SPACETIME CONTINUUM

Jazz Related Electronica/Hip-Hop • United States
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Jonah Sharp aka Spacetime Continuum signed to Astralwerks in 1991 and is established as one of the premier underground dance artists in America. The album "Double Fine Zone" out on Astralwerks features London based saxophonist Brian Iddenden and shows a move to a more organic Jazz influenced recording, which is why Loosegroove Records asked him to remix "Ponga". It seemed like a logical choice! With at least 14 albums out as Spacetime Continuum or as collaborations with the likes of Terence Mckenna, Tetsu Inoue and Bill Laswell, the Spacetime sound seems ripe for mass acceptance.

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Thanks to silent way for the addition and snobb for the updates

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SPACETIME CONTINUUM Discography

SPACETIME CONTINUUM albums / top albums

SPACETIME CONTINUUM Sea Biscuit album cover 0.00 | 0 ratings
Sea Biscuit
Jazz Related Electronica/Hip-Hop 1994
SPACETIME CONTINUUM Emit Ecaps album cover 0.00 | 0 ratings
Emit Ecaps
Jazz Related Electronica/Hip-Hop 1996
SPACETIME CONTINUUM Double Fine Zone album cover 3.68 | 3 ratings
Double Fine Zone
Jazz Related Electronica/Hip-Hop 1999

SPACETIME CONTINUUM EPs & splits

SPACETIME CONTINUUM Flurescence EP album cover 0.00 | 0 ratings
Flurescence EP
Jazz Related Electronica/Hip-Hop 1993
SPACETIME CONTINUUM Real Time EP album cover 0.00 | 0 ratings
Real Time EP
Jazz Related Electronica/Hip-Hop 1997

SPACETIME CONTINUUM live albums

SPACETIME CONTINUUM Alien Dreamtime album cover 0.00 | 0 ratings
Alien Dreamtime
Jazz Related Electronica/Hip-Hop 1993

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SPACETIME CONTINUUM Reviews

SPACETIME CONTINUUM Double Fine Zone

Album · 1999 · Jazz Related Electronica/Hip-Hop
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js
Listening to ‘Double Fine Zone’ wasn’t the first time I heard a drumnbass CD with a pronounced jazz element, but it was the first CD I heard that mixed the two genres in such a seamless and sophisticated way. This music is very relaxed and abstract, the ultimate in jazzy techno lounging. It was meant to sound exotic and futuristic in 1999, and it probably will for a long time to come. Brian Iddenden and Damien Masterson provide the excellent saxophone work. Sometimes they solo, and sometimes they just add nice counter melodies to Jonah Sharp’s keyboard ensemble work. Masterson also doubles on harmonica, but he doesn’t play simple bluesy lines, instead he is a master of the jazzy chromatic harp in the style of Toots Thielman.

Another plus on here is the keyboard and drum skills of Spacetime Contuuum’s mastermind, Jonah Sharp. Jonah splices and dices his jazzy syncopated trap set lines into modern abstract fusion that never sounds mechanical unless he goes for that effect on purpose. His sparse and innovative voicings on a real Fender Rhodes also help add that authentic ‘jazz sound’. Not every rhythm on here is pure drumnbass, Sharp keeps things interesting with some ambient techno and even some 4 on the floor ambient house, but the beats are never overbearing or too plastic.

To some, this CD could probably function as some kind of slick background music, but if you listen closely to some of the better cuts, Sharp serves up a very cool and unique version of future-jazz.

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