Jazz Related Rock

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The appearance of rock had a massive effect on jazz that was both disaterous to the old guard, and 'electrifying' to those seeking change. Over the years, some rock artists have had a stronger effect on the development of jazz than many jazz artists. Here at JMA we pay tribute to those influential rock artists, as well as to those rock artists who draw a lot of respect from the jazz world, with our genre called Jazz Related Rock. Jimi Hendrix is the epitome of a rock musician who had a major impact on jazz.

jazz related rock top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm

FRANK ZAPPA The Grand Wazoo (The Mothers) Album Cover The Grand Wazoo (The Mothers)
FRANK ZAPPA
4.67 | 33 ratings
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SOFT MACHINE Third Album Cover Third
SOFT MACHINE
4.62 | 47 ratings
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FRANK ZAPPA One Size Fits All (as Frank Zappa And The Mothers Of Invention) Album Cover One Size Fits All (as Frank Zappa And The Mothers Of Invention)
FRANK ZAPPA
4.61 | 31 ratings
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FRANK ZAPPA Over-Nite Sensation (The Mothers) Album Cover Over-Nite Sensation (The Mothers)
FRANK ZAPPA
4.61 | 25 ratings
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FRANK ZAPPA Hot Rats Album Cover Hot Rats
FRANK ZAPPA
4.51 | 45 ratings
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HATFIELD AND THE NORTH The Rotters' Club Album Cover The Rotters' Club
HATFIELD AND THE NORTH
4.58 | 18 ratings
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FRANK ZAPPA Waka/Jawaka Album Cover Waka/Jawaka
FRANK ZAPPA
4.55 | 21 ratings
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AREA Arbeit Macht Frei (Il Lavoro Rende Liberi) Album Cover Arbeit Macht Frei (Il Lavoro Rende Liberi)
AREA
4.61 | 13 ratings
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SOFT MACHINE Grides Album Cover Grides
SOFT MACHINE
4.69 | 9 ratings
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FRANK ZAPPA Shut Up 'n Play Yer Guitar Album Cover Shut Up 'n Play Yer Guitar
FRANK ZAPPA
4.82 | 6 ratings
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FRANK ZAPPA Imaginary Diseases Album Cover Imaginary Diseases
FRANK ZAPPA
4.88 | 5 ratings
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NATIONAL HEALTH National Health Album Cover National Health
NATIONAL HEALTH
4.59 | 10 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

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jazz related rock Music Reviews

SOT Redwings Nest

Album · 2014 · Jazz Related Rock
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js
“Redwings Nest” is the second album from Norwegian oddball rockers SOT, and if you enjoyed their first one, then this one should work for you as well as they seem to be following similar recipes here. For those not familiar with this trio, SOT consists of Skjalg Reithaug on guitar and Anders Hunstad on drums, with Lars Andreas Haug covering the low end on tuba, as opposed to the expected bass. The tuba is no joke and actually gives this band a fuller sound than what would come from using a bass. Their music is based in modern heavy rock, but draws from many different genres, even within one song sometimes. Their type of rapid changeups and eclectic styles will remind some of similar artists like Frank Zappa, Mr Bungle or Buckethead. Modern progressive and avant-garde metal bands have an influence on the SOT approach as well.

One marked difference with SOT’s second CD, over their first, is an increased use of wordless vocals, which adds an interesting dimension to their music. Many of these vocals are coming from guest vocal group PUST, whose small choir sound can recall 60s exotica or classic 70s prog rock. Closing track “Journey” uses this choir effect to its fullest potential. Other occasional added vocals are more of an anguished and processed punk/industrial variety and add intensity to rockin buildups. Also, the band is making more use of Haug’s multi-instrumental abilities on a variety of horn instruments and woodwinds.

This sort of intense and eclectic music isn’t for everyone, but if you have an interest in modern bands that play along these lines, SOT is better than most. There is a mature musicality to SOT’s creations that is sometimes lacking in music that is over laden with ideas by similar bands.

TORTOISE TNT

Album · 1998 · Jazz Related Rock
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siLLy puPPy
TORTOISE continues their unique experimental brand of post-rock on their 3rd album TNT which finds a huge grab bag of ideas heaped onto their already eclectic palette. In fact, if someone were to slap on a various artists cover of some sort you might be hard pressed to believe that the 12 compositions on this album are by the same artist. The leading track begins with one of the most “normal” tracks which sounds like a nice airy brand of jazz-fusion. It is a pleasant but unalarming little piece that belies the strangeness that kicks off on the second track “Swing From The Gutters” which introduces an ambient intro followed by an electronic dance groove mixed with some jazz guitar. The third track takes you somewhere else entirely by creating a hypnotic xylophone-like sound that works in a progressive electronic sound.

