Jazz Related Rock

Jazz music community with reviews, MP3 (free download/stream) and forums

Like its close cousin RnB, rock grew out of the 1940s jazz genre known as jump blues. Needless to say, rock and jazz have had a close relationship from the very beginning. The jazz related rock section at JMA pays tribute to those rock artists who display a certain amount of competent jazz influence in their music. This influence can be displayed via virtuoso extended jam sessions, jazz influenced harmonic language, big band style horn charts or a combination of all this and more.

Jazz artists who utilize rock in their music can be found in the Classic Fusion, (Post 70s) Eclectic Fusion and Post-Fusion Contemporary genres.

jazz related rock top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm | 5 min. caching

SOFT MACHINE Third Album Cover Third
SOFT MACHINE
4.73 | 50 ratings
Buy this album from MMA partners
KING CRIMSON Larks' Tongues In Aspic Album Cover Larks' Tongues In Aspic
KING CRIMSON
4.65 | 30 ratings
Buy this album from MMA partners
FRANK ZAPPA The Grand Wazoo (The Mothers) Album Cover The Grand Wazoo (The Mothers)
FRANK ZAPPA
4.62 | 37 ratings
Buy this album from MMA partners
YES Fragile Album Cover Fragile
YES
4.91 | 8 ratings
Buy this album from MMA partners
ROBERT WYATT Rock Bottom Album Cover Rock Bottom
ROBERT WYATT
4.60 | 20 ratings
Buy this album from MMA partners
JIMI HENDRIX Are You Experienced (Jimi Hendrix Experience) Album Cover Are You Experienced (Jimi Hendrix Experience)
JIMI HENDRIX
4.54 | 25 ratings
Buy this album from MMA partners
HATFIELD AND THE NORTH The Rotters' Club Album Cover The Rotters' Club
HATFIELD AND THE NORTH
4.58 | 18 ratings
Buy this album from MMA partners
FRANK ZAPPA One Size Fits All (as Frank Zappa And The Mothers Of Invention) Album Cover One Size Fits All (as Frank Zappa And The Mothers Of Invention)
FRANK ZAPPA
4.47 | 36 ratings
Buy this album from MMA partners
FRANK ZAPPA Over-Nite Sensation (The Mothers) Album Cover Over-Nite Sensation (The Mothers)
FRANK ZAPPA
4.46 | 28 ratings
Buy this album from MMA partners
KING CRIMSON Red Album Cover Red
KING CRIMSON
4.47 | 26 ratings
Buy this album from MMA partners
SOFT MACHINE Grides Album Cover Grides
SOFT MACHINE
4.63 | 10 ratings
Buy this album from MMA partners
HATFIELD AND THE NORTH Hatfield and the North Album Cover Hatfield and the North
HATFIELD AND THE NORTH
4.49 | 20 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

New jazz related rock free MP3/Stream

jazz related rock online videos

jazz related rock New Releases

.. Album Cover
Black Stabat Mater
Album
HEDWIG MOLLESTAD
Buy this album from MMA partners
.. Album Cover
Live From A&R Studios: New York, August 26, 1971
Live album
THE ALLMAN BROTHERS BAND
Buy this album from MMA partners
.. Album Cover
Feckel For Lovers
Album
SHA'S FECKEL
Buy this album from MMA partners
.. Album Cover
Rehearsals & Blows: May-November 1983
Promos, fans club and other releases (no bootlegs)
KING CRIMSON
Buy this album from MMA partners
.. Album Cover
If 5
Album
IF
Buy this album from MMA partners
.. Album Cover
Midori
Boxset / Compilation
STICK MEN
Buy this album from MMA partners
.. Album Cover
Margot
Album
UNAKA PRONG
Buy this album from MMA partners
.. Album Cover
Live In Toronto – November 20th 2015 : Queen Elizabeth Theatre
Promos, fans club and other releases (no bootlegs)
KING CRIMSON
Buy this album from MMA partners
.. Album Cover
The Winstons
Album
THE WINSTONS
Buy this album from MMA partners
.. Album Cover
Forevergreens
Album
DAN BERGLUND'S TONBRUKET
Buy this album from MMA partners
.. Album Cover
The Catastrophist
Album
TORTOISE
Buy this album from MMA partners
.. Album Cover
More Jack Than Blues
Live album
JACK BRUCE
Buy this album from MMA partners

