What was "Kind of Blue" at the time of its very first appearance in records shops? What is the same massified object (d'art, of course) today, with its reduced cd cover (but vinyl copies penetrate the market, giving the illusion of living in the past. No bonus file included there, but who cares - unless you aim to menace the stability of your compact disc tower, having the two versions)? ... so, the past. Or do you prefer to read the consumed golden years with the lens of today? "Kind of Blue" is a Columbia production, the Moloch company able to put a chain around Dark Magus ankle for 30 years. Before there was Prestige, the label of junkies (rules: to pay less, to pay soon after, to pay cash - and we know why...). But it was time for youth craziness to end and so Miles wrote his immediate (repeat: immediate) future in a couple of seances: we had the "present continuous tense" tetralogy (...ing, ...ing, ...ing, ...ing). Prestige seemed satisfied and Miles and his here and there collected combo were free for the new attic. From october 1955 to september 1958, the quintet, with Trane always on tenor, cut a number of tunes feeding famous studio lps, alive albums and collections (like "Circle in the round" and "The Columbia Years"). But mean "crime" is planned for March 2 and April 22, 1959. The scene: NYC, Columbia 30th Street Studio. Producer Irving Townsend, engineer Fred Plaut. That's all. In those two days, recording machines, feeling that Miles and friends were giving birth to a brand new Golden Boy, and deeply scared for that, decided not to obey causing a little "sharpness" in the masters, then corrected by time and man.
Since its birth "Kind of Blue" was something different. After those studio sessions Coltrane will be at Columbia 30th street only for two takes of "My Prince", leaving once for all the boys and keeping on searching the true core of life (but fragmented "Giant Steps" he did after "Kind of Blue" could not satisfy him). "Kind of Blue" was the winner. Miles Davis was the winner. The week end listener who plays "Kind of Blue", ingnore "Giant Steps" - and maybe "Milestones" too... . It's "Kind of Blue" turntables' favourite thing (and in cars?) and it's Miles' triumph. Sub - commander Evans (the 2nd Evans in Miles' life), whose contribution in the whole plot is still under investigation today, writes on back cover that tunes in this long player are like Japanese paints: no interrupted stroke or everything will be destroyed. As a result, no complex composition, but maybe something more difficult: the absence for musicians of a safe net, an endless challenge. Was he writing Miles' agenda for the next decades?