The entire album is diverse and quite exciting. It is reasonably accessible from the getgo but adds unorthodox elements that make it sound extremely fresh and constantly delivers surprises when you least expect them without being as over-the-top as say the Mr Bungles out there. The track titled “Jetty” is unique as it is the TORTOISE version of a song that was recorded and put onto the album “The Unstable Molecule” by their more jazz-fusion oriented sister band Isotope 217. On that album though is is listed under the French title "La Jetée" which is the name of an experimental film. This is a really cool album that incorporates a plethora of moods. I might have to up my rating in the future as I seem to like this more every time I listen to it but for right now it is a solid 4 star album.

TORTOISE Millions Now Living Will Never Die

Album · 1996 · Jazz Related Rock
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siLLy puPPy
Defying classification and making me wonder if these guys are truly post-rock or just eclectic, MILLIONS NOW LIVING WILL NEVER DIE is indeed a magnificent piece of work which catapulted TORTOISE into the consciousness of post-rock lovers and the music world in general. They are truly unique and this 2nd album will leave you wondering what you just heard leaving trails of post-rock, krautrock, electronica, minalmist or jazz. The truth is that they are all of the above only strewn together in a way that is simultaneously pleasant and unexpected.

This album has a heavy bass which is most commonly heard in hip hop but in this context it adds a nice sub-sound that makes your speakers resonate in a most pleasant way. Basically all I can say about this album is that it delivers in a most satisfying way. It takes you somewhere completely unexpected and makes you wonder what you just listened to. Repeated listenings only add a sense of appreciation as they make you admire the mixings of styles that made this particular album come into fruition. I can totally understand why this album is considered one of the cornerstones of post-rock following the footsteps of Talk Talk. Although it seems like it's in a category of its own, it really does progress the post-rock sound by adding a myriad of influences. Highly recommended.

COLOSSEUM/COLOSSEUM II The Grass Is Greener

Album · 1970 · Jazz Related Rock
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EntertheLemming
The Best Restaurant in Rome (If You're a Lion)

This stateside only release from 1970 has come to resemble something of a curio in the Colosseum discography. It was rushed out with rather indecent haste just a few months after the successful Valentyne Suite (presumably under the pretext of James Litherland having being replaced in the interim by Clem Clempson) Anyways, given that it features the new singer and guitarist on alternate versions of previously released numbers, plus some new and old material, it still hangs together surprisingly well as a stand alone document and not some expedient ploy designed to plunge our short arms into deep pockets. Litherland's departure is a mixed blessing for your reviewer as I prefer his guitar work but favour Clempson's lower vocal range. Tensions had been running high in the band for some time prior to Litherland being asked to leave and he cites soloist's egos, over elaborate arrangements, and a dearth of 'in the pocket groove' from drummer Hiseman as all being contributing factors to his estrangement from his colleagues. More pointedly perhaps was him discovering quite by chance that his band mates were being paid considerably more than he was as the singer, guitarist and composer. How ironic therefore that the man they nicknamed 'Butty' (after the Mancunian slang for a sandwich) was toast after claiming he received too little bread (Man)

Jumping Off the Sun - This unique song was written by the rather tragic figure of one Mike Taylor, an incredibly original and talented jazz pianist who ended up drowned in the River Thames at just 30 years old, purportedly under his own hand. It's one of the most unusual and unnerving compositions I've heard in a long while and seems in places almost to defy the trumping gravitational pull of tension and its release we crave for in diatonic music. Even the chorus type 'hook' betrays a maverick agenda by landing on a lacerating discord. There are weird jutting cadences, sly metric jesting and unresolved harmonies at play here that apart from maybe Syd Barrett and Thelonious Monk, have no precedent I can cite.

Lost Angeles - It's fascinating to hear this early run-through of a number that was given its definitive reading on the stirring Live version from '71. Greenslade's murky organ occupies a less prominent role here but his gossamer chiming vibes are captured beautifully and Heckstall-Smith interjects some bluesy strands of noirish sax to cinematic effect. Hiseman is an incredibly accomplished and technical drummer but despite Litherland's claim that his playing lost much of its visceral pulse hereabouts, I find his contributions to be unfailingly supportive of the musical materials to hand. Although Clempson is not on a par with the masterful Chris Farlowe he does a decent job and at the very least we are spared his coma inducing solo from '71 that is so odiously predictable, overlong and cliche filled it was used in torture experiments conducted from behind the iron curtain designed to break western spies during the Cold War.

Elegy - An odd name for such a funky little monkey y'all? This is James Litherland singing and his highly strung tonsils are a perfect match for material like this (it should be, he wrote it) By some weird perverse reason best known to the mental health profession I always envisage this is what Sly and the Family Stone gettin' oreo on us would sound like? Identical to the track that appears on the Valentyne Suite.

