Jazz Related Rock

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Like its close cousin RnB, rock grew out of the 1940s jazz genre known as jump blues. Needless to say, rock and jazz have had a close relationship from the very beginning. The jazz related rock section at JMA pays tribute to those rock artists who display a certain amount of competent jazz influence in their music. This influence can be displayed via virtuoso extended jam sessions, jazz influenced harmonic language, big band style horn charts or a combination of all this and more.

Jazz artists who utilize rock in their music can be found in the Classic Fusion, (Post 70s) Eclectic Fusion and Post-Fusion Contemporary genres.

jazz related rock top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm | 5 min. caching

SOFT MACHINE Third Album Cover Third
SOFT MACHINE
4.72 | 48 ratings
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FRANK ZAPPA The Grand Wazoo (The Mothers) Album Cover The Grand Wazoo (The Mothers)
FRANK ZAPPA
4.63 | 35 ratings
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KING CRIMSON Larks' Tongues In Aspic Album Cover Larks' Tongues In Aspic
KING CRIMSON
4.64 | 27 ratings
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ROBERT WYATT Rock Bottom Album Cover Rock Bottom
ROBERT WYATT
4.63 | 18 ratings
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FRANK ZAPPA One Size Fits All (as Frank Zappa And The Mothers Of Invention) Album Cover One Size Fits All (as Frank Zappa And The Mothers Of Invention)
FRANK ZAPPA
4.52 | 33 ratings
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HATFIELD AND THE NORTH The Rotters' Club Album Cover The Rotters' Club
HATFIELD AND THE NORTH
4.58 | 18 ratings
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JIMI HENDRIX Are You Experienced (Jimi Hendrix Experience) Album Cover Are You Experienced (Jimi Hendrix Experience)
JIMI HENDRIX
4.54 | 23 ratings
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SOFT MACHINE Grides Album Cover Grides
SOFT MACHINE
4.69 | 9 ratings
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KING CRIMSON Red Album Cover Red
KING CRIMSON
4.48 | 24 ratings
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FRANK ZAPPA Over-Nite Sensation (The Mothers) Album Cover Over-Nite Sensation (The Mothers)
FRANK ZAPPA
4.46 | 27 ratings
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AREA Arbeit Macht Frei (Il Lavoro Rende Liberi) Album Cover Arbeit Macht Frei (Il Lavoro Rende Liberi)
AREA
4.52 | 16 ratings
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FRANK ZAPPA Hot Rats Album Cover Hot Rats
FRANK ZAPPA
4.41 | 49 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

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jazz related rock Music Reviews

MAGMA Üdü Ẁüdü

Album · 1976 · Jazz Related Rock
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siLLy puPPy
Another development for MAGMA after the space opera in the form of the Theusz Hamtaahk Triology had run its course. While many of the previous styles and sounds can be heard sparingly on ÜDÜ ẀÜDÜ, this is a much less busy affair with only a few of the many musicians on the album taking part in any particular track. The star of this album is Jannick Top who delivers the funkiest and most in-yer-face bass lines that occur on any MAGMA album. He also handles the brass arrangements and synths as well leaving his indelible stamp on this album that sounds like no other.

The title track begins the album and has the most musicians participating and to be honest is my least favorite track on the album. The repetitive piano roll with the call and response Kobaian vocals with a nice jazzy sax appearing sounds like MAGMA making a tribute to African ritual music or something with its unrelenting rhythms. The problem for me is that it just doesn’t do much with all the sounds going on and seems like a four minute group drone of some kind. The same is also true of the second track “Weidorje” which has a weak groove and vocal phrasings that i find really boring. Not a good start.

Luckily everything changes for the better with the brilliant third track "Tröller Tanz (Ghost Dance)" which starts with a cool synth run followed by an infectious bass groove with awesome interaction between the keyboards. The synth run has a haunting oscillating effect that actually sounds like haunting ghosts. This effect is heard from here on and adds a very effective spookiness to the mix including the other Ghost Dance of “Zombies” that also has a nice dissonant jazziness to it.

Most tracks are short and to the point but there is one progressive behemoth in the form of “De Futura.” I wouldn’t exactly call it more progressive than the other tracks, i would simply call it longer. It utilizes the exact same formula with beefy groovy double bass lines, oscillating ghost sounds and alternating themes and tempos, and basically it pretty much takes different songs and sows them together into an 18 minute monster that morphs into another track instead of being separate. It is the perfect way to end the album. Another successful MAGMA release in my book and although not as perfect as others, still quite a worthy addition.

