Slava Gliožeris
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Favorite Jazz Artists

All Reviews/Ratings

841 reviews/ratings
STEELY DAN - Countdown to Ecstasy RnB
MILES DAVIS - Agharta Fusion
JAZZ Q PRAHA /JAZZ Q - Symbiosis Jazz Related Rock | review permalink
LYUBOMIR DENEV - Lyubomir Denev Jazz Trio And Petko Tomanov Fusion | review permalink
SOFT MACHINE - Third Jazz Related Rock | review permalink
SOFT MACHINE - The Peel Sessions Fusion | review permalink
KRZYSZTOF KOMEDA - Astigmatic Post Bop | review permalink
SOFT HEAP / SOFT HEAD - Rogue Element (as Soft Head) Fusion | review permalink
ROBERT WYATT - Rock Bottom Pop/Art Song/Folk | review permalink
KAZUTOKI UMEZU - Eclecticism Eclectic Fusion | review permalink
JAN GARBAREK - Afric Pepperbird Avant-Garde Jazz | review permalink
DAVID TORN - Polytown Nu Jazz | review permalink
MASADA - 50⁴ (Electric Masada) Eclectic Fusion | review permalink
ANTHONY BRAXTON - Dortmund (Quartet) 1976 Avant-Garde Jazz | review permalink
MATANA ROBERTS - Coin Coin Chapter One: Gens De Couleur Libres Avant-Garde Jazz | review permalink
FIRE! - Fire! Orchestra : Exit! Avant-Garde Jazz | review permalink
MAL WALDRON - Reminicent Suite (with Terumasa Hino) Post Bop | review permalink
JOE MCPHEE - Nation Time (Live at Vassar College) Fusion | review permalink
WILDFLOWERS - Wildflowers 1: The New York Loft Jazz Sessions Avant-Garde Jazz | review permalink
MAL WALDRON - What It Is Avant-Garde Jazz | review permalink

See all reviews/ratings

Jazz Genre Nb. Rated Avg. rating
1 Avant-Garde Jazz 301 3.69
2 Fusion 92 3.53
3 Post Bop 87 3.57
4 Eclectic Fusion 52 3.71
5 Jazz Related Rock 35 3.30
6 Nu Jazz 34 3.59
7 Hard Bop 33 3.44
8 World Fusion 30 3.15
9 21st Century Modern 29 3.86
10 Jazz Related Improv/Composition 24 3.56
11 Third Stream 17 3.41
12 Post-Fusion Contemporary 17 3.21
13 Progressive Big Band 15 3.80
14 RnB 15 3.53
15 Vocal Jazz 12 3.33
16 Pop/Art Song/Folk 12 2.92
17 Jazz Related Electronica/Hip-Hop 6 3.33
18 Jazz Related Soundtracks 5 3.50
19 Funk Jazz 4 3.38
20 African Fusion 4 3.75
21 Cool Jazz 3 3.67
22 Latin Jazz 2 3.50
23 Acid Jazz 2 3.75
24 Exotica 2 3.00
25 Big Band 2 2.75
26 Blues 2 3.00
27 Funk 1 3.50
28 Afro-Cuban Jazz 1 3.50
29 Jump Blues 1 3.50
30 Soul Jazz 1 3.50

Latest Albums Reviews

AMIRTHA KIDAMBI Elder Ones : Holy Science

Album · 2016 · Avant-Garde Jazz
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New York based singer and composer Amirtha Kidambi just released her third album as leader - on Astral Spirits(Phase Eclipse), already second new album coming this year(From Untruth - just released in Japan, after the US release, as well).

Her debut, released three years ago, Holy Science, passed somehow unnoticed,and that's a shame. Born in US of Indian origin, Amirtha combines in her music some best traditions of India’s Carnatic,American free jazz and modern drone.

Just four lengthy tracks,each as a part of "Yuga" suite,contain Amirtha's (predominantly wordless) vocals recalling Jeanne Lee under strong accompaniment of lesser known but perfectly working sax-bass-drums trio. The music,if a bit ascetic,is complex and multilayered with each listening opening more new details.

Excellent debut on the edge between jazz/non-jazz avant-garde and Indian classic.