jazz related rock Music Reviews

GONG I See You

Album · 2014 · Jazz Related Rock
Cover art Buy this album from MMA partners
siLLy puPPy
Daevid Allen (aka Dada Ali for this release) comes full circle in his GONG universe and dishes out his brilliant last gift to the musical world in the form of the retro-Canterbury introspective litany and slickly packaged I SEE YOU, sounding like a true throwback to the 70s and the logical conclusion of the Radio Gnome Triology evoking the best psychedelic Canterbury that the classic era of progressive rock had to offer. In a sub genre that seems to have fizzled out somewhere incrementally during the 20th century and waned into a new golden era, Allen has rustled up yet another stellar team of gifted musicians to bring his final musical statement as well as proving that the Canterbury sound can still sound fresh and exciting while evoking the best of his heyday.

Right from the very first glance of the band lined up against a wall in the beautifully packaged gatefold digipak, it is apparent that the whimsical playful spirit of 70s GONG is alive and well with a new cast of characters. Most prominently in the fashionable and stylistic apparel of the Grand Poobah of musical mischief, Mr Daevid Allen with his styling striped spandex pants gracing his 77 year old body and a T-shirt boldly stating that “NOBODY KNOWS I’M A LESBIAN.” Apparently the cancerous tumors and endless surgical operations that had been plaguing his health hadn’t dampened his spirit and his love light shines through on this musical goodbye to the world in his most passionate display of musical mojo since 1974’s “YOU.”

The cast includes a veritable smorgasbord of seasoned musicians including Allen’s own son Orland (aka Flamedog Alien) who kicks, beats and crashes on the percussion but also handled the engineering, mixing and production duties at his Flamedog Records Studios back in the original Allen stomping grounds of Australia. Other musicians called to duty are bassist Dave Sturt (aka Unicorn Strut who has been associated with various artists including Steve Hillage and Jade Warrior), guitarist Fabio Golfetti (aka Fabuloso Golfcart associated with Violeta De Outono, Invisible Opera Country, Zero), saxist and flautist Ian East (aka Eastwinds i.e. Windows) and crunch box and scythe guitarist Kavus Torabi (aka Spiral K. Octoflash associated with a gazillion acts most notably for Knifeworld, Cardiacs, Monsoon Bassoon, Chrome Hoof, Guapo etc.). Torabi is purported to be the successor in the GONG family personally chosen by Allen to carry the torch into the next incarnation of the band after Allen’s musical and Earthly retirement. And i could hardly forget our favorite 70s sprinkled space whisperer Gilli Smyth who rejoins the GONG team to haunt us with her angelic and ethereal vocal talents as well as contributing the final farewell track “Shakti Yoni & Dingo Virgin.”

I SEE YOU is just chock full of classic GONG-isms and relevant contemporary ideas. From the very first words “I SEE YOU” on the opening title track we instantly get that Canterbury jazzy funfest that shows Allen’s playful nature fully unfurl and instantly brings back the Gnome Radio Trilogy days in a good way. The psychedelic rock married with jazz-fusion and satirical whimsy is firing on all cylinders once again and after the initial first spin which had me instantly addicted it was like finally hearing the long lost archival audio files that was supposed to be inserted where “Shamal” appeared in the discography, but the truth be told this was a current band effort where each member channeled the best aspect of the Radio Gnome 70s and added a newly energized take on it. For example, on the second track “Occupy” we get an extremely heavy guitar riff that could possibly qualify as metal accompanied by sizzling sax solos but still with that nary-a-care free spirit nature that Allen always brings to the table.

