MICHAEL RAGONESE

Post Bop / 21st Century Modern • United States
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Michael Ragonese is a highly accomplished pianist based in Los Angeles, with over 25 years of experience playing the piano. With a foundation in classical piano, Michael began learning jazz in high school and went on to earn his degree in jazz piano at California State University Northridge. During that time, he had the opportunity to win first place in the Reno and Monterey Jazz Festivals, and earned the recognition as an extraordinary soloist that would set the stage for his forthcoming career.

Michael has since become a sought-after musician, touring, performing, and recording with some of the most notable names in the music industry, such as Barbara Streisand, Dave Koz, Charnett Moffett, Walter Smith III, Mark Turner, Bennie Maupin, Engelbert Humperdinck, Rick Braun, Aubrey Logan, Grace Kelly, Bob Sheppard, and more.

Michael released his debut album as a leader, Day to Day featuring Walter Smith III,
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MICHAEL RAGONESE Day To Day album cover 0.00 | 0 ratings
Day To Day
21st Century Modern 2019
MICHAEL RAGONESE Stracci album cover 4.00 | 1 ratings
Stracci
Post Bop 2023

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MICHAEL RAGONESE Stracci

Album · 2023 · Post Bop
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js
Whereas Michael Ragonese’s first album focused on horn arrangements, his latest album, “Stracci”, features a stripped down trio that better showcases his formidable skills as a pianist. Joining Michael on this new effort are the very versatile Mark Ferber on drums and Luca Alemanno on bass. Michael sites several contemporary post bop pianists as influences, including Gerald Clayton, Josh Nelson, Vijay Iyer and Brad Mehldau. You can also hear traces of Keith Jarret, Paul Bley and Theolonious Monk in his playing too. Mark is a very free range drummer, often displaying a non-conventional approach to the trap set in a Paul Motion style, while Luca’s bass has the flexibility to tie all of this together. Roughly this album falls into the contemporary post bop genre, but you will also hear influences from romantic classical, art pop, fusion and free jazz as well.

The album opens with a cover of Miles’ “Solar”, which is given a very modern and truncated melody before going into a more standard post bop groove. This is the cut on which Raogonese displays a Paul Bley style relentless and muscular stream of right hand soloing. The next two tracks allow a lot of room for Ferber’s free approach to the drums as the other two act as anchors allowing him to play the drums as an almost lead instrument. On “Tides of Tomorrow Pt.2”, Michael solos over a prog rock style chord progression recalling his favorite contemporary pianist, the aforementioned Mehldau. “I’ll be Seeing You” is the other standard on this album of mostly originals and shows a very ‘Monkian’ approach to soloing with plenty of obtuse and persistent figures built around the whole tone scale. On this track, Luca adds his most swinging solo on the bass.

Without breaking down every single track on the album, rest assured that “Stracci” represents much of what is current in today’s jazz world while also maintaining a personal vision and personal musicality.

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