ANIMALS AS LEADERS — Animals As Leaders (review)

ANIMALS AS LEADERS — Animals As Leaders album cover

Album · 2009 · Jazz Related Rock

4/5 · 2015-03-18
siLLy puPPy

The brainchild of founder Tosin Abasi from Washington DC, the all instrumental jazz-fusion meets djent project ANIMALS AS LEADERS is more or less his baby although the band tours and presents itself as a full-fledged musical collaboration. This creative outlet began with Abasi’s involvement as the guitarist in the tech metal core band Reflux. After the band ceased to be, Abasi was approached by the metal record label Prosthetic Records who were majorly impressed with his chops and wanted him to record a solo album but Abasi declined feeling the idea was self-indulgent and instead he took a year off to study music in an academic setting to further his growing interest in jazz, classical guitar and composition. After he finished his homework he took Prosthetic up on their offer and then proceeded to let it all rip and roar. He chose the name ANIMALS AS LEADERS after reading the novel “Ishmael” by Daniel Quinn which dealt with the subject of anthropocentrism.

In 2009 Tosin released his first album playing his eight-string guitar and bass as well as co-producing with his partner in crime Misha Mansoor who handled engineering, drum programming and mixing. This album got a lot of praise when it came out due to its challenging virtuosic performances that add a lot of variety and spice to the often impressive but sterile compositions that many a virtuoso can dish out. A child of his time, Abasi pretty much handled all the duties formerly requiring an army of talents to accomplish and if he had been ten to twenty years older he could have easily fit in on the Shrapnel Records label that ushered in all kinds of young talented virtuoso guitarists to the world. Some of those artists like Tony MacAlpine and Greg Howe seem like antecedent influences to Abasi’s work, but i also hear some Pat Metheny in some of the lighter fluffier pieces, some mid-tempo ones bringing Allan Holdsworth and even Shawn Lane to mind and of course, the undeniable palm-muted technique of djent tech thrashers Meshuggah in the metallic edge that many of these tracks dish out.

While the influences on board are plenty, what i find refreshing about the debut album by ANIMALS AS LEADERS is how some fresh new takes on these techy fusion guitar jams play out. While the album is clearly created to show off Abasi’s technical wizardry, he was prescient enough to know that wizardry alone for wizardry’s sake had been played out and that extra oomph was needed to guarantee a pleasant listening experience. Well, pleasant this is indeed with lots of chops to excite my hunger for lightning fast guitar runs configured with insanely fast and unpredictable progressive time signatures alternating between quiet cozy numbers and rowdy rockers that unleash monster riffage and extreme bass frenetics.

My only complaint is that this album may be a tad too long for its intensity and contains a couple tracks that seem a little redundant but overall i find this to be a beautifully constructed modern day jazz-fusion guitar and bass extravaganza with beautiful atmosphere, crystal clear production and a musical passion that keeps the quality sizzling. OK, one more complaint. I wish there would have been a real drummer. While the programmed drumming is far from unpleasant or bad in any way, it really is no proper substitute for a talented jazz-fusion drummer who can really bring out the best in a band like classic Bill Bruford did in Yes. Excellent album but not quite a classic.