The tracks vary quite a lot with some like “When God Shakes Hands With The Devil” which brings the rapping vocal antics of Daevid Allen in cahoots with a slap happy bass, sax and flute attack while the hypnotic and totally spaced out “The Eternal Wheel” showcasing Gilli Smyth’s psychedelic siren skills complements it and one of the most classic sounding GONG tracks on board here with “Syllabub” which has all those wonderful musical gymnastic sessions with time signatures flying off of trapezes, stylistic changes, whimsical instrumental exchanges and of course Allen’s spaced out lyrics about wanting to go far away like to the moon or something! “The Revolution” is a veritable spoken word sermon accompanied by spaced out ethereal sounds with Allen elucidating the evolution of the 60s revolution and how it has become an invisible force that guides us on a subliminal level. Other mentionable tracks include my favorite track of the lot “Pixielation” which has one of the coolest hooks ever! The track celebrates the nature of pixies and nature spirits but has the absolute coolest bouncy flute riff with the rest of the band weaving their magic around it as the backbone of the track. Allen’s neo-Pagan lyrics are profound and celebratory with fun time signature changes, spastic bursts of energy and just chock filled with everything that makes progressive rock so much fun!

I have to state firstly that i did not first hear this album until after Allen had passed which occurred just a few months after its release and that obviously changes perspective dramatically regarding the depths and meaning of the lyrics as it is clear now that the album was designed to be a final farewell to the world of GONG and all those involved who jumped on the bandwagon decades earlier. No more is this apparent than on the final two closing tracks. “Thank You” is a heartfelt gesture of musical gratitude where Allen emphatically sends out his love under the guise of a steady rock riff, spaced out effects and interpolated progressive touches. After this nice steady jazzified rocker which gradually disintegrates towards the end into a more chaotic feel we reach the final track “Shakti Yoni & Dingo Virgin” which is a collaboration by Allen and Gilli Smyth creating one of the most haunting of sonic send offs of glissando guitar and vocally eerified pieces of music ever created which is perfect for bidding of farewells to Daevid Allen who would soon not only retire from one of the most famous collaborative band efforts in history but would pass away only a few months later after I SEE YOU’s release thus transitioning from the “Angel’s Egg” and being awarded that magic “Flying Teapot” in the sky. Not only is this album simply brilliant lyrically and musically but i can’t think of a better tribute album to the career of one of the most unique visionaries in the musical world. This one only keeps growing on me upon every listen and am very stunned that this one has gone unnoticed by the larger prog world as it is one of the few contemporary examples of reviving that classic 70s sound and breathing new life into it all the while a legend is on the precipice of his last days as a carbon-based life form. A modern unknown classic here.

YES Tormato

Album · 1978 · Jazz Related Rock
Cover art Buy this album from MMA partners
siLLy puPPy
On “Going For The One” YES had come full circle regarding their musical differences and successfully reunited the lineup of Jon Anderson, Steve Howe, Alan White, Chris Squire and Rick Wakeman. It was a transitional album that honed down the bombastic complexities of albums like “Relayer” and “Tales From Topographic Oceans” and simplified the song structures with the intent to fit into a changing musical world where simplified music had dethroned the earlier 70s perceived excesses. YES successfully crafted an album that stayed true to their sound while taking the first step into their progressive pop style without totally severing the progressive umbilical chord from the past by adding the beautiful “Awaken” to finish off the album and perhaps the era of fully progressive rock.

Their 9th studio album TORMATO finally jumps ship altogether from the full-fledged progressive rock of the earlier years and delivers one of their very first progressive pop albums that would usher in a couple decades of similarly inspired music to follow. The first thing about this album that confuses the first time listener is the question of just where in the world did they get the album title? Is a TORMATO a tornado that hit a vegetable market that happened to have all tomatoes that day? A craggy outcrop of rock on the summit of a hill in the town of Mato on the island of Sarawak in Malaysia? Or is it a radioactive tomato that morphed into a Godzilla type creature that is ready to devastate Baltimore? Guess again. The name was actually derived from Steve Howe’s idea of naming the album “Tor” after the highest point in Dartmoor, England. The artist Hipgnosis who designed the “Going For The One” album also did this one and after Wakeman objected to the design he threw a tomato at it which ended up as the album cover of choice, so TORMATO is simply a combination of the “Tor” idea and the tomato being thrown. Not my favorite album title or cover either, but there it is.

