CHET BAKER — Chet Baker / Jim Hall / Hubert Laws : Studio Trieste (review)

CHET BAKER — Chet Baker / Jim Hall / Hubert Laws : Studio Trieste album cover Album · 1982 · Post-Fusion Contemporary Buy this album from MMA partners
4/5 ·
Steve Wyzard
VERY LATE CTI

Many people are stunned to discover that CTI Records was still releasing albums in the 1980s, of which Studio Trieste is probably the best example. Recorded in March and April of 1982, all the usual suspects (Creed Taylor, Rudy van Gelder, Don Sebesky, Pete Turner) are here, but without Ron Carter on the bass. And while the album is credited to 3 big names with past CTI experience, let it be known here that this is really a "CTI All Stars" album in all but name.

In fact neither Chet Baker nor Hubert Laws appear on the first track, "Malaguena" (9:44), which was originally popularized by Stan Kenton. Opening with percussionist Sammy Figueroa and Hall's stately guitar, this is a soul funk workout for keyboardist Jorge Dalto, electric bassist Gary King, and most especially, the amazing drumming of Steve Gadd. Both Baker's trumpet and Laws's flute open John Lewis's "Django" (10:02), in case anyone was wondering when they would appear. Another CTI staple was a classical piece arranged for jazz band, which here is provided by Tchaikovsky's "Swan Lake" (8:42). This is a showpiece for Laws, who opens and closes the piece, while Baker takes a rare flugelhorn solo. The rhythm section now includes Kenny Barron on keyboards and George Mraz on acoustic bass. The final track, Miles Davis's "All Blues" (9:43) is given a very different, almost Spanish, arrangement. Steve Gadd's drums feature prominently, and both Baker and Laws get to play the famous melody line. While Hall's fluid guitar work receives the most solo space throughout the album, he never dominates as this is truly a "CTI group" performance where the production and arrangements are everything.

It should be mentioned here that of the 3 names on the cover, Chet Baker, while given first billing (alphabetical?), plays the least. This is also one of the rare albums he appears on with NO VOCALS. If you're a fan of these players and the classic "time stands still" CTI sound, you should find much on Studio Trieste to enjoy. With most of the boxes checked, this is a worthy addition to the CTI library in spite of its late recording date.
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