Jazz Related Rock

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Like its close cousin RnB, rock grew out of the 1940s jazz genre known as jump blues. Needless to say, rock and jazz have had a close relationship from the very beginning. The jazz related rock section at JMA pays tribute to those rock artists who display a certain amount of competent jazz influence in their music. This influence can be displayed via virtuoso extended jam sessions, jazz influenced harmonic language, big band style horn charts or a combination of all this and more.

Jazz artists who utilize rock in their music can be found in the Classic Fusion, (Post 70s) Eclectic Fusion and Post-Fusion Contemporary genres.

jazz related rock top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm

SOFT MACHINE Third Album Cover Third
SOFT MACHINE
4.65 | 48 ratings
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FRANK ZAPPA The Grand Wazoo (The Mothers) Album Cover The Grand Wazoo (The Mothers)
FRANK ZAPPA
4.67 | 33 ratings
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FRANK ZAPPA One Size Fits All (as Frank Zappa And The Mothers Of Invention) Album Cover One Size Fits All (as Frank Zappa And The Mothers Of Invention)
FRANK ZAPPA
4.61 | 31 ratings
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FRANK ZAPPA Over-Nite Sensation (The Mothers) Album Cover Over-Nite Sensation (The Mothers)
FRANK ZAPPA
4.62 | 25 ratings
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AREA Arbeit Macht Frei (Il Lavoro Rende Liberi) Album Cover Arbeit Macht Frei (Il Lavoro Rende Liberi)
AREA
4.65 | 15 ratings
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FRANK ZAPPA Hot Rats Album Cover Hot Rats
FRANK ZAPPA
4.51 | 45 ratings
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HATFIELD AND THE NORTH The Rotters' Club Album Cover The Rotters' Club
HATFIELD AND THE NORTH
4.58 | 18 ratings
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FRANK ZAPPA Waka/Jawaka Album Cover Waka/Jawaka
FRANK ZAPPA
4.55 | 21 ratings
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SOFT MACHINE Grides Album Cover Grides
SOFT MACHINE
4.69 | 9 ratings
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FRANK ZAPPA Imaginary Diseases Album Cover Imaginary Diseases
FRANK ZAPPA
4.88 | 5 ratings
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FRANK ZAPPA Shut Up 'n Play Yer Guitar Album Cover Shut Up 'n Play Yer Guitar
FRANK ZAPPA
4.78 | 6 ratings
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NATIONAL HEALTH National Health Album Cover National Health
NATIONAL HEALTH
4.55 | 11 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

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jazz related rock Music Reviews

ALIEN FASHION SHOW Alien Fashion Show

Album · 1998 · Jazz Related Rock
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siLLy puPPy
ALIEN FASHION SHOW were one of the many swing revival bands that graced the 90s. These veterans of the LA club scene consisted of Eldon Daetweiler (trumpet / vocals), his brother Jeff Daetweiler (drums), Todd Thurman (guitar), Jeff Allen (bass) and Woodchuck Saito (keyboards). They released their one and only eponymous album in 1998 on the Surfdog label after becoming a hit on the West Coast lounge lizard circuit.

The music is clearly digging into the sounds of yesteryear with the main focus on a loungy style of jazz but there is plenty of rockabilly and piano jazz as well. I personally find this whole affair to be a noble effort but frankly it pales in comparison to the much better contemporary bands going for this retro sound such as Cherry Poppin' Daddies, Big Bad Voodoo Daddy and the masters of all things swing revival the Squirrel Nut Zippers. I find the vocals a little lackluster and devoid of the passionate delivery the well played music is demanding.

Much of the music isn't as swingin' as I would like and when it bursts open the rockabilly gates it sounds like a cover band of the Brian Setzer Orchestra with moments when it sounds like they could cross a line into Stray Cats territory. Overall not a horrible album but just not enough meat and potatoes to add enough calories for a satisfying meal. Probably my favorite two tracks are remakes. The first is “Detroit Swing City” which is a cover and play on words of KISS' famous “Detroit Rock City” and a decent cover of “Roxanne” by The Police otherwise there is a whole heap of filler and scant moments of interest.