Musically TORMATO is a strange beast which features virtuosic classical trained progressive rockers unleashing their full musical prowess into short radio friendly track lengths. It’s actually kind of interesting if you can embrace the irony of it all. As horrible as this album is purported to be, i personally don’t find it that way at all. No doubt i do find this to be the weakest album of their 70s output, but a weak album by one of the greatest prog bands in history is still a worthy album to experience and much better than some of the utter crap like “Union”. Right from the get go “Future Times / Rejoice” embraces a musical glee with the vocals of Jon Anderson who seems to take lead on this album as the centerpiece which the musical “noodling” revolves around. While the melodies tend to be pleasant enough pop inspired songwriting, the virtuosic performances around them are a bit surreal to say the least. The lyrics of YES have always tended to be a little spacey and hippie dippy and they only become more so here whether it be about environmental concerns on “Don’t Kill The Whale” or new age fantasies on “Arriving UFO.”

Overall this is not a horrible album but after all i love good pop music as much as i love good prog. There are many examples where a band is successful in one style and is pathetic in the other. YES proves here that they have what it takes to create a very decent middle of the road album that peaks and troughs in both arenas of pop and prog. I assume the main objection to this album revolves around that it went in the pop direction at all, but for me that is not a problem as living in the real world of the day, YES also proved they had the foresight to see the writing on the wall and adapted to the new world without compromising the sounds and style they were known for. Ingenious if you ask me. I can honestly say i like every track on this album except for the “Circus Of Heaven” track which kinda makes me wanna hurl. While i wholeheartedly concede that this was indeed a major step down in quality and the beginning of a loathsome era for their original prog fans, i can only admire the tenacity of YES for steering their musical vehicle into arenas that kept them relevant at the time without totally watering down the music to unlistenability (that would eventually come). By keeping the band name alive and kicking was relevant for new fans discovering older progressive rock and wished to delve into their discography. Successfully maneuvering the business aspects of the musical world in the late 70s aside, i actually find this to be an enjoyable album for the most part and while not a desert isle pick it is by no means designated to the completists only file because i find the melodies on this one infectious.

In the end, this album was the breaking point for a band who was obviously placating a musical market to the best of their abilities and after this album and tour both Jon Anderson and Rick Wakeman would jump ship leaving the band’s future in question, but with hind-sight being 20/20 we know that the band would constantly reinvent itself in most unforeseen and unorthodox ways with some successes and unfortunately, ho hum, way too many that were not.

While i rarely find bonus tracks on the YES remasters to be essential this one actually has some total winners that for me are worth the price of admission alone. The track “Money” for example is so experimental and different from anything the band has done that you would hardly guess that it is a YES track at all.

YES Going For The One

Album · 1977 · Jazz Related Rock
Cover art Buy this album from MMA partners
siLLy puPPy
After “Relayer” was released in 1974, YES had gone through five years of progressive rock superstardom and were completely burned out from all the recording, all the touring and most of all each other. They decided to recharge their batteries and take a lengthy break from each other so they could all focus on solo albums, thus during the time span between “Relayer” and this eighth studio album GOING FOR THE ONE, there were many solo albums released and a 1976 Solos Tour Of North America. Once again YES changed their musical vision and after the two super complex and challenging albums that preceded they decided to simplify a bit with shorter songs more akin to the earlier days of “Fragile” and “The Yes Album.” The only exception is the monstrous “Awaken” that runs well over fifteen minutes.

After only one album with Patrick Moraz it was decided that his contributions no longer gelled with the band’s overall sound and he was asked to leave. Originally asked to be a sit in session musician, Rick Wakeman returned only to find he and the band had come full circle and reached common grounds again allowing him to regain his seat as progressive rock’s number one symphonic prog keyboardist. So the reunion of Jon Anderson, Chris Squire, Steve Howe, Alan White and Wakeman was complete and they headed off to Switzerland to record this wonderful album.

