Sean Trane Based on a XIXth C instrument (or should we say a battery of instruments) the present album is the culmination of Metheny’s fascination with this gizmo, and this solo album is a bit of his holy grail. Indeed, between pianos, marimbas, vibes, tuned percussions, guitars ad all kinds of self-made gizmos (including two bottle blowers), the principle is to have only one operator handling all of them at the same time in only one take. A rather impressive performance in itself, not totally devoid of technical interest, but if the music being performed is average, then the value of the experiment is almost pointless. And to be honest, besides the prowess of playing everything by Metheny himself on the album (I mean this is the truest meaning of a solo album, since he’s the only one appearing in here), there isn’t that much interest, because sonically-speaking Orchestrion doesn’t sound any different than most of his other albums, beit the group or other solo ventures of his. In a way this kind of venture is more of an engineerial feat than an artistic one, because on has to actually build the whole gizmo, if not from scratch, at least in linking the instruments via a series of electrical relays to allow the solo operator to command all sonic tools concerned.

Ok, if you’re a fan of Metheny’s music, there isn’t much doubt that you’ll enjoy the present, since it’s more or less the latest little brother in his overall oeuvre. But this writer hasn’t really been a fan for quite a while, and the charm doesn’t work much, if at all. Actually another small technical prowess is to develop the typical snoozy ECM sound on another label, and this is Nonesuch-ally achieved. Soooo, let’s give it half a star for the pictures and explanations in the booklet (though they could’ve been better), but giving it more than an average three star would also be unfair, because the sonic contents are nowhere as groundbreaking as the technique it used. And most important, there are no hints of those horrible Synclaviers that were one of Pat's trademark for so many years… An honest release, but nothing that will revolutionize the jazz world, despite the impressive technology developed for it

idlero Since I started listening to jazz about some ten years ago, when discussing with other jazz fans, Pat Metheny's name came along several times as a 'must' jazz artist, so I made several attempts to get into his music, unfortunately without much success. Until now the only acceptable album from my point of view is 'Song X' and this has probably to do more with Ornette Coleman than with Pat Metheny. I approached 'Orchestrion' with curiosity after remarking the good reviews on Amazon and high ratings on other sites. Although I can understand the overall enthusiasm about the playing technique from the complexity point of view, a question still remains-a quoi bon? Interaction with other musicians should be more productive and creative. Leaving aside the technical discussion, there isn't much to tell about the music itself, nice but quite forgettable, kind of background/smooth jazz. Two tracks caught my attention-'Soul Search' and "Spirit Of The Air'. Not enough