YES Drama

Album · 1980 · Jazz Related Rock
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VerticalUprising
"YES CANNOT BE YES WITHOUT JON ANDERSON!"

No. If you think that, you can just leave.

Jon Anderson, the main vocalist (and percussionist), left the band antecedent to the release of YES' 1978 release Tormato. This left many, MANY people stunned at this, and it was a collective idea that YES was finished. "After all," people said, "no one could replace the great vocalist who had been the soul head of the band during his age."

So after Anderson resigned, the producer of many previous YES albums, Trevor Horn, took his place as lead vocalist. The band, being under ever increasing stress to make a YES album for the ages even with the lack of Anderson.

And In my opinion, they did it. Although perhaps not as "progressive" as say Fragile or Close to the Edge, Horn took YES in a brief direction of progressive hard rock.

The album, starting out with the ten and a half minute epic 'Machine Messiah', comes in with very traditional - heavy metal edge. This song has been voted on boards across the internet as the heaviest YES song there is. The metal shouldn't scare you away from the aspect of the epic not being good old progressive rock. Having a ten minute recording, there has to be fluctuation from sound to sound in order to not bore the listener., and they do it very well. You'd have to listen to the track itself to know what I'm talking about. But TL;DR, this song is my favorite from the album. The album bridges with the slightly unnecessary 'White Car' into 'Into the Lens'. The latter is extremely reminiscent of RUSH's older material, and I think it would be enjoyed by anyone who likes them.

The album does retain, as I said before, fluctuations between prog rock and harder, RUSH-y rock. The prog is, however, undoubtedly YES. The tracks (although they are few), will keep you pretty interested throughout. It is true that Horn may not be able to hit some of the high notes that Anderson could, but to me, this is kind of a relief. High-pitched vocalists have always been a pet peeve of mine.

From a jazz point of view, you will not find much on here. This is less the old jazz-fusion-Anderson era and more, as said before, a progressive hard rock album. I would pick it up though for an interesting listen.

But overall, pick up the album. It is interesting, and important to any fans' YES collection.

Go give it a listen.

FISHBONE Bonin' In The Boneyard: Set The Booty Up Right

EP · 1990 · Jazz Related Rock
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siLLy puPPy
FISHBONE released their third EP - BONIN' IN THE BONEYARD after their full album “Truth And Soul.” In fact the title comes from the track off that album and contains two variations of it. The first is called “New And Improved Bonin” and the second is called “Bonin' In The Jungle.” The style on this album totally neglects any punk and metal leanings from the previous album and instead reverts back to the full jazzy ska sound from their debut EP. This five track EP is chock full of funk more so than any other FISHBONE release. The bass is on fire here and the zaniness and spontaneity have at least come back into play. The best tracks are “Love And Bullshit” and “Hide Behind My Sunglasses” which are fully fueled funkified madness and display a biting sense of humor that the band seemed to have reclaimed. Up to this point they seem to shine more brightly on their Eps than full albums but that was about to change starting the next year. As for this one it is a decent listen but really there's nothing on here that's outstanding. A late addition to my collection but not one I feel I have been deprived of. Good but nothing more.

SOFT MACHINE Third

Album · 1970 · Jazz Related Rock
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siLLy puPPy
So intent was SOFT MACHINE to evolve at the speed of light into new musical territory that in only a few short years since they founded as a psychedelic pop band and then virtually establishing what would eventually be called the Canterbury Scene in the musical world that by the time they got to their THIRD album so they had practically abandoned all that had come before and dove head first into the world of free jazz and avant-garde psychedelia with only tidbits of rock still to be found throughout this sprawling and ambitious undertaking. Despite the gaudily ugly packaging and the horribly generic album titles, the music is some of the most complex and sophisticated that 1970 had to offer. SOFT MACHINE was simply ahead of the pack by first creating the Canterbury Scene of rock music well before any other takers would continue down that path but they also jumped into the seas of super complex jazz-fusion which can be heard on this bizarre and transitory classic.

