The New Tony Williams Lifetime ‎: Believe It
TONY WILLIAMS

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TONY WILLIAMS - The New Tony Williams Lifetime ‎: Believe It cover
3.88 | 4 ratings | 1 review
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Album · 1975

Filed under Classic Fusion

Tracklist

A1 Snake Oil 6:26
A2 Fred 6:45
A3 Proto-Cosmos 4:00
B1 Red Alert 4:34
B2 Wildlife 5:18
B3 Mr. Spock 6:12

CD reissue(Sony Records Int'l ‎– SICP 2120,1998,Japan) bonus tracks:
7 Celebration
8 Letsby

Line-up/Musicians

- Tony Williams / Drums
- Allan Holdsworth / Guitar
- Tony Newton/ Bass
- Alan Pasqua / Electric Piano, Clavinet

About this release

Columbia ‎– PC 33836 (US)

Thanks to snobb for the addition

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TONY WILLIAMS THE NEW TONY WILLIAMS LIFETIME ‎: BELIEVE IT reviews

Specialists/collaborators reviews

Steve Wyzard
ONE OF THE GREATS!

When the great fusion albums (such as In a Silent Way and Enigmatic Ocean) are being discussed, Tony Williams' Believe It outright demands to be mentioned with them. This might come as a surprise to some, as there are some caveats that should be addressed:

1) Its length. The original LP ran a little over 33 minutes. Later CD re-issues have added extra tracks that don't really add to the album's greatness. Don't think of Believe It as "short", think of it as "succinct" and "visceral".

2) Electric bassist Tony Newton. With a soul/r'n'b background, he's not the first person you'd think of when you imagine who should play bass on a "fusion masterpiece". He acquits himself quite admirably with this line-up, and adds effects to his two compositions that, while hip for 1975, do not ruin the album.

3) Too rock/too jazz. On Believe It, guitarist Allan Holdsworth and keyboardist Alan Pasqua give two of their best performances EVER in their long and checkered careers. If you're a fan of these two, you will LOVE this album. Holdsworth's snarly, distorted tones, however, have alienated many, leading to the "too rock for jazz, too jazz for rock" dismissal he is all-too-often tagged with.

4) The follow-up. This line-up recorded just one other album, Million Dollar Legs. With a hideous cover, vocals, strings, and horns, it is in EVERY way inferior to Believe It and led Holdsworth to bolt for Bill Bruford's new group.

If you can overlook the above and have acquired the taste for classic fusion, Believe It will become a (ahem) LIFETIME listening experience. While very much of its age, this fiery recording session has transcended its contemporaries and will never grow old. There are no weak moments, and the songs and amazing solos are all out of this world. And needless to say, Tony drums up a storm. While he put out many albums and sat in on many sessions, you'd be hard-pressed to find a more dynamic Williams performance recorded after this one. And let it be said here that "Fred" is one of Holdsworth's greatest moments ever!

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