I was surprised by the addition of"Ëmëhntëht-Rê (extrait no. 2)” as a final track until i realized it’s a bonus track on the CD, but since it sounds more like the operatic craziness from MDK it is a nice reminder just how different ÜDÜ ẀÜDÜ is in comparison and how lucky we are to get a band that can not only invent a progressive rock sub genre out of the sonic boiling pots of jazz, classical and rock but that they can reinvent it with every move they make. Although MAGMA would not continue this sound beyond this sole album, keyboardist Patrick Gauthier and bassist Bernard Paganotti would leave MAGMA to carry it on with their own group Weidorje which not only took on the sound but the name from the track as well, and i personally think they did an excellent job at perfecting this style of zeuhl.

MAGMA Mekanïk Destruktïw Kommandöh

Album · 1973 · Jazz Related Rock
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siLLy puPPy
Although MAGMA had released two wonderful jazz-fusion albums and already invented the whole mythology revolving around the planet Kobaia for which drummer and band leader Christian Vander even created a fictitious language to articulate the vocal utterings that would augment the instrumental nature of the compositions, the sound suddenly changed from a frantic all-over-the-map approach that incorporated myriad influences to a more focused sound that simply utilizes the zeuhl sound as a basis which of course is of their own inventiveness that emerged on the very first album. MËKANÏK DËSTRUKTÏẁ KÖMMANDÖH came out in 1973 and to critical acclaim Nothing like this had emerged on the jazz rock scene not even from the Kobaians themselves.

MDK apparently tells the tale of a Kobaian prophet named Nebehr Gudahtt, who warms the human race that they are destroying their planet and have to change their naughty ways. When all is said and down the people rise against him and through throughout the album's ups and downs and twists and turns the people finally begin to adopt the ways of the Kobaians in order to redeem themselves. I'll have to accept that since i no speako Kobaian but it sounds like a logical story that is a mere segment of a much larger tale drawn out in the many album that MAGMA put out in the 70s.

The music is melodic and bombastic. To the max. This must have been some of the most ambitious music of the time even topping all the other progressive goodies that were coming out. Although the music is based on simple bass line cycles that incorporate two competing choirs that often sound like orgasmic ghosts, it is the sprinkling of jazzy parts, rock attitude and Carl Off a la “Carmina Burana” rhythmic phrasing that really puts a percussive punch in the whole thing. Musically this is akin to organic chemistry where long repetitive carbon chains create an extremely strong yet flexible backbone to support the smaller elements that cling onto it.

Upon first listen I thought this was too repetitious and I do like this a tad less than the first more chaotic albums with far more influences than this but this was a grower and has blossomed into an outstanding album in its own right. If you want one of the most over-the-top rock operas ever to grace not only planet Earth but apparently the entire Universe than you simply must experience MDK for there is nothing else even remotely like it not even within their own alien and eclectic discography.

MAGMA 2 (aka 1001° Centigrades)

Album · 1971 · Jazz Related Rock
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siLLy puPPy
The Kobaian zeuhl rhythms that came bursting forth on the debut album seem to have wrested control from the other jazz-fusion tendencies of Christian Vander and his strange new musical entity MAGMA. On their second album 1001 DEGREES CENTIGRADES, that zeuhl bursts onto the scene right away indicating that a transition was taking place from the all encompassing type of a fusion to a more focused one that was quickly establishing itself as an entirely separate subgenre within the progressive rock world. However despite the ongoing battle between the newly formed zeuhl sound and jazz, it is the jazz-fusion aspect of the music that ultimately dominates the soundscape as it still retains a horn dominated arrangement. The operatic Orff inspired female vocals haven't come to be yet and the band began the continued decline in band members due to disagreement in musical direction. On this album Claude Engel took off leaving one less guitarist two other band members left and were replaced.

I love this album a lot. It takes a lot of the zaniness of the debut but it is clearly more refined and focused. The zeuhl developments seem to add a stabilizing effect to the whole thing. The midway point between the full-on frenzy of anything goes jazz-fusion to the total loss of it is a successful formula that finds zeuhl rhythms accompanied by beautiful jazz tinged melodies that have beautiful horn passages, lovely flute and clarinet parts and of course, frantic and frenzied Kobaian language skills finding itself shouted, screeched, screamed and uttered in startling ways. This album like the debut is one of my favorite MAGMA albums and although I love their entire output it is these first two that I find the most exotic and adventurous and unpredictable. As Christian Vander kept pushing the band towards the fully fledged zeuhl that would come to be on “MDK” it caused a rift in the band and ultimately saxophonist Jeff Seffer and keyboardist Francois Cahen would leave to form Zao which would continue the musical style of the first two MAGMA releases.

