Jazz Related Rock

Jazz music community with reviews, MP3 (free download/stream) and forums

Like its close cousin RnB, rock grew out of the 1940s jazz genre known as jump blues. Needless to say, rock and jazz have had a close relationship from the very beginning. The jazz related rock section at JMA pays tribute to those rock artists who display a certain amount of competent jazz influence in their music. This influence can be displayed via virtuoso extended jam sessions, jazz influenced harmonic language, big band style horn charts or a combination of all this and more.

Jazz artists who utilize rock in their music can be found in the Classic Fusion, (Post 70s) Eclectic Fusion and Post-Fusion Contemporary genres.

jazz related rock top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm

FRANK ZAPPA The Grand Wazoo (The Mothers) Album Cover The Grand Wazoo (The Mothers)
FRANK ZAPPA
4.67 | 33 ratings
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SOFT MACHINE Third Album Cover Third
SOFT MACHINE
4.62 | 47 ratings
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FRANK ZAPPA One Size Fits All (as Frank Zappa And The Mothers Of Invention) Album Cover One Size Fits All (as Frank Zappa And The Mothers Of Invention)
FRANK ZAPPA
4.61 | 31 ratings
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FRANK ZAPPA Over-Nite Sensation (The Mothers) Album Cover Over-Nite Sensation (The Mothers)
FRANK ZAPPA
4.62 | 25 ratings
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AREA Arbeit Macht Frei (Il Lavoro Rende Liberi) Album Cover Arbeit Macht Frei (Il Lavoro Rende Liberi)
AREA
4.65 | 15 ratings
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FRANK ZAPPA Hot Rats Album Cover Hot Rats
FRANK ZAPPA
4.51 | 45 ratings
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HATFIELD AND THE NORTH The Rotters' Club Album Cover The Rotters' Club
HATFIELD AND THE NORTH
4.58 | 18 ratings
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FRANK ZAPPA Waka/Jawaka Album Cover Waka/Jawaka
FRANK ZAPPA
4.55 | 21 ratings
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SOFT MACHINE Grides Album Cover Grides
SOFT MACHINE
4.69 | 9 ratings
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FRANK ZAPPA Imaginary Diseases Album Cover Imaginary Diseases
FRANK ZAPPA
4.88 | 5 ratings
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FRANK ZAPPA Shut Up 'n Play Yer Guitar Album Cover Shut Up 'n Play Yer Guitar
FRANK ZAPPA
4.78 | 6 ratings
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NATIONAL HEALTH National Health Album Cover National Health
NATIONAL HEALTH
4.55 | 11 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

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jazz related rock Music Reviews

AREA Arbeit Macht Frei (Il Lavoro Rende Liberi)

Album · 1973 · Jazz Related Rock
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poslednijat_colobar
A stunning masterpiece on the verge of progressive rock and jazz rock!

This is the amazing debut album from mighty italians Area from the 70s' prog world. The inimitable manner the album is constructed amazes. Arbeit Macht Frei is full of energy and emotional intensity from the very first note to the last one. Being extremely intensive, profound, innovative and distinctive, it's real cornerstone of jazz oriented rock music as whole, and as prog masterpiece on the other side. All over the album there are not taking a rest for the musicians. Great musicianship as well. True masterpiece of jazz rock and progressive rock history. A must!

MORAINE Groundswell

Album · 2014 · Jazz Related Rock
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js
“Groundswell” is the third album for instrumental art rockers Moraine, and it finds them back on a good track again. Moraine’s first album revealed a strong unit aided by two string players which gave them a unique ‘string quartet plus rock band’ type sound. Their second album traded off one of the string players for a saxophone that was run through sound processing that made it sound like a cheap synthesizer. James DeJoi returns on woodwinds for this third album, but thankfully the annoying effects are gone and he sounds like he is playing saxophone and flute, not a portable Casio. Overall, the remaining violin and newcomer saxophone blend is much better now, in fact the whole band has achieved a very congruous orchestral type sound. They definitely make use of all the instrumental colors at their disposal.