“Relayer” took me a long time to get into because of its complexities but GOING FOR THE ONE took me a while to get into for the opposite reason. I found this album to be too simple. It has much more accessible song structures compared to pretty much every that came before except maybe the very first two albums but somehow these melodic rockers managed to weasel their way into my head and wouldn’t let me be, so i succumbed to their charm over time and now i find this to be a very satisfying album although this is truly the beginning of a decline because it doesn’t come close to the magical era lasting from 1970-74. I now love every song on here except “Wonderous Stories” which is one that no matter how hard i try it makes me cringe!

Beginning with the raucous rocking title track that sounds a little country with all the slide-guitar action, the album starts off on a good note by keeping the tracks somewhat accessible while not jettisoning the progressive tendencies. This is a trend they would continue from hereon as the band adapted to the changing musical realities the world was experiencing, however this is still very much progressive rock and held its own against the new explosion of punk, pop, arena rock and disco that was conquering the world by this time. The album still sailed up the charts and loyal fans consumed it with glee.

While the first three tracks: the title track, “Turn Of The Century” and “Parallels” are somewhat catchy and poppified progressive rock songs that are guitar heavy with Wakeman eschewing his classical keyboards for more complimentary hard rock embellishments, “Wonderous Stories” is a whiney little ballad that totally rubs me the wrong way and is the first sign that the glory days of YES have waned. The highlight is the extraordinary “Awaken” that very much is a blast from the past with its long drawn out melodic developments showing the band doing what it does best, that is create blissful extended instrumental behemoths that segue into different styles and sections and that always work in tandem with the vocals. This track shows Wakeman conjuring some of the most beautiful church organ runs behind Squire’s unique bass line walks up and down the scales. The song has an addicting chord and rhythmic structure and the lyrics are sublime. If the rest of the album was like “Awaken” this would be yet another masterpiece.

GOING FOR THE ONE was the beginning of a new era for YES. They would never return to the glory of their past and instead follow in the path of what is going on with the simplified song structures found here with mixed results. While this album blows away the gazillions of lesser bands of any era, it still comes up short as being one of the greats of the YES discography in my world, but for what it is and compared to what would come down the road in the 80s and 90s, it still ranks high in their discography but just shy from peaking into the classic era. Still though GOING FOR THE ONE is a unique little listen as it has a distinct sound from any other YES album and is one that can easily seduce you into its magical universe.

MICHAEL ZENTNER Present Time

Album · 1983 · Jazz Related Rock
Cover art Buy this album from MMA partners
Rokukai
If this site were a rock site I'd definitely give this album 5 stars. It does fit squarely into the jazz related rock subgenre, however this recording is Zentner's attempt to add his fingerprints to the progressive rock fueled Canterbury canon. As founding member of seminal U.S. artists the Muffins, Michael left before their late 70 masterpiece of the Canterbury style, Manna/Mirage, was recorded and released.

This album has one of the most diverse, eclectic, and talented artists I've ever seen on an album from one artist in this style of music. One look from a progressive music fan at the list of musicians reveals several giants of the genre. It even features saxaphone from jazz legend Carla Bley, who was quite well established as of this recording.

It's tough to find, but if you like adventurous rock with a jazz undercurrent, you should check this one out. The obscurity factor is off the charts as well. This recording deserves to be at least as well known as lesser Canterbury bands like Ain Soph or Picchio Dal Pozzo. Present Time really is a lost classic that deserves a wider audience.

SOT King Of Saltz

Album · 2011 · Jazz Related Rock
Cover art Buy this album from MMA partners
dreadpirateroberts
There's such a great sense of fun to SOT's songs here that is both surprising and welcome for me. It seems too much of the jazz history can sometimes be focused on the very serious, so I really enjoyed hearing an album that's fun without being trite in anyway whatsoever.

