African Fusion • United Kingdom
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Spiritual jazz is a tradition that’s leaden with its own traditions, histories and stories. Maisha carve out out their own style through that weight of expectation: they take stock of that history, channelling the greats like Pharoah Sanders, while filtering their own influences – which range from jazz to Afrobeat – through every part of their musical process. It’s a sound which rests on trance-inducing rhythms, instinctive musical interchange and repeated, deeply enriching melodic refrains. It’s a combination which has made for their own singular sound.

The six-piece group, led by bandleader Jake Long, bring a fresh slant to the weighty spiritual jazz tradition. Their 2016 debut EP was released through Jazz Re:freshed (whose weekly shows and record label are an institution for forward-thinking jazz), and were part of We Out Here, Brownswood’s early 2018 record which documented London’s genre-bending, jazz-influenced underground. They’ve been featured on Boiler Room, supported the Sun
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There Is A PlaceThere Is A Place
Brownswood 2018
$12.88 (used)
There Is A PlaceThere Is A Place
JPT 2018
$37.46 (used)
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MAISHA Discography

MAISHA albums / top albums

MAISHA There Is A Place album cover 3.50 | 1 ratings
There Is A Place
African Fusion 2018

MAISHA EPs & splits

MAISHA live albums

MAISHA Welcome To A New Welcome album cover 4.00 | 2 ratings
Welcome To A New Welcome
African Fusion 2016

MAISHA demos, promos, fans club and other releases (no bootlegs)

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MAISHA Reviews

MAISHA Welcome To A New Welcome

Live album · 2016 · African Fusion
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Looking from the few years distance on what were a roots of amazing London young jazz scene of today, Maisha's debut requires bigger attention. SE London sextet led by drummer Jake Long plays live on this short release and they do it really well.

Everyone familiar with spiritual jazz legacy from 60s and 70s will easily hear in their music Pharoah Sanders soulful tunes, Alice Coltrane meditative beauty and John Coltrane ecstatic sax soloing. Just three songs but the listener gets enough to jump in that spiritual jazz magic known from the decades ago once again.

It happened for me to listen Pharoah Sanders playing his old songs just a few years ago (yes, he is really popular again, at least in Europe), and it was a great possibility to touch a legend. Still, he sounds now more like a history even if there are already a generation of two who never heard his name before. Maisha play his music (or music which was his and some others almost half a century ago)in a way that makes this music sounding actual again. For young listeners just founding their jazz the band brings that spirit and a beauty of jazz often as a very new experience.

Quite relaxed compositions are all beautiful, with strong jazz roots(post-bop)influence but at the same time scented with African rhythms and enough catchy for being accepted by non-jazz listeners. Sax player Nubya Garcia delivers solos Pharoah himself would be proud of(soon after she will leave starting extremely successful solo career) and participation of electric guitarist Shirley Tetteh injects true blood to this beautiful musical body.

Maisha will release their full-size debut album in 2018 on Gilles Peterson's Brownswood Recordings with wider distribution and stronger support but everyone interested in best new London's jazz could be interested in listening to their first release - this small album is worth to be heard.

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