ERIC DOLPHY — Musical Prophet : The Expanded 1963 New York Studio Sessions

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ERIC DOLPHY - Musical Prophet : The Expanded 1963 New York Studio Sessions cover
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Boxset / Compilation · 2018

Filed under Post Bop
By ERIC DOLPHY

Tracklist

LP/CD 1 — Conversations
1. Jitterbug Waltz (7:18)
2. Music Matador (9:37)
3. Love Me (3:22)
4. Alone Together (13:36)
5. Muses for Richard Davis (Previously Unissued 1) (7:39)
6. Muses for Richard Davis (Previously Unissued 2) (8:31)

LP/CD 2 — Iron Man
1. Iron Man (9:14)
2. Mandrake (4:47)
3. Come Sunday (6:28)
4. Burning Spear (11:59)
5. Ode to Charlie Parker (8:04)
6. A Personal Statement (Bonus Track) (15:02) *

LP/CD 3 — Previously Unissued Studio Recordings
1. Music Matador (Alternate Take) (8:05)
2. Love Me (Alternate Take 1) (2:27)
3. Love Me (Alternate Take 2) (3:43)
4. Alone Together (Alternate Take) (12:14)
5. Jitterbug Waltz (Alternate Take) (9:36)
6. Mandrake (Alternate Take) (6:48)
7. Burning Spear (Alternate Take) (10:31)

Line-up/Musicians

Eric Dolphy – alto saxophone, flute, bass clarinet
William "Prince" Lasha – flute
Huey "Sonny" Simmons – alto saxophone
Clifford Jordan – soprano saxophone
Woody Shaw – trumpet
Garvin Bushell – bassoon
Bobby Hutcherson – vibes
Richard Davis – bass
Eddie Kahn – bass
J.C. Moses – drums
Charles Moffett – drums

About this release

Resonance HCD2035 (US)

Thanks to snobb for the addition and js for the updates

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ERIC DOLPHY MUSICAL PROPHET : THE EXPANDED 1963 NEW YORK STUDIO SESSIONS reviews

Specialists/collaborators reviews

js
In early July 1963 Eric Dolphy went into the studio and recorded several new tunes as well as a couple of covers. He worked with a variety of ensembles ranging from mini big band to smaller combos, as well as several duets with bassist Richard Davis. Several tracks were selected from that session and released on the album that came to be known as “Conversations”. Several years after Eric’s death, more of the session was released under the title “Iron Man”. Recently the good folks at Resonance collected all these recordings together, plus some other odds and ends and a few alternate takes and released the whole thing as “Eric Dolphy Musical Prophet”, and needless to say, this sucker is bursting with goodness.

Its nice to have all these recordings in one place now because the previous albums were sometimes frustrating in what was kept and what was left out, now its all here in one package. The variety on this CD is admirable. For those who like Eric’s bebop side there’s “Jitterbug Waltz” and “Iron Man”. Dolphy displays his ultra modern compositional style with “Mandrake” and “Burning Spear” and his duets with Richard Davis show a deep meditative side that results in chamber music of concert hall quality. There is one track taken from a different recording session, and that is “A Personal Statement”, an avant-garde tone poem that features vocalist David Schwartz vocalizing lyrics about Jim Crow laws in the US south.

For Eric Dolphy fans and those interested in the more experimental side of 60s jazz, this collection is essential. Of most interest to many of us is how advanced many of Eric’s compositions were. Listening to how he shifts time signatures and tempos while playing both inside and outside of the chord changes we hear much of what is happening in jazz today. Eric was not really a ‘free player’, and he was also far from conventional, instead, Dolphy had unique takes on composition and tonality that were decades ahead of his time.

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