Moraine plays instrumental art rock, but not of the overly busy pseudo-complicated variety that can be both annoying and cliché, there is at times a simple directness to Moraine’s music that can recall classic instrumental rock groups such as The Shadows, or some of the more experimental psychedelic surf bands. As for their progressive rock influences, Phil Manzenera’s Quiet Sun is a good reference, as well as Robert Fripp and King Crimson from the late 60s to the early 80s. Sounds from Asia and the Middle East also find their way into the Moraine mix. The compositions and performances on here are quite good, but the recording can be a little murky, sometimes the rhythm section lacks strength. Still, if you are interested in modern instrumental art rock, “Groundswell” is one of the better albums in this genre for 2014.

AMOGH SYMPHONY Vectorscan

Album · 2014 · Jazz Related Rock
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Graham_O_Fone
A very impressive and a freshly approached disparate take on Free Jazz or Avant Garde Jazz in fusion with electronic and progressive rock and Asian music, all together, based on a story/theme. It's a good thing to see more musicians experimenting with xenharmonics a.k.a traditional microtones these days. Some beautiful horn sections(Goregaon Detuned Brass Orchestra and trumpet player Shankar Das) nicely blending into heavy parts with dramatically expressive female vocals and monk chants conveying a dreamy theater to where mind escapes for a journey. Drummer Jim Richman displaying versatile and tasteful grooves and fills accommodating Vishal J.Singh's distinct, peculiar yet diverse guitar chops harmonizing with Andrey Sazonov's essential synthesizer work. From prepared instruments such as Guqin Guitar hybrid, interesting violas and violins, Santoor Guitar hybrid to the use of instruments like Hang Drum and Koto, the album has a lot of interesting components in a heavy dose.

Beautifully arranged, experimentally mixed-produced and nicely mastered with good old 90's era sound.

It's very hard to describe the genre of this album but it definitely comes under essential albums for aspiring musicians and music listeners with diverse tastes. For fans of Frank Zappa, John Zorn, Mahavishnu Orchestra, Medeski Martins and Wood and known metal band Gorguts.

FISHBONE The Reality of My Surroundings

Album · 1991 · Jazz Related Rock
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siLLy puPPy
FISHBONE had been struggling to find a new sound after a phenomenal debut EP. On the next two albums they stumbled around grasping at straws trying to see what would stick with some successes and some to the contrary. On their 4th release (counting the debut EP) all that experimentation came together to create an artistic vision of fusion frenzy perfection. THE REALITY OF MY SURROUNDINGS ushers in former Mile Davis music director John Bigham who contributes his keyboard and guitar talents to the mix of an already impressive musical cast that includes seven full time members and a whole list of guest musicians and background vocalists. This album truly exhibits a circus ring atmosphere where a rotisserie of musicians weaves their magic into the overall tapestry and exuding a huge party feel despite the dark, depressive and biting social critique. Despite it all there is plenty of room for their odd sense of humor to create a swirling dervish of hyperactivity encompassing a passion pit that always make me think of a Voodoo ritual in Haiti where in the heat of the moment you end up dancing on sizzling hot coals and draped with poisonous snakes.

On this album it is clear right from the getgo that this band was busy in the alchemy kitchen of sound fueling the fires to create an alloy of sonic bliss so sincere and advanced that it can hardly fall into any particular genre any more. They jettisoned none of their previous ska punk, groove funk or gospel soul but rather melded it all together with a healthy dose of a stronger groovy funk metal, jazz dissonance and even some slightly progressive time signature tendencies. The first track “Fight The Youth” hits the ground running as it incorporates funky metal riffing to an activist's plea to fight the powers that be. The album is accented by small little ditties in between the actual songs to add as an atmospheric direction change or simply to provide an intro for a following track. The four part “If I Were A... I'd” finds itself strewn about the album using the same music with different lyrics. These bits are under a minute but each time they improvise on a basic riff. The bleak little segment “Asswippin'” is the sound of an African slave being whipped with curdling screams of pain accompanied by tribal drums which ushers in the following “Housework” which seems to be a mix of jazzy funk with honky tonk and New Orleans brass followed by the depressive “Deathmarch” which sounds like a New Orleans funeral parade.