Butty's Blues - Another Litherland piece which would be a rather ordinary 12 bar but for the highly imaginative and refreshingly original take on da blooz courtesy of Neil Ardley's brilliant arrangement. Neil was the musical director of the New Jazz Orchestra from 1964 to 1970 which employed some of the best young musicians in London including Ian Carr, Jon Hiseman, Jack Bruce, Tony Reeves, Barbara Thompson, Dave Gelly, Mike Gibbs, Don Rendell, and Trevor Tomkins et al. A veritable who's who of fledgling UK fusion circa the mid 60's. They recorded at least one album I know of called Le Déjeuner Sur L'Herbe which is well worth tracking down and, despite the gauche double entendre in the title, is not filled with stoned hippy jazz w.a.n.k and also contains two compositions by the aforementioned Mike Taylor.

Rope Ladder to the Moon - Almost a sister song to Taylor's Jumping off the Sun and one of Jack Bruce's finest creations which to this day, I haven't the foggiest idea what he's banging on about. It hardly matters so just enjoy this oriental inflected slice of angular 60's kitsch for what it is. Not quite as assured as the road tested version on Live from 1971 but that's to be expected with what was new material of course. Clempson struggles with some of the higher notes but on this occasion such flaws imbue his delivery with an endearing vulnerability.

Bolero - My old geography teacher perhaps put it best when he described my crammed essay on soil erosion as 'long winded graffitti that would shame even a condemned building'. Yep, Ravel is subjugated to the indignity of being rendered 'diggable' by those who should have been rendered senseless with a shovel. Clempson's flimsy Davy O'List impersonation in the middle is unbearable, unforgivable, inexcusable and credible reason enough to dispense entirely with electricity.

The Machine Demands a Sacrifice - Memorable chorus hook certainly and Greenslade's organ solo is well worth the wait but this is two good ideas stretched to breaking point.

The Grass Is Greener - I've always adored this section from the Valentyne Suite and it appears to be pretty faithful to the album version, albeit it's Clempson, not Litherland on guitar. Dave Greenslade's subtle but always commanding Hammond is a salutary lesson in how to steer a vessel without recourse to a gangplank. Once again alas, Clempson's creaking blues rock excesses are completely oblivious to the economy mirrored by Heckstall-Smith's indelible main theme and so keelhauling the insolent cur would be the only humane verdict all told.

There is some anecdotal evidence that had Colosseum been touring on the east coast of the USA in 1969 they would have been invited to perform at Woodstock. What this would have done for their subsequent career trajectory is at best speculative and at worst disingenuous. Forgive me for using a football analogy here but it's the most apt way I can think of to describe the demise of yet another delightful but doomed ensemble: Colosseum are perhaps comparable to the Dutch national football team i.e. they have thrilled audiences with their wonderful skill and technical mastery over many a lesser opponent but have won precisely zero, nada, squat with regards to trophies. Eleven brilliant players is not a 'team'

KING CRIMSON In The Wake Of Poseidon

Album · 1970 · Jazz Related Rock
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siLLy puPPy
Poseidon is well known as having full domain of the oceans and is known as "God Of The Sea," however he is also referred to as "Earth-Shaker" because he was thought of being the cause of earthquakes as well, so I guess the title of this album refers to the aftermath of the band after the sudden success of KC's debut album and following tours which were too much for Ian McDonald and Michael Giles who soon parted ways followed by Greg Lake being seduced by Keith Emerson to form ELP. That left Robert Fripp and Peter Sinfield as the only original members after it was decided that it was pretty much Fripp's musical vision in the first place. The former members did agree to sit in as studio musicians only.

What a change from the debut. This album seems to me like a collection of leftovers and outtakes. The very first full song "Pictures Of A City" is obviously nothing more than a reworking of "21st Century Schizoid Man." One of the better pieces on the album is "The Devil's Triangle" which was inspired by Gustav Holt's "Mars: Bringer Of War" from "The Planets Suite." An ok album but too obvious that it is a half-assed reworking of the debut. Given the band's tumultuous history it's somewhat understandable and would be a mere blip in the parade of outstanding releases to come. Despite its inferiority to “In The Court....” I still find this a worthy occasional listen.

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KING CRIMSON Neal And Jack And Me

Movie · 2004 · Jazz Related Rock
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Sean Trane
This DVD will please many of the third Crimson phase fans combines two tours: the Beat tour and the Three Of A Perfect pair. Oddly enough, they are presented in a non- chronological order, but this is a very minor point. One of the things I was particularly uneasy about was Bruford's use of electronic percussions and drums and we get a load of those "things" and like all technology novelty, the risk is that it ages poorly and sadly here, it is the case. Another point I had not appreciated is the stage presence of Adrian Belew, which is clearly copied from David Byrne from his collaborations with The Talking Heads - I love the T Heads, but Belew's stage antics are too derivative and ill fitted for Crimson. There are a few tracks present twice and most notably the boring Mate Kusadai.