THIRD has a much broader spectrum of sound than anything attempted by the band before. Still on board are Robert Wyatt on drums and vocals on the sole vocal track “Moon In June,” Hugh Hopper on bass and Mike Ratledge on various keyboards but we also get Lyn Dobson on sax and flute, Jimmy Hastings (brother of Pye) on flute and bass clarinet, Rab Spall on violin and Nick Evans on trombone. The result of this expanded musical lineup is a big fat jazzy sounding album that is predominantly jazz in nature but has just enough rock and psychedelic influences to keep it firmly in the unusually experimental section on your shelf. The four tracks almost hit the 20 minute mark each but they often seem like they contain several tracks that combine to make a larger track.

“Facelift” is a live recording on the album and it starts out with very trippy sounding intro before getting into jazz-fusion territory. “Slightly All The Time” seems like a pure jazz piece in the beginning but really rocks out at the end. “Moon In June” is the only track to feature vocals and the last one of SOFT MACHINE to ever contain them. I personally think at least one track on an this mostly instrumental album adds a human touch to the bizarre soundscapes created. “Out-Bloody-Rageous” is evenly divided into four parts with the first being psychedelic, the second being jazzy, the third being keyboard oriented and the last part extremely trippy. This is simply a brilliant album from beginning to end but certainly not an easy one to digest. This one requires being well versed in both progressive rock and jazz to really enjoy. It takes many more listens than the average album to fully fall for. I certainly didn't warm up to it at first but eventually after many persistent and attentive attempts it has in the long run paid off handsomely.

I should also mention that is well worth tracking down the 2007 remastered version for not only do you get superb sound quality but a bonus disc from a concert at The Royal Albert Hall for BBC Radio Three in 1970. There are three tracks: “Out-Bloody-Rageous,” “Facelift” and the previously unreleased “Esther's Nose Job.” This is simply one of those albums where words fail to convey the many moods and dynamisms employed in these works. It is a must hear to understand for it is unlike anything that came before and since as far as I am aware. Classic.

AREA Arbeit Macht Frei (Il Lavoro Rende Liberi)

Album · 1973 · Jazz Related Rock
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poslednijat_colobar
A stunning masterpiece on the verge of progressive rock and jazz rock!

This is the amazing debut album from mighty italians Area from the 70s' prog world. The inimitable manner the album is constructed amazes. Arbeit Macht Frei is full of energy and emotional intensity from the very first note to the last one. Being extremely intensive, profound, innovative and distinctive, it's real cornerstone of jazz oriented rock music as whole, and as prog masterpiece on the other side. All over the album there are not taking a rest for the musicians. Great musicianship as well. True masterpiece of jazz rock and progressive rock history. A must!

jazz related rock movie reviews

KING CRIMSON Neal And Jack And Me

Movie · 2004 · Jazz Related Rock
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Sean Trane
This DVD will please many of the third Crimson phase fans combines two tours: the Beat tour and the Three Of A Perfect pair. Oddly enough, they are presented in a non- chronological order, but this is a very minor point. One of the things I was particularly uneasy about was Bruford's use of electronic percussions and drums and we get a load of those "things" and like all technology novelty, the risk is that it ages poorly and sadly here, it is the case. Another point I had not appreciated is the stage presence of Adrian Belew, which is clearly copied from David Byrne from his collaborations with The Talking Heads - I love the T Heads, but Belew's stage antics are too derivative and ill fitted for Crimson. There are a few tracks present twice and most notably the boring Mate Kusadai.

Strictly on the visual front, Crimson was clearly making efforts to look hip and appeal to a more new-wave-ish public. Those were the days! But I never said that they were good, either!

Among the bonuses, are a video clip and a few titbits, but sadly still missing is that mini- concert footage filmed for the Discipline release and them playing four tracks in front of a red curtain. I may be severe with my rating of this DVD but I am not a real fan of that era.