The fusionfest continues with the funk metal pleas of “Pray To The Junkiemaker” to the gospel tinged funk metal contemplativeness of “Everyday Sunshine.” The most humorous side of the band comes out on a story from a pimp's perspective on “Nasty Man” with its incessant funk groove and a bleak ending track called “Sunless Saturday” which is the perfect metal laden rock n' soul finale for an album laden with darkened depressive motifs that are the undercurrent of an exciting upbeat spiritual musical foreground that uplifts and depresses in every brilliantly mastered moment. This is one of my all time favorite albums that never ceases to amaze me of how magical certain moments in time can be for a band when all their stars align. Unfortunately despite having slight success with this album FISHBONE never broke into the big time however their sound was truly inspirational for countless bands that followed ranging from Jane's Addiction to more successful ska punk bands like Sublime and No Doubt. This is one for those who love fusion music so hot and smokin' that it verges on creating its own genre all together. It unduly gets lumped into all encompassing tags such as alternative rock or funk metal, but FISHBONE proved on this album that they could master the storytelling aspects of the best hip hop, the musicianship of the best of jazz and metal and the ability to hold the listener's attention throughout an hour long musical journey. The production is not the best here and FISHBONE albums need to be remastered for the new millennium but neither is it so horrible as to be unlistenable. EXCELLENT album!/;

SOFT MACHINE Volume Two

Album · 1969 · Jazz Related Rock
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siLLy puPPy
OK. Call me a SOFT MACHINE slut for giving their first two albums 5 stars but damn! I really love these guys and a belated introduction to their musical output hasn't dampened my enthusiasm to their sound one bit. In fact it may have enhanced it. I, like countless others, weren't around at the time of these releases to comprehend their musical meisterhood and it seems like many a music fan of the era didn't get to appreciate their ingenious jazz-fusion whimsy at the time of its release. SOFT MACHINE continued their evolution on VOLUME TWO by ratcheting up all the unusualness of their first album and keeping just enough of the familiar poppiness to give a musical structure to embellish upon. The whimsical glee exerts itself full throttle on the first track with their childlike playfulness meets their adult contemplative spirituality on “Pataphysical Introduction.” You know you are in for something special right away.

There had been a few personal changes from Volume One to VOLUME TWO. Robert Wyatt was still in charge of drum duties and lead vocals. Mike Ratledge stayed on board for as keyboardist, but on this release bassist Kevin Ayers was out and Hugh Hopper who guested on the first album was now in. This time around Hugh's brother Brian Hopper guested on the sax (both soprano and tenor.) This album is really two long tracks but because of the advise of Frank Zappa the band broke those two longer tracks into many because of the fact one could reap more royalties that way. The album is actually very short clocking in at just over a half an hour but there is so much going on in that time that it actually feels longer to me.

VOLUME TWO is the logical evolution from “Volume One.” Instead of just jettisoning the psychedelic pop leaning template that had begun before their first album and still utilized on the debut, the band keeps this as a template and simply expands the avant-garde and jazz-fusion tendencies developed on their debut. The result is another superbly excellent album that is short but sweet. The jazz factor is ratcheted up quite a few notches but the underlying flow of the album remains comparable to the debut. As with the previous album this is a grower. No SOFT MACHINE album unleashes its secrets easily. One must listen attentively to let the magic unfold at his or her own time. For me personally, I find this an excellent successor to the debut and a logical bridge between the debut and the even more jazz infused developments of “Third.” Yeah, the only totally unoriginal thing about this band is that they could have been more creative in naming their albums!

jazz related rock movie reviews

KING CRIMSON Neal And Jack And Me

Movie · 2004 · Jazz Related Rock
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Sean Trane
This DVD will please many of the third Crimson phase fans combines two tours: the Beat tour and the Three Of A Perfect pair. Oddly enough, they are presented in a non- chronological order, but this is a very minor point. One of the things I was particularly uneasy about was Bruford's use of electronic percussions and drums and we get a load of those "things" and like all technology novelty, the risk is that it ages poorly and sadly here, it is the case. Another point I had not appreciated is the stage presence of Adrian Belew, which is clearly copied from David Byrne from his collaborations with The Talking Heads - I love the T Heads, but Belew's stage antics are too derivative and ill fitted for Crimson. There are a few tracks present twice and most notably the boring Mate Kusadai.

Strictly on the visual front, Crimson was clearly making efforts to look hip and appeal to a more new-wave-ish public. Those were the days! But I never said that they were good, either!

