Slava Gliožeris
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793 reviews/ratings
STEELY DAN - Countdown to Ecstasy Jazz Related RnB
MILES DAVIS - Agharta Fusion
JAZZ Q PRAHA /JAZZ Q - Symbiosis Jazz Related Rock | review permalink
LYUBOMIR DENEV - Lyubomir Denev Jazz Trio And Petko Tomanov Fusion | review permalink
SOFT MACHINE - Third Jazz Related Rock | review permalink
SOFT MACHINE - The Peel Sessions Fusion | review permalink
KRZYSZTOF KOMEDA - Astigmatic Post Bop | review permalink
SOFT HEAP / SOFT HEAD - Rogue Element (as Soft Head) Fusion | review permalink
ROBERT WYATT - Rock Bottom Jazz Related Pop/Art Song/Folk | review permalink
KAZUTOKI UMEZU - Eclecticism Eclectic Fusion | review permalink
JAN GARBAREK - Afric Pepperbird Avant-Garde Jazz | review permalink
DAVID TORN - Polytown Nu Jazz | review permalink
MASADA - 50⁴ (Electric Masada) Eclectic Fusion | review permalink
ANTHONY BRAXTON - Dortmund (Quartet) 1976 Avant-Garde Jazz | review permalink
MATANA ROBERTS - Coin Coin Chapter One: Gens De Couleur Libres Avant-Garde Jazz | review permalink
FIRE! - Fire! Orchestra : Exit! Avant-Garde Jazz | review permalink
MAL WALDRON - Reminicent Suite (with Terumasa Hino) Post Bop | review permalink
JOE MCPHEE - Nation Time (Live at Vassar College) Fusion | review permalink
WILDFLOWERS - Wildflowers 1: The New York Loft Jazz Sessions Avant-Garde Jazz | review permalink
WILLIAM PARKER - William Parker Trio ‎: Painter's Spring Avant-Garde Jazz | review permalink

See all reviews/ratings

Jazz Genre Nb. Rated Avg. rating
1 Avant-Garde Jazz 278 3.69
2 Fusion 91 3.55
3 Post Bop 85 3.57
4 Eclectic Fusion 52 3.70
5 Jazz Related Rock 34 3.29
6 Hard Bop 32 3.42
7 Nu Jazz 31 3.60
8 World Fusion 29 3.14
9 21st Century Modern 28 3.91
10 Jazz Related Improv/Composition 24 3.56
11 Third Stream 16 3.41
12 Post-Fusion Contemporary 16 3.22
13 Progressive Big Band 15 3.80
14 Jazz Related RnB 13 3.35
15 Jazz Related Pop/Art Song/Folk 10 2.95
16 Vocal Jazz 10 3.30
17 Jazz Related DJs/Electronica/Rap 5 3.40
18 Jazz Related Soundtracks 4 3.25
19 Cool Jazz 3 3.67
20 Funk Jazz 3 3.50
21 Exotica 2 3.00
22 Acid Jazz 2 3.75
23 Big Band 2 2.75
24 Jazz Related Blues 2 3.00
25 Latin Jazz 2 3.50
26 Soul Jazz 1 3.50
27 Jump Blues 1 3.50
28 Afro-Cuban Jazz 1 3.50
29 Funk 1 3.50

Latest Albums Reviews

ALFA MIST Structuralism

Album · 2019 · Nu Jazz
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For some last years London's burgeoning jazz scene often associates with rebellious street-wise Afrobeat, Caribbean rhythms, electronics and hip-hop influenced fusion. Still not every artist there sounds such way.

Self-taught pianist,composer and producer Alfa Mist just released his second album which obviously being a part of about mentioned movement covers quite different areas. Proclaimed by artist as "battles with self and the societal pressures" product in real life "Structuralism" contains comfortable lite fusion recalling American smooth jazz.

There are lot of strings on some songs, two female guest vocalists, beautifully-melancholic sax soloing and modern slick production, plus hip-hop elements, but resulting music is all but rebellion. In fact, almost any composition fits quite well for use as soundtrack to Sunday morning Travel TV broadcast.

Still, few dramatic moments save the album of being openly boring so it could be recommended for those trying to escape from disturbing reality to comfortable (and sterile) pinkish-greenish lounge.