GONG Classic Rock Legends

Movie · 2000 · Jazz Related Rock
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seyo
This video contains live performances from 1990 Live on TV album. Four original members of GonG are present: Pip Pyle, Didier Malherbe, Gilli Smyth and an oddball-harlequin persona of the spiritus movens, Daevid Allen.

Performance is focused on their legendary Radio Gnome Invisible trilogy, with 3 starters from Camembert Electrique. Since I have no idea what GonG looked like on scene back in the early 1970s (that is, before I took a peek at several Youtube clips recently), I guess this DVD makes up a lot for that, the age of the performers notwithstanding.

In fact, seeing these unique art-performers in their senior age can just assure you how the music and art in general can surpass generations, years and ages if you wish. Musicianship is great, movie direction very good with several cameras shooting from different angles, while only the engagement of the dancers to invoke the mystical gnomey creatures may be seen as too over-stressed.

The finale presents perhaps too long goodbye with the extended "I Am You" jam, but when Daevid jumps down into the audience you can actually see the highly emotional and spiritual connection between the band and the people, done in an almost religious-like chanting. This is excellent video and should be seen by all those who have at least some knowledge of the Planet GonG trilogy repertoire!

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Dick Heath
I remember seeing this originally on BBC 2 a few weeks after it was recorded in one of the canteens of Oxford Poly, and getting a mix of intense pleasure. In particular pleasure from the tour de force that Holdsworth had developed into (and screamed out at me on Feels Good To Me)and the unknown bass-wiz Jeff Berlin. But there was disappointment over Annette's contribution to the set - when her husky voice breathed sex at me on the album.

Now here from the Beeb's archives is the original 70's video quality footage as originally shown on 625 lines. The pleasure points remain, with some details emphasised. However the disappointment is worse, in particular there is a promise of something special as Peacock flounces on part way through the set, dressed as the fashion queen,(thereby drawing the contrast with the blokes in the band). However,again the expectation of something special evaporates quickly - the diva can't 'deave' live in sympathy with the music, the band i.e. her vocals are poor. Fortunately we don't have to suffer this for long and thank goodness for the skip button.

Yes this is a short recording*, and isn't there a missed opportunity here? One DVD burn (of a copy of a copy, etc.) of this gig I saw some years ago and suffering horribly from colour dropout, had the addition of two extra numbers by Bruford recorded off from the Old Grey Whistle Test - here with I think Neil Murray deputing for Jeff Berlin. Surely the Beeb could had offered these as well?

*Interesting to see another Rock Goes To College recording of Herbie Hancock & the Headhunters recorded at the now defuncted Chelsea College, that had resurfaced on BBC 4 2 years ago, was an hour long.

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Slartibartfast
This is incredible. I had the good fortune of seeing Bruford, unfortunately post Holdsworth, at the now defunct Atlanta Agora. I did get to catch Holdsworth touring for his I.O.U. album, but that's another story. My first pass through this concert really gave me the goosebumps.

It is unfortunate that this DVD is only 41 minutes, but the set list is excellent. Four tracks from Bruford's best album, One of a Kind. Annette Peacock even shows up for a couple of songs. I always thought that she didn't fit in well with this kind of music, but it's nice to see her all the same. I hope I'm wrong, but I don't think there's any live video out there of Alan Holdsworth, so seeing him in action is a special treat. One of the things I remember most from seeing Bruford was that at times Jeff Berlin's picking fingers were a blur and seeing him again live, I know I wasn't imagining it. Dave Stewart, or as I like to call him, The Dave Stewart, not that Eurythmics guy, is also a lot of fun to see in action. I noticed he had a music stand with no sheet music, but a synthesizer diagram, interesting. And then of course there's Bill. Those of you who may dislike his electronic drum work, I'm not one, will be happy to him playing strictly acoustic. What can I say? He's really one of best drummers around. The audio quality is excellent and sometimes the camera man crop off Holdsworth's left hand when I'd like to see it, but other than that, this is really nice for a concert captured in 1979.

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