Among the bonuses, are a video clip and a few titbits, but sadly still missing is that mini- concert footage filmed for the Discipline release and them playing four tracks in front of a red curtain. I may be severe with my rating of this DVD but I am not a real fan of that era.

GONG Classic Rock Legends

Movie · 2000 · Jazz Related Rock
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seyo
This video contains live performances from 1990 Live on TV album. Four original members of GonG are present: Pip Pyle, Didier Malherbe, Gilli Smyth and an oddball-harlequin persona of the spiritus movens, Daevid Allen.

Performance is focused on their legendary Radio Gnome Invisible trilogy, with 3 starters from Camembert Electrique. Since I have no idea what GonG looked like on scene back in the early 1970s (that is, before I took a peek at several Youtube clips recently), I guess this DVD makes up a lot for that, the age of the performers notwithstanding.

In fact, seeing these unique art-performers in their senior age can just assure you how the music and art in general can surpass generations, years and ages if you wish. Musicianship is great, movie direction very good with several cameras shooting from different angles, while only the engagement of the dancers to invoke the mystical gnomey creatures may be seen as too over-stressed.

The finale presents perhaps too long goodbye with the extended "I Am You" jam, but when Daevid jumps down into the audience you can actually see the highly emotional and spiritual connection between the band and the people, done in an almost religious-like chanting. This is excellent video and should be seen by all those who have at least some knowledge of the Planet GonG trilogy repertoire!

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Dick Heath
I remember seeing this originally on BBC 2 a few weeks after it was recorded in one of the canteens of Oxford Poly, and getting a mix of intense pleasure. In particular pleasure from the tour de force that Holdsworth had developed into (and screamed out at me on Feels Good To Me)and the unknown bass-wiz Jeff Berlin. But there was disappointment over Annette's contribution to the set - when her husky voice breathed sex at me on the album.

Now here from the Beeb's archives is the original 70's video quality footage as originally shown on 625 lines. The pleasure points remain, with some details emphasised. However the disappointment is worse, in particular there is a promise of something special as Peacock flounces on part way through the set, dressed as the fashion queen,(thereby drawing the contrast with the blokes in the band). However,again the expectation of something special evaporates quickly - the diva can't 'deave' live in sympathy with the music, the band i.e. her vocals are poor. Fortunately we don't have to suffer this for long and thank goodness for the skip button.

Yes this is a short recording*, and isn't there a missed opportunity here? One DVD burn (of a copy of a copy, etc.) of this gig I saw some years ago and suffering horribly from colour dropout, had the addition of two extra numbers by Bruford recorded off from the Old Grey Whistle Test - here with I think Neil Murray deputing for Jeff Berlin. Surely the Beeb could had offered these as well?

*Interesting to see another Rock Goes To College recording of Herbie Hancock & the Headhunters recorded at the now defuncted Chelsea College, that had resurfaced on BBC 4 2 years ago, was an hour long.

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Slartibartfast
This is incredible. I had the good fortune of seeing Bruford, unfortunately post Holdsworth, at the now defunct Atlanta Agora. I did get to catch Holdsworth touring for his I.O.U. album, but that's another story. My first pass through this concert really gave me the goosebumps.

It is unfortunate that this DVD is only 41 minutes, but the set list is excellent. Four tracks from Bruford's best album, One of a Kind. Annette Peacock even shows up for a couple of songs. I always thought that she didn't fit in well with this kind of music, but it's nice to see her all the same. I hope I'm wrong, but I don't think there's any live video out there of Alan Holdsworth, so seeing him in action is a special treat. One of the things I remember most from seeing Bruford was that at times Jeff Berlin's picking fingers were a blur and seeing him again live, I know I wasn't imagining it. Dave Stewart, or as I like to call him, The Dave Stewart, not that Eurythmics guy, is also a lot of fun to see in action. I noticed he had a music stand with no sheet music, but a synthesizer diagram, interesting. And then of course there's Bill. Those of you who may dislike his electronic drum work, I'm not one, will be happy to him playing strictly acoustic. What can I say? He's really one of best drummers around. The audio quality is excellent and sometimes the camera man crop off Holdsworth's left hand when I'd like to see it, but other than that, this is really nice for a concert captured in 1979.

Artists with Jazz Related Rock release(s)

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