On each listen I find myself more and more certain that there's a definitely Mr Bungle influence but the quirkiness of the songs goes beyond one reference point.

'King of Saltz' is a fascinating mix of tech metal and jazz and its substitution of tuba for bass is a big draw, it really adds to the lower end. Great stuff - definitely check this out if you're looking for something complex and surprising.

jazz related rock movie reviews

KING CRIMSON Neal And Jack And Me

Movie · 2004 · Jazz Related Rock
Cover art Buy this album from MMA partners
Sean Trane
This DVD will please many of the third Crimson phase fans combines two tours: the Beat tour and the Three Of A Perfect pair. Oddly enough, they are presented in a non- chronological order, but this is a very minor point. One of the things I was particularly uneasy about was Bruford's use of electronic percussions and drums and we get a load of those "things" and like all technology novelty, the risk is that it ages poorly and sadly here, it is the case. Another point I had not appreciated is the stage presence of Adrian Belew, which is clearly copied from David Byrne from his collaborations with The Talking Heads - I love the T Heads, but Belew's stage antics are too derivative and ill fitted for Crimson. There are a few tracks present twice and most notably the boring Mate Kusadai.

Strictly on the visual front, Crimson was clearly making efforts to look hip and appeal to a more new-wave-ish public. Those were the days! But I never said that they were good, either!

Among the bonuses, are a video clip and a few titbits, but sadly still missing is that mini- concert footage filmed for the Discipline release and them playing four tracks in front of a red curtain. I may be severe with my rating of this DVD but I am not a real fan of that era.

GONG Classic Rock Legends

Movie · 2000 · Jazz Related Rock
Cover art Buy this album from MMA partners
seyo
This video contains live performances from 1990 Live on TV album. Four original members of GonG are present: Pip Pyle, Didier Malherbe, Gilli Smyth and an oddball-harlequin persona of the spiritus movens, Daevid Allen.

Performance is focused on their legendary Radio Gnome Invisible trilogy, with 3 starters from Camembert Electrique. Since I have no idea what GonG looked like on scene back in the early 1970s (that is, before I took a peek at several Youtube clips recently), I guess this DVD makes up a lot for that, the age of the performers notwithstanding.

In fact, seeing these unique art-performers in their senior age can just assure you how the music and art in general can surpass generations, years and ages if you wish. Musicianship is great, movie direction very good with several cameras shooting from different angles, while only the engagement of the dancers to invoke the mystical gnomey creatures may be seen as too over-stressed.

The finale presents perhaps too long goodbye with the extended "I Am You" jam, but when Daevid jumps down into the audience you can actually see the highly emotional and spiritual connection between the band and the people, done in an almost religious-like chanting. This is excellent video and should be seen by all those who have at least some knowledge of the Planet GonG trilogy repertoire!

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
Cover art Buy this album from MMA partners
Dick Heath
I remember seeing this originally on BBC 2 a few weeks after it was recorded in one of the canteens of Oxford Poly, and getting a mix of intense pleasure. In particular pleasure from the tour de force that Holdsworth had developed into (and screamed out at me on Feels Good To Me)and the unknown bass-wiz Jeff Berlin. But there was disappointment over Annette's contribution to the set - when her husky voice breathed sex at me on the album.

Now here from the Beeb's archives is the original 70's video quality footage as originally shown on 625 lines. The pleasure points remain, with some details emphasised. However the disappointment is worse, in particular there is a promise of something special as Peacock flounces on part way through the set, dressed as the fashion queen,(thereby drawing the contrast with the blokes in the band). However,again the expectation of something special evaporates quickly - the diva can't 'deave' live in sympathy with the music, the band i.e. her vocals are poor. Fortunately we don't have to suffer this for long and thank goodness for the skip button.

Yes this is a short recording*, and isn't there a missed opportunity here? One DVD burn (of a copy of a copy, etc.) of this gig I saw some years ago and suffering horribly from colour dropout, had the addition of two extra numbers by Bruford recorded off from the Old Grey Whistle Test - here with I think Neil Murray deputing for Jeff Berlin. Surely the Beeb could had offered these as well?

