METTE HENRIETTE (METTE HENRIETTE MARTEDATTER RØLVÅG)

Third Stream • Norway
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METTE HENRIETTE (METTE HENRIETTE MARTEDATTER RØLVÅG) picture
Mette Henriette is a Sámi-Norwegian saxophonist, composer and improviser working across creative disciplines.

In 2015, at the age of 24, Mette Henriette was the first artist to debut with a double album on ECM Records. Produced by Manfred Eicher and graced with a portrait by Anton Corbijn, the album includes 90 minutes of music for her trio and large ensemble consisting of jazz, classical and tango musicians.

Having toured internationally for more than a decade, Mette Henriette is a sought-after performer whose presence on stage unites her capacity as an improviser, composer and bandleader — all while challenging the traditional concert format with her eclectic experience in other creative fields. Her performances and stage works have been commissioned and presented by leading festivals and art institutions worldwide including Berliner Festspiele, Dark Mofo, documenta14, Moldejazz, Musée d’Orsay, Munch Museum, Ultima International Contemporary Festival, Rewire, Riddu Riđđu and The Royal Palace of Norway.
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METTE HENRIETTE (METTE HENRIETTE MARTEDATTER RØLVÅG) albums / top albums

METTE HENRIETTE (METTE HENRIETTE MARTEDATTER RØLVÅG) Mette Henriette album cover 0.00 | 0 ratings
Mette Henriette
Third Stream 2015
METTE HENRIETTE (METTE HENRIETTE MARTEDATTER RØLVÅG) Drifting album cover 3.86 | 2 ratings
Drifting
Third Stream 2023

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METTE HENRIETTE (METTE HENRIETTE MARTEDATTER RØLVÅG) Drifting

Album · 2023 · Third Stream
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Matti P
Drifting is the second album by the Norwegian saxophonist and composer METTE HENRIETTE (b. 1990). While the eponymous debut (2016) contains pieces for both trio and larger combos, here all music is for tenor sax, piano and cello. This is my very first listening of the artist. According to the All Music Guide "Drifting is gentler, quieter, but no less challenging than its predecessor. Its compositions reside in the amorphous aural terrain between jazz, folk, and contemporary classical."

That description sounds accurate. This is ambient, lyrical, thoughtful, peaceful and elegently spatial music that breathes organically. The given low rating here actually feels a bit strange without a review to explain it. To me, the album sounds very beautiful. The saxophone is often played gently in a breathy manner, Johan Lindvall's piano weaves meditative patterns and Judith Hamann's cello adds the needed warmth to the sound that is easy to associate with a wintery landscape (such as the one in the cover). Some slight dissonance here and there makes sure it all doesn't get too sleepy.

The composer herself has said that "this album is in movement. It's on its way somewhere and has its own pace -- its creative agency is fundamentally different from what I've done previously". Mette's countryman Jan Garbarek at his most meditative might be a good reference, and the more ambientish side of producer Manfred Eicher's trusted ECM oeuvre in general. Some kindred spirit as a saxophonist can also be found in Linda Fredriksson from Finland.

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