Matti P Norwegian jazz pianist and composer TORD GUSTAVSEN (b. 1970) has recorded albums since 2003, with either the word trio, quartet or ensemble following his name on the cover. Years back I have grown a fondness for two of his trio albums, featuring naturally piano, bass and drums.

This 53-minute album is my first acquaintance for his quartet format, the fourth instrument being a tenor saxophone. I am very rewarded, as the essence of his music remains to be lyrical, serene and introspectively thoughtful, in the finest ECM tradition. The touch of the legendary producer Manfred Eicher is easily recognized, and to a fan of the label that's a positive thing. Sax helps to get associations to Jan Garbarek in the overall spirit, but Gustavsen's music with the emphasis on piano has its own individual personality. The presence of the sax is mostly inferior to the piano during the whole album, and whenever it arrives, it adds another thoughtful element to the sound without breaking the harmonic introspection.

On the slow, melancholic 'Prelude' the sax just gently breathes along the piano melody. On the slightly louder but apparently saxless track 'Playing' the drums appear even before the piano starts, and the double bass is occasionally played with a bow, thus resembling a cello. The longest piece 'Suite' (8:19) has a beautifully calm first section to where the sax arrives as the melodic lead instrument for a while. The track flows very elegantly with a mysterious flair. The sense of a dream or a mystery is even stronger on 'Communion' where the percussion is very sparse and where there are occasionally some peculiar wailing sounds. The quiet, breathy sax is lovely.

I remember some almost Elton John reminding sweet piano melodies from an earlier trio album, and here 'Circling' does the same. That nicely prevents the album of becoming too introvert. Nevertheless, safe to say that to enjoy this album a lot requires a sincere taste for moody introspection and serenity.