Strictly on the visual front, Crimson was clearly making efforts to look hip and appeal to a more new-wave-ish public. Those were the days! But I never said that they were good, either!

Among the bonuses, are a video clip and a few titbits, but sadly still missing is that mini- concert footage filmed for the Discipline release and them playing four tracks in front of a red curtain. I may be severe with my rating of this DVD but I am not a real fan of that era.

GONG Classic Rock Legends

Movie · 2000 · Jazz Related Rock
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seyo
This video contains live performances from 1990 Live on TV album. Four original members of GonG are present: Pip Pyle, Didier Malherbe, Gilli Smyth and an oddball-harlequin persona of the spiritus movens, Daevid Allen.

Performance is focused on their legendary Radio Gnome Invisible trilogy, with 3 starters from Camembert Electrique. Since I have no idea what GonG looked like on scene back in the early 1970s (that is, before I took a peek at several Youtube clips recently), I guess this DVD makes up a lot for that, the age of the performers notwithstanding.

In fact, seeing these unique art-performers in their senior age can just assure you how the music and art in general can surpass generations, years and ages if you wish. Musicianship is great, movie direction very good with several cameras shooting from different angles, while only the engagement of the dancers to invoke the mystical gnomey creatures may be seen as too over-stressed.

The finale presents perhaps too long goodbye with the extended "I Am You" jam, but when Daevid jumps down into the audience you can actually see the highly emotional and spiritual connection between the band and the people, done in an almost religious-like chanting. This is excellent video and should be seen by all those who have at least some knowledge of the Planet GonG trilogy repertoire!

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Dick Heath
I remember seeing this originally on BBC 2 a few weeks after it was recorded in one of the canteens of Oxford Poly, and getting a mix of intense pleasure. In particular pleasure from the tour de force that Holdsworth had developed into (and screamed out at me on Feels Good To Me)and the unknown bass-wiz Jeff Berlin. But there was disappointment over Annette's contribution to the set - when her husky voice breathed sex at me on the album.

Now here from the Beeb's archives is the original 70's video quality footage as originally shown on 625 lines. The pleasure points remain, with some details emphasised. However the disappointment is worse, in particular there is a promise of something special as Peacock flounces on part way through the set, dressed as the fashion queen,(thereby drawing the contrast with the blokes in the band). However,again the expectation of something special evaporates quickly - the diva can't 'deave' live in sympathy with the music, the band i.e. her vocals are poor. Fortunately we don't have to suffer this for long and thank goodness for the skip button.

Yes this is a short recording*, and isn't there a missed opportunity here? One DVD burn (of a copy of a copy, etc.) of this gig I saw some years ago and suffering horribly from colour dropout, had the addition of two extra numbers by Bruford recorded off from the Old Grey Whistle Test - here with I think Neil Murray deputing for Jeff Berlin. Surely the Beeb could had offered these as well?

*Interesting to see another Rock Goes To College recording of Herbie Hancock & the Headhunters recorded at the now defuncted Chelsea College, that had resurfaced on BBC 4 2 years ago, was an hour long.

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Slartibartfast
This is incredible. I had the good fortune of seeing Bruford, unfortunately post Holdsworth, at the now defunct Atlanta Agora. I did get to catch Holdsworth touring for his I.O.U. album, but that's another story. My first pass through this concert really gave me the goosebumps.

It is unfortunate that this DVD is only 41 minutes, but the set list is excellent. Four tracks from Bruford's best album, One of a Kind. Annette Peacock even shows up for a couple of songs. I always thought that she didn't fit in well with this kind of music, but it's nice to see her all the same. I hope I'm wrong, but I don't think there's any live video out there of Alan Holdsworth, so seeing him in action is a special treat. One of the things I remember most from seeing Bruford was that at times Jeff Berlin's picking fingers were a blur and seeing him again live, I know I wasn't imagining it. Dave Stewart, or as I like to call him, The Dave Stewart, not that Eurythmics guy, is also a lot of fun to see in action. I noticed he had a music stand with no sheet music, but a synthesizer diagram, interesting. And then of course there's Bill. Those of you who may dislike his electronic drum work, I'm not one, will be happy to him playing strictly acoustic. What can I say? He's really one of best drummers around. The audio quality is excellent and sometimes the camera man crop off Holdsworth's left hand when I'd like to see it, but other than that, this is really nice for a concert captured in 1979.

Artists with Jazz Related Rock release(s)

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