KING CRIMSON — Lizard (review)

KING CRIMSON — Lizard album cover Album · 1970 · Jazz Related Rock Buy this album from MMA partners
4.5/5 ·
Some probably felt King Crimson hit a brick wall with In the Wake of Poseidon, considering it nothing more than a clone of its debut. That's a bit unfair, because you really can't imagine "Cat Food" and "The Devil's Triangle" having been already explored on its predecessor. True "Pictures of a City" has a "21st Century Schizoid Man" approach, "Cadence and Cascade" resembles "I Talk to the Wind", and the title track is similar to "Epitaph", but that's just side one. On Lizard, Greg Lake and Michael Giles were gong, in comes Andy McCulloch (who later played in Fields and Greenslade)and Gordon Haskell (who already provided vocals on "Cadence and Cascade"), plus a horn section, many members coming from Soft Machine. This is without a doubt the jazziest of the King Crimson albums. "Cirkus" shows that Gordon Haskell has his own voice distinct from Greg Lake. "Indoor Games" shows a less serious side, while "Happy Family" appears to address the breakup of the Beatles (you can even see the Beatles on the cover of the album). "Lady of the Dancing Water" is probably the weakest thing on the album, a pleasant ballad, but nothing much more. The title track is the only side-length piece Crimson ever done. Jon Anderson made a guest appearance (Yes apparently wanted Robert Fripp to replace Peter Banks in Yes, but Fripp declined because he probably knew where Yes was heading, and wouldn't be compatible with the band, and Yes was more democratic than Crimson). There are some bolero/big band jazz passages, and some really strange typical Crimson type parts with Mellotron and even Fripp's trademark sustained lead guitar at the end. It wasn't an easy listen. The rock critics were never kind to this album, even some fans thought they went off the tracks here. But I gave it a few listens, and the payoff was great. It's another great album worth having.
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