THE BAR-KAYS — Coldblooded

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THE BAR-KAYS - Coldblooded cover
3.50 | 1 rating | 1 review
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Album · 1974

Filed under Funk
By THE BAR-KAYS

Tracklist

A1 Coldblooded 5:49
A2 Harmony 3:36
A3 In The Scheme Of Things 4:21
A4 Wating And Hating 3:57
A5 Smiling, Styling And Profiling 3:19
B1 Frame Of Mind 4:37
B2 (I've Got To) Use My Imagination 4:20
B3 Fightin' Fire With Fire 4:24
B4 Would I If I Could 3:37
B5 Be Yourself 3:32

Line-up/Musicians

Backing Vocals – Hot Buttered Soul
Bass – James Alexander
Guitar [Lead], Guitar [12 Strings] – Lloyd Smith
Keyboards, Organ, Vibraphone – Winston Stewart
Lead Vocals – Larry Dotson
Saxophone [Tenor], Flute – Harvey Henderson
Trumpet – Charles Allen
Vocals – Charles Allen, James Alexander

About this release

Volt ‎– VOS-9504 (US)

Thanks to snobb for the addition

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THE BAR-KAYS COLDBLOODED reviews

Specialists/collaborators reviews

js
If you are not a fan of 70s funk music, or from Memphis, then you may not have heard of The Bar-Kays, but they are one of the longest running acts in the history of RnB/rock. Off the top of my head, the only bands that I can think of that have been around longer are The Isley Brothers and The Rolling Stones. “Cold Blooded” was The Bar-Kays recorded offering in 1974, and it featured them playing the pure funk of the times, as the disco thump that would alter the beat was still a few years away. The Bar-Kays had scored some hits in the late 60s as a Staxx sponsored RnB act, but their transition to rock, and later funk, did not bring any hits right away. They would eventually modernize and become a hit factory in the late 70s, but on “Cold Blooded’, they are still a few years away from all that.

“Cold Blooded” opens with the title track of the same name, and its probably the best cut on the album. Featuring a rampaging African-Latin rhythm section and building horn lines, this one sounds a lot like Mandrill or Osibissa in the early 70s. After this, The Bar-Kays settle into some solid funk tunes that often bare some similarities to 60s Sly and the Family Stone, and 70s Isley Brothers. The Bar-Kays are from the south, and it shows. Their tempos tend to be relaxed, their lyrics lack the irony of the p-funk mob, and their gospel influence is undeniable. Lyrical themes on the album are typical for the times and range from testaments to peace and love, warnings about the ways of the world, and musings on relationships gone bad. There are no insincere corny love songs on here, nor even a trace of disco vapidness. Overall “Cold-Blooded” is a good, but not remarkable, album in its genre. Any fan of classic 70s funk should probably check this out.

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