FRANK ZAPPA Hot Rats

Album · 1969 · Jazz Related Rock
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fmotp
I'll admit to not being familiar with a lot of Frank Zappa's output. If only we adults weren't limited by time and a multitude of distractions from exploring all the music we want to explore! I can't really compare Hot Rats to Frank's other albums. I'm posting my thoughts on JazzMusicArchives as this album compares to other Jazz Fusion music I've heard.

The longer songs here are a bit drawn out IMO. I think that comes with the Jazz Fusion territory. However, that's really the only issue I have with Hot Rats. The playing on the album is brilliant; we would expect no less from Frank and whoever he chooses to work with. My favorite songs come from the second half of the album, but everything here is enjoyable. As a whole, Hot Rats is a great release from one of the early pioneers of Jazz Rock Fusion.

RAHMANN Rahmann

Album · 1979 · Jazz Related Rock
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siLLy puPPy
RAHMANN is a rarity in the world of progressive music. While the jazz-fusion genre is filled with a ridiculous number of variations on themes and sounds, no one else to my knowledge has taken the sub genre into the world of the Middle East where bellydancers, progheads and jazz-fusionists can coincide in harmonic bliss but on this one-shot album that emerged from France in a the time-out history of prog and jazz, they can, well at least at times. While this band was formed in France, the main member Mahamad Hadi was born in Algeria and raised in France but never really let the best of his former culture behind. This is an authentic fusion where the tapestry of influences are firmly woven tightly together and not just the filled with embellishments on top of an already established sound.

The music is quite the interesting mix. While the violin and song structures can remind a bit of the Mahavishnu orchestra with their complex and strange repetitive bizarre riffs, there is a distinct zeuhl sound in the rhythmic department due to the fact that former members of Magma were on board to deliver the strong and frenetic backbone. Both Didier Lockwood (violin) and Liza Deluxe (vocals) from Magma help out as does Gerard Provost (bass) from Zao thus delivering a strong Kobaian influence. Add on the myriad Middle Eastern instruments such as the oud, bouzouki, snitra and we have a recipe for some intricate and wonderfully flowing music that snakes across your consciousness like the Nile slinking through the dusty lands.

Perhaps the strongest aspect of this album is the diverse sounds of each track. While the opener “Atlanta” almost sounds like a traditional of Northern Africa with slight progressive jazz-fusion overtones, the songs ratchet up the progressiveness as they march on. “Danse Sacrée” is the most obvious reference to the Mahavishnu Orchestra but what i love about this album is just how each track stands on its own merits with some bringing certain influences to mind and others really displaying a streak of independence that almost seems as timeless as the Semitic languages themselves. Because Balkan gypsy type music sounds like Middle Eastern music, sometimes this can remind me of avant-proggers Area as well.

While the Algerian sounds are supplemental, this is through and through a progressive jazz-fusion album with Middle Eastern instruments on board lending a hand to the most spectacular fusion-fest of two totally disparate cultures. Perhaps the one complaint i have for this album is that it is not adventurous enough for my tastes for i have been utterly spoiled by the unadulterated explorative possibilities of the Gunesh Ensemble and this seems a tad tame in comparison, but despite not creating that subway to Venus that i would hope for, i am still very much impressed by the uniqueness that this sole album by RAHMANN distills from its sources.

jazz related rock movie reviews

KING CRIMSON Neal And Jack And Me

Movie · 2004 · Jazz Related Rock
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Sean Trane
This DVD will please many of the third Crimson phase fans combines two tours: the Beat tour and the Three Of A Perfect pair. Oddly enough, they are presented in a non- chronological order, but this is a very minor point. One of the things I was particularly uneasy about was Bruford's use of electronic percussions and drums and we get a load of those "things" and like all technology novelty, the risk is that it ages poorly and sadly here, it is the case. Another point I had not appreciated is the stage presence of Adrian Belew, which is clearly copied from David Byrne from his collaborations with The Talking Heads - I love the T Heads, but Belew's stage antics are too derivative and ill fitted for Crimson. There are a few tracks present twice and most notably the boring Mate Kusadai.

Strictly on the visual front, Crimson was clearly making efforts to look hip and appeal to a more new-wave-ish public. Those were the days! But I never said that they were good, either!

Among the bonuses, are a video clip and a few titbits, but sadly still missing is that mini- concert footage filmed for the Discipline release and them playing four tracks in front of a red curtain. I may be severe with my rating of this DVD but I am not a real fan of that era.

GONG Classic Rock Legends

Movie · 2000 · Jazz Related Rock
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seyo
This video contains live performances from 1990 Live on TV album. Four original members of GonG are present: Pip Pyle, Didier Malherbe, Gilli Smyth and an oddball-harlequin persona of the spiritus movens, Daevid Allen.

