Matti P This is the seventh album by the Finnish jazz vocalist IRA KASPI (b. 1964). Seemingly, surprisingly, it's still her latest. On her earlier albums she's more or less oriented towards new compositions made for her (sometimes also co-written by her), but this one's dedicated to international classics -- although not entirely. The musicians in "Jazz Diva Band" are pianist Mikael Jakobsson, Jussi Kannaste on tenor sax, Ape Anttila on guitar, bass and percussion and Markku Ounaskari on drums. "With Strings" refers to the Lohja Town Orchestra led by Esa Heikkilä.

On her debut album Inner Voices (2001) I sensed a little Suzanne Vega in her voice. I liked that, but I don't deny her expression has matured in eleven years.

Kaspi herself was especially pleased by the beautiful orchestration on the opening song 'Don't Go to Strangers'and I fully agree, it is gorgeous in its romantic feel. An obvious highlight. The title track where the arrangement focuses on the band has a nice atmosphere that makes you forget that the piece is so often covered. Slightly melancholic 'How Do You Keep Up the Light' was written by Kaspi and Anttila but it fits in harmonically among the standards.

I've heard great interpretations of 'Someday My Prince Will Come', by e.g. Cassandra Wilson, and IMHO this relatively lighthearted version loses the needed romantic aspect. 'The Gentle Rain' was composed by Luiz Bonfa and originally (?) performed by Astrud Gilberto whose soft expression I prefer. The orchestration is nice, though. 'Call Me Irresponsible' emphasizes the band, especially the sax.

'The Good Life' immediately makes me think of Tony Bennett. Kaspi's version also has romanticism in the delicate arrangement, making this one of the better tracks. After two further standards the album closes with another Kaspi-Anttila composition 'The Best Is Yet to Be Coming'. It is surprisingly uptempo and groovy, but apart from a cool piano solo it's not among my faves here.

All in all, I think years back I liked Kaspi's aforementioned debut over this one. I would have wanted more of the lush orchestrations that are at their finest in the opening piece, and the set feels slightly worn-out and unoriginal. Worth three stars anyway.