLEW Bee Album Cover Bee
CURLEW
4.62 | 4 ratings
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CURLEW Live In Berlin Album Cover Live In Berlin
CURLEW
4.62 | 4 ratings
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AKA MOON In Real Time Album Cover In Real Time
AKA MOON
4.67 | 3 ratings
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BILL FRISELL Bill Frisell / Kermit Driscoll / Joey Baron ‎: Live Album Cover Bill Frisell / Kermit Driscoll / Joey Baron ‎: Live
BILL FRISELL
4.75 | 2 ratings
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PAUL MOTIAN Paul Motian Trio: Sound of Love Album Cover Paul Motian Trio: Sound of Love
PAUL MOTIAN
4.75 | 2 ratings
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PAUL MOTIAN The Paul Motian Trio at the Village Vanguard Album Cover The Paul Motian Trio at the Village Vanguard
PAUL MOTIAN
4.75 | 2 ratings
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BILL FRISELL Have a Little Faith Album Cover Have a Little Faith
BILL FRISELL
4.43 | 13 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

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eclectic fusion Music Reviews

MARKUS REUTER Reuter, Motzer, Grohowski : Bleed

Album · 2022 · Eclectic Fusion
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js
“Bleed” is the second album from the trio of Reuter, Motzer and Grohowski. Their first album, “Shapeshifter”, was a very intense and discordant affair recorded live, and it consisted of first take free improvisations. For this second album, the band opted for a studio setting, and although they continued with the free improvisational approach, they also took some time in the studio to edit and shape the music, while also adding some keyboards here and there to flesh things out. The end result is a more musical sounding album, but still with much of the intensity of their live outing. Once again, Markus Reuter and Tim Motzer handle the guitars and electronic gizmos, while Kenny Grohowski handles the drums. All three members add touches of Fender Rhodes, Hammond and Mellotron to the final product. This is very powerful music, and although they also have moments of calm and sensitivity, there is always this lurking feeling that all hell can break loose at any moment. Some music that these guys could be compared to could include Terje Rypdal, Sonny Sharrock, King Crimson, and Miles’ “Dark Magus” album. Every member of this trio has strong chops and the guitar pyrotechnics in particular are impressive.

Although this music is freely improvised, they do a good job of avoiding boring sameness and expected clichés. The opening title track features a heavy drone while Markus spins off a very ‘Frippertronics’ type solo. On “Caustum” they open with delicate finger picking guitar before Markus eventually adds a metallic solo. “Oracle Chamber” sports the closest thing to a familiar repeating rock riff and “Impenetrable” has the band in total free jazz mode. On “Monolith”, the band sounds like a dead ringer for mid 70s King Crimson, particularly the middle section of Crimson’s famous “Starless” song. Album closer, Externalities …” has the band floating away in an unsettling urban ambiance. If free form industrial fusion laden with screaming guitar solos is your sort of thing, it does not get much better than this.

M-BASE COLLECTIVE Flashback On M-Base

Boxset / Compilation · 1993 · Eclectic Fusion
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snobb
Different from M-Base Collective's "Anatomy of a Groove", their only studio album, "Flashback On M-Base" released a year after (in Japan as well) is a compilation of M-Base Collective member's already released material, taken from their own albums. As with a lot of M-Base music, same or similar artists participate on almost any song of their movement's colleagues.

Both albums, being framed musically within M-Base concept, are quite different though. "Anatomy of a Groove" is groovy inspired monolith release, "Flashback On M-Base" is a bulky collection of some strong and some not so good numbers, covering stylistically widest possible variety of the sub-genre. As a result, "Flashback On M-Base's" separate songs do not always fit together, the programming looks a bit strange in moments and the whole album sounds very much as a collection of different songs.

The opener, "Micro-Move", comes from Strata Institute project, or in fact, from M-Base's two main ideologists, altoists Steve Coleman and Greg Osby, as their bare-naked groovy two-saxes soloing duel.

Trombonist Robin Eubanks "Never Give Up", is a drummer's framed funk jazz with some vocals and Greg Osby on alto among others. Steve Coleman's "To Perpetuate The Funk" is one of the strongest songs on the album with interesting lesser known Denise Karen Dyson on vocals (varying from operatic to r'n'b). "Silent Attitude" is a mid-tempo spacey keyboards driven duet with Greg Osby and keyboardist Geri Allen.

Singer Cassandra Wilson's "Rock This Calling" is a funky ballad of sorts with Steve Coleman on alto among others. Greg Osby's, "Gyrhythmitoid", contains a groovy bass line from Lonnie Plaxico and mechanistic drumming from Paul Samuels. Osby's alto soloing adds some life to the music though. Steve Coleman's, "I'm Going Home", with Cassandra Wilson (and Coleman himself) on vocals sounds as a free-funk-rock piece with Kelwyn Bell's electric guitars soloing and Geri Allen's heavy synths.