ARASHI Semikujira

Album · 2016 · Avant-Garde Jazz
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74 years old veteran of Japanese avant-garde jazz reedist Akira Sakata leads furious acoustic trio with two young Scandinavians - Swedish bassist Johan Berthling and Norwegian drummer Paal Nilssen-Love. The name of the trio is Arashi("Storm"), and their second album,released two years after their self-tittled debut,recorded in Swedish studio and released on Austrian label, is titled "Semikujira"("North Pacific Whale").

Paal Nilssen-Love is extremely prolific artist and producer pushing all Nordic adventurous noisy jazz ahead, bassist Berthling is known as Swedish super bands Angles and Fire!/Fire! Orchestra member, so one can expect really muscular and quirky rhythm section work here - they fulfill expectations in full. Still main star of the show is Akira himself,who not only plays alto sax and clarinet, but adds lot of vocalize (which hardly can be called "singing").

Differently from many other Akira's more abstract works, Arashi is power trio which plays well framed muscular free jazz in New York of 80s tradition, but on very Japanese manner. Over the tight rhythm basis Akira blows some attacking if quite soulful sax soloing, but much more impressive is his absolutely shamanic vocalizes in Japanese,repetitive,hypnotizing and very organic.

From songs titles it's obvious that Japanese folklore, or better to say - ritualistic songs were taken as source of inspiration, and the result is not less than fascinating. Without loosing trad songs structure and some melodious component,power trio reworks them right to free jazz shamanic compositions which surprisingly enough don't lose their relation with shamanic nature of originals.For sure Sakata's voice is not for everyone taste, but those familiar with Japanese brutal avant-rock or experimental radical free jazz (which was a main source of inspiration for John Zorn series of early releases),or fans of Diamanda Gallas' singing will accept Akira's vocal pyrotechnics without big problems.

Arashi's debut two years ago received lot of positive critics, their second work is even better.


Album · 2019 · Fusion
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Eight years after they recorded their debut album, English spiritual jazz quartet Ruby Rushton led by now rising solo-star Tenderlonious releases their new album. Band of almost same line-up (with only drummer changed from Yussef Dayes to Tim Carnegie) plays tuneful and soulful fusion recalling early 70s spiritual jazz of Yusef Lateef slightly modernized with hip-hop.

Two album's songs ("One Mo' Dram" and "Eleven Grapes") has been already released as single a month ago and presented upcoming album well. After two successful albums released by Tenderlonious under his own name during last two years, his decision to reunite the old band doesn't look strange. During last decade London music scene changed dramatically from deep marginal underground to fashionable place so Ruby Rushton's music sounds right in place here.

There are not much of news or unusual tricks here on this album (as in almost any music coming from London jazz scene nowadays) but it works well presenting to younger generation some best things jazz invited four decades ago. Lot of flute/sax soloing, African dance-able rhythms,memorable melodies and very positive atmosphere in general works like magnet after years of destructiveness, deconstruction and dark nihilism dominated on musical scenes.

Surprisingly enough, album closes with beautiful and sensitive "Pingwin" - dedication to Polish cult jazz composer and musician Krzysztof Komeda usually not widely known outside of his home country.

THE COMET IS COMING Trust In The Lifeforce Of The Deep Mystery

Album · 2019 · Eclectic Fusion
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London new jazz scene leader Shabaka Hutchings "space jazz" project The Comet Is Coming's second studio album. Not really a Sun Ra legacy-based, more Can/Magma/nu jazz minimalist hybrid played by sax/keys/drums trio.

Mostly a mid-tempo tuneful compositions with absolute domination of heavy analog synth passages (and massive studio post-production). Repetitive structures with almost militaristic marching rhythm on every song recall early 70s prog rock more then any form of jazz. Still Shabaka's (who uses King Shabaka scenic name when playing with Comet...) tenor sax soloing over the main sound flow (quite aggressive, pushing the sound ahead, with few free longish moments) and rare spacey electronic effects build some bridges with eclectic jazz scene of our time.

Obviously oriented more to prog fans, album's music still contains moment or two for Shabaka Hutchings fans.


Album · 2019 · Eclectic Fusion
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You don't need to speak Italian to understand what Both People album's opener is about. "La danza dell'elefante" composed by sax player Andrea Morelli and played with lot of enthusiasm by this Sardinian quintet will make dancing even elephants.

