EMBRYO — We Keep On (review)

EMBRYO — We Keep On album cover Album · 1973 · Jazz Related Rock Buy this album from MMA partners
5/5 ·
seyo
Hmmm, EMBRYO...

I can't but recall for the moment a wonderful concert they played around 1982 or 1983 in the popular "Dom mladih" Dancing Hall in my hometown of Sarajevo! They came out of the blue and without any announcements succeeded to attract enough audience (maybe up to 1500) to fill the hall. They played full three hours and we knew that was Chris Karrer (of AMON DUUL II reputation) who played guitar and sax, accompanied by a bunch of freaks who showed what was a real improvisation and fusion jam session. I remember the silence after the concert ended - no one could possibly utter any comments, the prog/kraut fans remained speechless. EMBRYO continued (or they actually were coming back from, I don't remember) the Asian/Middle Eastern tour.

Now back to the present - I only recently listened to "We Keep On" and was amazed how fresh and innovative they still sound nowadays. That is what I would call - a timeless music! It is a perfect blend of jazz-rock improvisation, ethnic-fusion rhythms and odd instruments like saz or bamboo flute, performed with "krautrock" sensibility. "Don't Come Tomorrow" is a singing piece that reminds me of the later style utilized by New Wave avantgarde artists TUXEDOMOON in the early 1980s. If only the flute were replaced with saxophone, I would comfortably put it on the "Desire" or "Holy Wars" albums.

Christian Burchard, Roman Bunka, Dieter Miekautsch and Charlie Mariano recorded this gem back in December 1972 in Italy and presented one of the better albums of jazz-rock style in general. A perfect album that must be heard by any serious fusion/krautrock fan.
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