Performance is focused on their legendary Radio Gnome Invisible trilogy, with 3 starters from Camembert Electrique. Since I have no idea what GonG looked like on scene back in the early 1970s (that is, before I took a peek at several Youtube clips recently), I guess this DVD makes up a lot for that, the age of the performers notwithstanding.

In fact, seeing these unique art-performers in their senior age can just assure you how the music and art in general can surpass generations, years and ages if you wish. Musicianship is great, movie direction very good with several cameras shooting from different angles, while only the engagement of the dancers to invoke the mystical gnomey creatures may be seen as too over-stressed.

The finale presents perhaps too long goodbye with the extended "I Am You" jam, but when Daevid jumps down into the audience you can actually see the highly emotional and spiritual connection between the band and the people, done in an almost religious-like chanting. This is excellent video and should be seen by all those who have at least some knowledge of the Planet GonG trilogy repertoire!

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Dick Heath
I remember seeing this originally on BBC 2 a few weeks after it was recorded in one of the canteens of Oxford Poly, and getting a mix of intense pleasure. In particular pleasure from the tour de force that Holdsworth had developed into (and screamed out at me on Feels Good To Me)and the unknown bass-wiz Jeff Berlin. But there was disappointment over Annette's contribution to the set - when her husky voice breathed sex at me on the album.

Now here from the Beeb's archives is the original 70's video quality footage as originally shown on 625 lines. The pleasure points remain, with some details emphasised. However the disappointment is worse, in particular there is a promise of something special as Peacock flounces on part way through the set, dressed as the fashion queen,(thereby drawing the contrast with the blokes in the band). However,again the expectation of something special evaporates quickly - the diva can't 'deave' live in sympathy with the music, the band i.e. her vocals are poor. Fortunately we don't have to suffer this for long and thank goodness for the skip button.

Yes this is a short recording*, and isn't there a missed opportunity here? One DVD burn (of a copy of a copy, etc.) of this gig I saw some years ago and suffering horribly from colour dropout, had the addition of two extra numbers by Bruford recorded off from the Old Grey Whistle Test - here with I think Neil Murray deputing for Jeff Berlin. Surely the Beeb could had offered these as well?

*Interesting to see another Rock Goes To College recording of Herbie Hancock & the Headhunters recorded at the now defuncted Chelsea College, that had resurfaced on BBC 4 2 years ago, was an hour long.

BILL BRUFORD Bbc Rock Goes To College: Live 1979

Movie · 2006 · Jazz Related Rock
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Slartibartfast
This is incredible. I had the good fortune of seeing Bruford, unfortunately post Holdsworth, at the now defunct Atlanta Agora. I did get to catch Holdsworth touring for his I.O.U. album, but that's another story. My first pass through this concert really gave me the goosebumps.

It is unfortunate that this DVD is only 41 minutes, but the set list is excellent. Four tracks from Bruford's best album, One of a Kind. Annette Peacock even shows up for a couple of songs. I always thought that she didn't fit in well with this kind of music, but it's nice to see her all the same. I hope I'm wrong, but I don't think there's any live video out there of Alan Holdsworth, so seeing him in action is a special treat. One of the things I remember most from seeing Bruford was that at times Jeff Berlin's picking fingers were a blur and seeing him again live, I know I wasn't imagining it. Dave Stewart, or as I like to call him, The Dave Stewart, not that Eurythmics guy, is also a lot of fun to see in action. I noticed he had a music stand with no sheet music, but a synthesizer diagram, interesting. And then of course there's Bill. Those of you who may dislike his electronic drum work, I'm not one, will be happy to him playing strictly acoustic. What can I say? He's really one of best drummers around. The audio quality is excellent and sometimes the camera man crop off Holdsworth's left hand when I'd like to see it, but other than that, this is really nice for a concert captured in 1979.

HATFIELD AND THE NORTH Classic Rock Legends

Movie · 2001 · Jazz Related Rock
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Sean Trane
Actually, this is nothing more than the TV special that got released some 12 years later after the live album. And this release does make a difference, compared to the live Cd. Actually only the respect I have for H & TN, stopped from giving less than two stars for that Cd because the recording was atrociously flat , poor quality and listless.

However, the DVD of that concert is much better and the sound quality is much better than the original Cd release. So the line-up is the same as Miller, Pyle and Sinclair are present and Sophia Domancich is replacing Dave Stewart. Although the newcomer is an impressive player, she does not however fill such gigantic shoes of Stewart. Actually on the latest 2005 tour , Alex Maguire does a credible job, though!

Highlight includes live favourites Matter Anyway and Going For a Song. A much fitter souvenir of that live one-shot reunion tour.

Artists with Jazz Related Rock release(s)

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