FREDDIE HUBBARD — Keep Your Soul Together

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FREDDIE HUBBARD - Keep Your Soul Together cover
3.48 | 3 ratings | 1 review
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Album · 1973

Filed under Fusion
By FREDDIE HUBBARD

Tracklist

A1 Brigitte 9:07
A2 Keep Your Soul Together 9:52
B1 Spirits Of Trane 9:07
B2 Destiny's Children 10:19

Line-up/Musicians

Bass, Electric Bass – Kent Brinkley, Ron Carter
Drums – Ralph Penland
Electric Piano – George Cables
Guitar – Aurell Ray
Other [Dahka-doom, Dahka-de-bello] – Juno Lewis
Tenor Saxophone – Junior Cook
Trumpet, Flugelhorn – Freddie Hubbard

About this release

CTI Records – CTI 6036 (US)

Recorded at Van Gelder Studios., October 1973

Thanks to snobb, JS, js for the updates

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js
Following leads set by Herbie Hancock and Miles Davis, jazz fusion with a bit (or a lot) of psychedelic production became a trend for a short while with varying degrees of success and/or failure for different artists. Freddie Hubbard’s 1973 release, “Keep Your Soul Together” is not exactly a particularly ‘trippy’ outing, but still there is a subtle touch of that ‘cosmic’ space that was hip at that time. Like Freddie’s career itself, this album is very eclectic ranging from laid back pop to frantic free form flights, all tied together with some spacious reverb and tasteful use of electronic effects.

Side one opens with “Brigitte”, a medium groove laid back ballad that might have you thinking this album is one of Freddie’s more commercial outings, but things pick up more steam after this opener. Side one closes with a lengthy workout on the album’s title track which is soul jazz topped with heated fusion solos and driven with interesting rhythm change-ups and horn arrangements. Side two continues the energy buildup with “Spirits of Trane”, a high speed post bop track played with a free jazz abandon. The album closes with, “Destiny’s Children”, which is classic Miles’ styled angry funk rock with the required screaming horn solo. Is it possible that this one is a slightly sarcastic shot at the dark prince.

With only four tracks for the whole album, one can easily surmise that there is plenty of solo room for the players as each number gets stretched out. All the soloists are good, but none can match Freddie who is in top form throughout and shows why he was/is the best trumpet player of his generation. This isn’t one of Hubbard’s best albums, it lacks a certain consistency in vision, but there is enough good 70s style jams on here to make it worth checking out.

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