Album · 2019 · Nu Jazz
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Brits Portico Quartet always had very special place on British nu jazz scene since they arrived more than a decade ago. Among very firsts in a genre their sound was closer to Brian Eno ambient than melodic chamber jazz/songs-oriented soft fusion of their scene's colleagues. But even more important - their ambient-jazz was very organic thanks to the use of exotic "hang"(form of steel-pan) instead of modern electronics of more club-oriented bands.

They received an early fame and some decline, changes in line-up and hardly successful flirting with vocal-based pop. With "Memory Streams" they return back to basis and it's their true return to form of sort.

Oppositely to their very early releases, band's fans wouldn't find an unexpected sound and very new music in general; on Portico's new album they play mostly everything they already played before. But they do it well.

Very melodic well executed "organic" ambient jazz,very accessible and often balancing on the dangerous edge with "elevators music" but fortunately never crossing the border. Not really a listening for one's brain but simply beautiful music for many's heart.

Band's traveling Europe with new program these days so don't miss your chance to see them playing life.


EP · 2019 · Nu Jazz
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Just half a year after the release of their second full-size album "Trust in the Lifeforce of the Deep Mystery", Londoners The Comet Is Coming come with new half an hour EP "The Afterlife". As other Shabaka Hutchings' musical projects, "The Comet..." is in a forefront of burgeoning English jazz scene, so there is not all that strange the trio releases their next work same year. "The Afterlife" contains outtakes from same sessions which made "Trust in the Lifeforce of the Deep Mystery" and surprisingly enough, this newest release sounds even partially stronger for my ears.

The opener,"All That Matters Is the Moments", is a true bomb and contains Joshua Idehen narration (he is already known to Shabaka's fans from previous "Comet's..." releases and from the other Hutchings' project - Sons Of Kemet as well). Comparing with the album, released earlier this year, music on this EP is not so heavy,less aggressive, a bit more spacey with lot of analog electronic effects, relaxed in moments and is closer to spiritual jazz than fusion of previous work.

Shabaka's sax plays impressively remember-able tunes, framed with loops and twists from synths and repetitive minimalist drumming,recalling Sun Ra and Germans Can at the same time.

There is more soul in "The Afterlife", less brutal power and quite often whole music sounds closer to "Comet's..." another album, "Death To The Planet", than to closer related "Trust In The Lifeforce Of The Deep Mystery". The trio is touring Europe now, I expect they should sound impressive when playing live. Not all songs are equally strong though, in moments it feels that it's an outcuts album, but it is a strong outcuts album anyway.

One of the best what modern London's jazz scene offers.

ANTHONY JOSEPH People of the Sun

Album · 2018 · World Fusion
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I really like having the opportunity to hear your beloved album at a live concert, it doesn't happen as often as I would like unfortunately. In case with Anthony Joseph "People Of The Sun" I was lucky enough to experience that.

Released on the tiny French label Heavenly Sweetness, "People Of The Sun" demonstrates fashionable new London jazz with its Caribbean influences. Trinidad-born band's front man Anthony Joseph (who is a professor of creative literature at London University) prefers to call himself a poet, and is obviously rooted in the free jazz and spoken word traditions of the late 60s and Gil Scott-Heron legacy. Joseph is more Caribbean Leonard Cohen than Amiri Baraka.

Album music is full of calypso, salsa, reggae, steel pans sound and Latin accent. Anthony combines his homeland rhythms with funk and spiritual jazz adding slightly melancholic lyrics without avoiding sharper themes such as slavery or problems of more current life in the Caribbean. All of this is offered with philosophical elegance and doesn't quite sound similar to an "angry men" street manifesto at all.

With fifteen musicians participating, the musical part is well-arranged with a percussive relaxed sound, accessible and very dance-able. Short instrumental solos are presented here and there as spices in a brew, it adds to the music's very livable and even hip feel, being in reality not all that simple, the album is very accessible and vibrant.

Returning back to their show, there was a smaller band of slightly different line-up playing live. They sounded much heavier, less refined and recalled more funk-rock garage band than relaxed Caribbean orchestra as heard on album. The compositions played were mostly all more extended with burning long soloing (partially Jason Yarde sax, wah wah guitar or percussion) and very charismatic dynamic Joseph on the front. It perfectly demonstrated band's live energy - opposite side of generally quite relaxed studio material.

