WILLIAM PARKER — For Those Who Are, Still (review)

WILLIAM PARKER — For Those Who Are, Still album cover Live album · 2015 · Third Stream Buy this album from MMA partners
4/5 ·
snobb
Bassist William Parker is a living legend who started his musical career in early 70s playing with Don Cherry and Cecil Taylor among many others. During last five years he released series of collection of previously unissued recordings, coming from different time periods, but "For Those Who Are ,Still" is most probably most unusual of them all. In fact this 3CD-set contains most unorthodox music recorded by Parker in new Millennium and it doesn't look all that strange none of it has been released before.

Opener "For Fannie Lou Hamer" is 28-minutes long composition,recorded live in 2000 (all other albums music has been recorded between 2011 and 2013). Ten-piece combo with strings plays chamber composition with Leena Conquest soprano vocals and some recitatives,which represents William Parker as composer (he doesn't play here at all). Rest of the CD 1 contains studio recordings of same vocalist but in support of Parker-led acoustic drumless trio (and recorded eleven years later). It still sound a bit chamber, but much freer and minimalist comparing with earlier orchestrated version.Leena's vocals recalls Swiss vocalist Irene Aebi singing,known from some Steve Lacy albums.

Second set's CD "Red Giraffe With Dreadlocks" is world music ecstatic mix containing two traditional Indian singers singing against avant-garde jazz sextet,playing drones and ritual chants seriously reworked in modern creative jazz manner. Even with such heavyweights as pianist Cooper-Moore and percussionist Hamid Drake (besides of Parker on bass)second CD often sounds more as contemporary experiments with Indian traditional music than as jazz.

Third and last CD contains "Ceremonies For Those Who Are Still" - ten-piece suite recorded live in Poland by Parker-led trio (with sax player Charles Gayle and drummer Mike Reed)with local symphonic orchestra and choir. This part sounds quite a lot as chamber music spiced by jazz trio's inserts here and there. As set's opener,all other compositions till this place are all Parkers's originals.

Set closes with 25-minutes long free jazz trio's improvisation (actually recorded by above mentioned Parker-Gayle-Reed trio right before above suite during same concert in Poland). In fact,"Escapade For Sonny"(set's closer title)is the only true jazz song on all release, and it sounds great but too predictable comparing with all what sounded right before.

"For Those Who Are, Still" is a long album, and music presented here is very different and as rule quite unorthodox even for William Parker fans. Still for those interested in modern searches rooted in advanced jazz and all open ears listeners this is a perfect release, one of the best among jazz and jazz related music albums,released this year.
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