Third Greg Osby composition, "Mischief Makers", recalls early synth-based "robotic" hip-hop. Cassandra Wilson's "Never", with Steve Coleman on alto is dreamy and passionate, and like all the music on this album - funky. Second Robin Eubanks song, "Midtown", is a funky fusion number with lots of nice soloing trombone. Album closer - Steve Coleman Group's "Another Level" (the group itself is a duo of Coleman on alto and Marty "Smitty" Smith on drums) is a minimalist rhythmic song with lots of Coleman sax soloing over Smith's relaxed mechanistic drumming.

In all, this album is quite an interesting sampler of early M-Base music, collected in one place, but because of the eclectic nature and not always successful programming, it just doesn't sound like a whole.

M-BASE COLLECTIVE Anatomy Of A Groove

Album · 1992 · Eclectic Fusion
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snobb
M-Base, in a musical sense, was a development of Ornette Coleman's Prime Time ideas from the early 90s. Not a band per se, M-Base Collective was a loose formation of Brooklyn based artists led by alto saxophonists Steve Coleman and Greg Osby. Some other future well-known artists participated as well, partially guitarist David Gilmore and vocalist Cassandra Wilson.

Perfectly recorded (and surprisingly released in Japan only by domestic DIW label), "Anatomy of a Groove" represents M-Base music at its best. Groovy, funky, precisely played, creative but well-framed, it sounds fresh and unexpected, especially taking into account that the 90s weren't the most inspiring time for jazz. Comparing to Steve Coleman's later and better known work, the music here on "Anatomy of a Groove" is less mechanical, more playful (partially thanks to Cassandra Wilson's wordless vocalize) and in general can be even tagged as "slick" and "stylish". The interplay between musicians is just amazing.

For sure, it still is a music for an acquired taste. Similar to other genres based on rhythmic structures and repetitive construction (as in funk or funk jazz), for some it can sound pointless or undirected. For genre fans, it's a true gem though.

CUONG VU Cuong Vu 4-tet ‎: Leaps Of Faith

Live album · 2011 · Eclectic Fusion
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snobb
Cuong Vu, Vietnamiese-born US-based trumpeter, was a significant figure on the creative jazz scene during the first two decades of the new century. On "Leaps Of Faith", his only released live album as a leader to date, Cuong leads a two-basses/drums quartet on a series of standards and originals.

Musically Vu starts somewhere on Miles' early psychedelic fusion and moves it towards more contemporary aerial Nils-Petter Molvaer style nu jazz. Standards (incl., Body And Soul and My Funny Valentine among others) are seriously deconstructed, and are not easily recognizable. In general, the whole album's main attraction is quite relaxed, liquid and often lyrical sound of Vu's trumpet. The originals, especially the 15-minutes long, "I Shall Never Come Back", are more energetic, contain some shredding and are closer to rock-jazz.

In all, not very memorable album musically, it attracts listener by relaxed atmosphere and nice atmospheric soundscapes.

SAM RIVERS Sizzle

Album · 1976 · Eclectic Fusion
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snobb
Strangest Sam Rivers album ever - instead of the free-bop of his early works or the avant-garde jazz he is well-known for, Rivers plays four long fast-tempo funky pieces in a style one could expect from Sonny Sharrock or Ronald Shannon Jackson.

The band contains two drummers (incl. Barry Altschul), Dave Holland on bass/cello and guitarist Ted Dunbar. Rivers himself plays sax, piano and a lot of flute. Released on his regular Impulse! label, this album didn't reach the target listeners for that sort of music and critics didn't receive it well.

Energetic and straight-forward, this album's music has its moments, but comparing with much more complex and knotty River's regular albums of the time, it is simply not the work of his league.

eclectic fusion movie reviews

MEDESKI MARTIN AND WOOD Fly In A Bottle

Movie · 2011 · Eclectic Fusion
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js
“Fly in a Bottle” is a documentary that follows Medeski, Martin and Wood while they are on tour developing the music that will become “Radiolarians”, as well as some of the recording sessions for that same album. The music on here is excellent, MM&W have a come a long way over the years. They were always a talented band from the start, but their confidence has grown. The funky tunes are funkier than ever, and the psychedelic jazz-rock tunes are more powerful, imaginative and original. Almost any music fan might enjoy watching their concerts and even some of their recording sessions, but a lot of the rest of this DVD is for hardcore fans only.

Along with the footage of MM&W playing music, you also get a lot of footage of them on tour visiting ecological tourist spots and talking, hanging out etc, which is where I think a lot of non-fans will probably start losing interest. They seem like nice sincere guys, but they aren’t particularly entertaining or charismatic, which is often the case with nice sincere guys. There are also some artsy short videos that follow the main feature, some more entertaining than others. Fans of MM&W may want to pick this up, it’s a well-made video and the music is excellent, but non-fans may find this lacking in substance in places.

Artists with Eclectic Fusion release(s)

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