EBERHARD WEBER — Little Movements (review)

EBERHARD WEBER — Little Movements album cover Album · 1980 · Post-Fusion Contemporary Buy this album from MMA partners
3.5/5 ·
Steve Wyzard
NOT BAD...JUST NOT MUCH

When looking through the Eberhard Weber discography, let it be said here that Little Movements (1980) is for completists only. It's certainly not a bad album, but Weber has set such a high standard that this one only just barely passes muster.

For the uninitiated, this is the third album by the Colours group, with Weber on bass, Charlie Mariano on soprano sax and flute, Rainer Bruninghaus on keyboards, and John Marshall on drums/percussion. "Bali" and "A Dark Spell" are both dynamic masterpieces: the group interplay is especially strong, and these two would be among the best recordings they ever made. "The Last Stage of a Long Journey" and "Little Movements" are a bit more problematic: experimental, phlegmatic mood pieces that don't quite work. "'No Trees?' He Said" is pleasant in a Pat Methenyish way. There are distinguished performances throughout, and if you own everything else Weber has ever done, you'll find this one coming off the shelf every now and again. Still, Little Movements absolutely pales in comparison to the previous two group albums, Yellow Fields (1976, with Jon Christensen on drums) and Silent Feet (1978). Both are flawless, timeless classics from beginning to end, and contain everything that made this such an outstanding ensemble.

After Little Movements, Weber would continue to make phenomenal albums with seemingly casual effort (more masterpieces: 1982's Later that Evening, and 1993's Pendulum) and also became a part of Jan Garbarek's group. John Marshall would go on to play with Arild Andersen and John Surman, while Charlie Mariano and Rainer Bruninghaus (outstanding players both) would be heard from a lot less often. There's definitely a feeling of finality on this album, as if the group realized their best days were behind them. Where, if anywhere, could they have gone from here? At the very least, the album cover, by Weber's wife Maja, is especially cute.
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