*Interesting to see another Rock Goes To College recording of Herbie Hancock & the Headhunters recorded at the now defuncted Chelsea College, that had resurfaced on BBC 4 2 years ago, was an hour long.

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
Cover art Buy this album from MMA partners
Slartibartfast
This is incredible. I had the good fortune of seeing Bruford, unfortunately post Holdsworth, at the now defunct Atlanta Agora. I did get to catch Holdsworth touring for his I.O.U. album, but that's another story. My first pass through this concert really gave me the goosebumps.

It is unfortunate that this DVD is only 41 minutes, but the set list is excellent. Four tracks from Bruford's best album, One of a Kind. Annette Peacock even shows up for a couple of songs. I always thought that she didn't fit in well with this kind of music, but it's nice to see her all the same. I hope I'm wrong, but I don't think there's any live video out there of Alan Holdsworth, so seeing him in action is a special treat. One of the things I remember most from seeing Bruford was that at times Jeff Berlin's picking fingers were a blur and seeing him again live, I know I wasn't imagining it. Dave Stewart, or as I like to call him, The Dave Stewart, not that Eurythmics guy, is also a lot of fun to see in action. I noticed he had a music stand with no sheet music, but a synthesizer diagram, interesting. And then of course there's Bill. Those of you who may dislike his electronic drum work, I'm not one, will be happy to him playing strictly acoustic. What can I say? He's really one of best drummers around. The audio quality is excellent and sometimes the camera man crop off Holdsworth's left hand when I'd like to see it, but other than that, this is really nice for a concert captured in 1979.

HATFIELD AND THE NORTH Classic Rock Legends

Movie · 2001 · Jazz Related Rock
Cover art Buy this album from MMA partners
Sean Trane
Actually, this is nothing more than the TV special that got released some 12 years later after the live album. And this release does make a difference, compared to the live Cd. Actually only the respect I have for H & TN, stopped from giving less than two stars for that Cd because the recording was atrociously flat , poor quality and listless.

However, the DVD of that concert is much better and the sound quality is much better than the original Cd release. So the line-up is the same as Miller, Pyle and Sinclair are present and Sophia Domancich is replacing Dave Stewart. Although the newcomer is an impressive player, she does not however fill such gigantic shoes of Stewart. Actually on the latest 2005 tour , Alex Maguire does a credible job, though!

Highlight includes live favourites Matter Anyway and Going For a Song. A much fitter souvenir of that live one-shot reunion tour.

Artists with Jazz Related Rock release(s)

JMA TOP 5 Jazz ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
Kind of Blue Cool Jazz
MILES DAVIS
Buy this album from our partners
A Love Supreme Post Bop
JOHN COLTRANE
Buy this album from our partners
The Black Saint and the Sinner Lady Post Bop
CHARLES MINGUS
Buy this album from our partners
Miles Smiles Post Bop
MILES DAVIS
Buy this album from our partners
Giant Steps Hard Bop
JOHN COLTRANE
Buy this album from our partners

New Jazz Artists

New Jazz Releases

Black Stabat Mater Jazz Related Rock
HEDWIG MOLLESTAD
Buy this album from MMA partners
Twelve O’Clock Tales Vocal Jazz
CLARE TEAL
Buy this album from MMA partners
Paolo Fresu & Omar Sosa : Eros Post-Fusion Contemporary
PAOLO FRESU
Buy this album from MMA partners
More new releases

New Free Jazz MP3 download/stream

New Jazz Online Videos

RANDOM ABSTRACT/XADU cover
XADU
js· 11 months ago
Iguazu - Cataract
IGUAZU
js· 12 months ago
Laurent Coq - Coco de Mer | Big In
LAURENT COQ
js· 12 months ago
More videos

New JMA Jazz Forum Topics

More in the forums

New Site interactions

More...

Latest Jazz News

members-submitted

More in the forums

Social Media

Share this site
Follow us