One great example of today's London jazz scene great both for your legs, your heart and your head.

PHIL RANELIN Phil Ranelin Collected 2003-2019

Boxset / Compilation · 2019 · Post Bop
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The opener "Freddie's Groove" says it all - excellent tune with deep respect to mainstream jazz tradition and rich brassy arrangements, I'm sure you will love it from the very first seconds. Phil Ranelin, an Indianapolis born unsung slide trombone hero you most probably never heard about served much better awareness than he got till now.

First Boston,than - Los Angeles based for decades, Ranelin dedicated above mentioned song to his childhood friend Freddie Hubbard. Started recording as leader in mid 70s, he released two excellent free jazz influenced albums on own Tribe label ("Vibes From The Tribe"(1976)) contains some early example of free funk),later switching to more orthodox jazz. Still, his music has always been very soulful,tuneful and often spiritual.

At the end of the last century, Ranelin was known and popular mostly between DJs,searching for rare grooves. His early music re-release and album of remixes(2001) make him more visible for wider listener. In new Millenium, he recorded and released a series of albums for West Coast tiny label Wide Hive, which is responsible for this compilation.

Already mentioned opener,"Horace´s Scope","Shades Of Dolphy","This One´s For Trane" and compilation's closer "Black On The Nu" all come from his Wide Hive debut (and probably best release for the label)- " Inspiration"(2004). In fact, you have here all the album but two tracks.

Latin scented "Blue Bossa","Living A New Day" and "Metamorphisis" come from his second release on Wide Hive,"Living A New Day"(2005). Spiritual jazz/fusion with melancholic touch, memorable tunes and lot of tasty slide trombone soloing.

"A Tear In Elmina","Moorish" and "In Search Of The One" are taken from Ranelin album, recorded with congas percussionist Big Black. Not only more percussive, but surprisingly freer and closer to his earlier works from mid 70s, spiritual jazz."Perseverance" ,originally recorded for the same album, on this compilation is presented in a new edition, as Eastern-scented exotica.

The rest partially less impressive material comes from Ranelin last released album to date "Portrait In Blues" plus some unreleased songs.

Some renown collaborators presented are Pharoah Sanders(on "This One's for Trane") or then virtually unknown Kamasi Washington on compositions,coming from "Perseverance" album.

In a light of revitalized spiritual jazz popularity peak in UK and partially around US and Europe, this compilation is an excellent present for everyone who never heard Ranelin's name but is interested in this genre's music of highest probe. For fans (as myself), who already owns his best Wide Hive released albums "Inspiration" and "Perseverance", the compilation gives a possibility to evaluate his better songs coming from other label's albums.

Latest Forum Topic Posts

  • Posted 11 days ago in What are You Listening II
    just returned back from fantastic opera - "Madame Butterfly" (co-production of Metropolitan Opera in New York, Royal Opera in London and Lithuanian National Opera)[TUBE]sO7tSB1qUEg[/TUBE]
  • Posted 25 days ago in Recently Watched Films
    "The Joker" for me has always been Jack Nicholson in a movie from few decades ago, the times were different all around and what is more important I was much younger. It looked I can't imagine just who could be the another "Joker", better than that.Yesterday I watched the newest one, didn't expect a lot. I was wrong. New "Joker" is a dark multilayered story rising plenty of questions and offering no answers. The psycho working as street clown is beaten on the street by black teenagers, and later - by white middle class young guys. He lives with his old and ill mother and he loses the job. He got a gun from his job colleague and he uses it killing three attackers. He finds out by chance from his mother that he's a (secret) son of powerful politician trying to become a city mayor and then he realizes that it's just a her crazy fantasy. As well he finds out that his beloved mother was judged because of torturing him and he isn't really a her son, he's adapted. Than he kills the mother...There are no POSITIVE characters in a movie, poor people are jealous liars,destroying everything around and enjoying killing others. Rich guys are arrogant,heartless liars too.Street riots destroyed the city and the Joker finishes in psychiatric clinic. No future at all ...[TUBE]r7Irczc6DlY[/TUBE]
  • Posted 32 days ago in What are You Listening II
    [QUOTE=Sandra]My album of the week [TUBE]Qg2J-nqpr5U[/TUBE][/QUOTE] their nice return to form of sort, great minimalism+jazz album


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