Three sax players (alto,soprano/tenor and baritone)plus muscular rhythm section consisting of electric bassist and rock-heavy drummer just released an excellent album covering some jazz epochs, from free-bop to eclectic crossover of avant-garde jazz and rock of nowadays.

Already mentioned above "Elephant Dance" is catchy tuneful song where three saxists playing unison push music ahead as if they are trying to bypass groovy rhythm section. Perfectly recorded,with crispy and spacey warm sound, this composition is a real hit and I am sure it will stay in your head for the rest of the day.

"Rhythm no changes" changes the intensity of sound towards more loose and relaxed modern free-bop where three saxes soloing against each other build beautiful and surprisingly accessible sound castles over anchoring bassist and drummer interplay.

"Playing is a little bit like fishing" sounds as partially dreamy (but way not sleepy) collective improvisation where is enough space not only for reedists' but for drummer and bassist soloing as well. Still it's a groovy bass which controls the music from being chaotic or loose. As a result we got quite a graceful composition of fragile beauty - really not very casual case speaking about free improvisations.

"Spring time" demonstrates more complex structure with regular rhythm changes and lot of sax free soloing, probably first albums song dedicated more to listener's head than his heart.

"Host ones" is a shortest album's composition and it fits well to be paired with the opener as "elephant ballet" second action's possible soundtrack.

Alto sax player Fabio Delvò another album's composition (after "Spring Time") - "Flying over the ocean" - is down tempo complex structure's one, with lot of space for soloing of each quintet member.

"Amazing (Sahel's crossing)" - a collective improvisation which closes the album - it's a down tempo composition with touch of sadness and North African scent from last few seconds soloing bass.It's understandable final - whole album is announced as "a recording project against the rampant racism of this historical period", and the Sahel is a transition zone between Sudan and Arabic Africa, former French colonies and one of the hot areas in Africa.

Add excellent sound recording and mix plus CD's box paper cover's high quality of printing, voilà - you have a great album, another good example of what is known as "best from Italy".

Latest Forum Topic Posts

  • Posted 2 days ago in What are You Listening II
    [TUBE]MdJ-NyUPO3Y[/TUBE] snobb2019-05-23 05:16:28
  • Posted 11 days ago in Philip Bailey announces new all-star jazz album
    Earth, Wind & Fire’s front-man Philip Bailey has confirmed the details for his long-anticipated solo album due out this summer with the title ‘Love Will Find A Way’. It’s an all-star project with some of the biggest names in jazz involved, including Bailey’s personal friends bassist Christian McBride, the iconic jazz pianist Chick Corea and drum legend Steve Gadd. The album also features contemporary stars including saxophonist Kamasi Washington, keyboardist Robert Glasper, rapper, musician and producer, trumpeter Christian Scott aTunde Adjuah, singer-songwriter Bilal, singer-saxophonist Casey Benjamin, guitarist Lionel Loueke, drummer Kendrick Scott and bassist Derrick Hodge. The album came together over a two-year period and was initiated after Bailey started becoming aware of this forward-looking, all-embracing jazz generation. “I’d heard Rob Glasper was giving jazz a facelift,” Bailey says, and after attending the keyboardist’s live show, he was sold. He quickly brought Glasper on board to play on and produce some tracks, and he became invaluable to the singer in recruiting musicians and other decisions. But Bailey also continued with his own research. At Jazz Fest in New Orleans, he made a point of catching Kamasi Washington’s set and had a small-world moment. “Lo and behold, he introduced his father, [the woodwinds player Rickey Washington]. Me and Rickey had known each other for years!” Bailey recalls, chuckling. “We went to the same church! Kamasi went to bible school with my kids.” The LP will be released on June 21st, with the first single immediately available: an interpretation of the Curtis Mayfield song: ‘Billy Jack’ featuring Robert Glasper and Kendrick Scott. There’s more on this on Nigel Williams’ Saturday Show this week on Jazz FM. TRACK LIST:01. Billy Jack ft. Robert Glasper02. You’re Everything ft. Chick Corea03. We’re a Winner ft. Bilal04. Stairway To The Stars ft. Christian Scott and Christian McBride05. Brooklyn Blues06. Once In A Lifetime07. Just To Keep You Satisfied08. Sacred Sounds ft. Kamasi Washington and Robert Glasper09. Long As You’re Living ft. Christian McBride10. Love Will Find A Way ft. Casey Benjaminfrom
  • Posted 22 days ago in What are You Listening II


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