siLLy puPPy Despite the debut album being a complete commercial flop, PRINCE quickly followed up with a successor releasing his eponymous second album in October of 1979 and once again basically every single aspect of the album was handled by PRINCE himself including the songwriiting, production, arrangements and musical performances. This album showed PRINCE expanding his eclectic tentacles even further into the nooks and crannies of the musical world. While the album still retains a dominant R&B and synth funk presence, on album number two we get a lot more indicating telltale signs that the future purple one is unfurling his talents just a like a lotus flower unfolding its petals into full bloom. He is also showing first signs of loving to be naked! A shirtless PRINCE graces the cover and he is gleefully riding a unicorn unclothed on the back.

While the first couple of tracks are his usual shtick of synth funk verging on disco exclusively done in falsetto, on the third track “Sexy Dancer” we get a glimpse into some of the future purple one’s sound with a funk guitar taking control fortified with a groovy bass line and a healthy libido oriented lyrical litany complete with heavy breathing rhythmic accompaniments. Actually an early glimpse into the mega-hit “Kiss” to emerge a few years later.

Unfortunately some of my least favorite aspects of PRINCE are present here as well. I’m speaking of the over sappy ballads displayed here with “When We’re Dancing Close And Slow.” OK, maybe if you’re all hot and bothered by the album cover then this might do it for ya, but i’m sorry it’s not working for yours truly. Same goes for “With You,” the very next track which shows that the purple one hadn’t quite learned the art of pacing upbeat tracks with the slower moon howlers that i can’t stand. “Still Waiting” is the exception where PRINCE has a catchy piano man persona and has a beautiful melody that technically is a ballad but has a mid-tempo beat and a more interesting flow of chords, rhythms and harmonies.

The sixth track “Bambi” changes everything and debuts PRINCE’s brilliance of incorporating rock ’n’ roll into his synth funk visions. This track has a nice distorted guitar accompanied by a more real rocking drum beat. While this one rocks complete with little licks that would develop into PRINCE’s unique guitar soloing style, this one is still in tandem with the rest of the album with his falsetto only vocal style and funkified song structure. Still though, a prototype for his more rocking mojo of future hits such as “Let’s Get Crazy” and “U Got The Look.”

While this second album failed to score any significant chart climbing singles, it did hit number 22 on the Billboard album charts and was certified gold in the not too distant future. Despite the lack of singles it did however hit the R&B charts with “I Wanna Be Your Lover” and “Why You Wanna Treat Me So Bad?.” This album is also notable with the eighth track “I Feel For You” which was remade by Chaka Khan in 1984 and proved to be a huge hit which would be the first of songs written by PRINCE and performed by others to prove major chart success. Proof that PRINCE was first and foremost a songwriting behemoth who would go on to write countless tracks for other artists (think The Time, Stevie Nicks and of course Sinead O’Connor as well as the countless acts he spawned over the years.)

Warthur It might not be the wildly innovative funk-soul-pop-rock he became famous with, but Prince's self-titled album - recorded on the cheap and in a hurry to try and make back the money his label lost on his debut - is a charming slice of romantic soul with just a hint of experimentalism here and there. (The guitars that blare forth on Bambi, for instance, recall the experiments in merging rock and soul that would dominate Prince's work of the 1980s.) Several songs, such as With You or I Wanna Be Your Lover are some of his gentlest and most touching love songs, not least because they lack the lust-crazed edge of much of his subsequent work.