SIMON SAMMUT — Crossing - A Visual and Music Experience

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SIMON SAMMUT - Crossing - A Visual and Music Experience cover
4.00 | 1 rating | 1 review
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Album · 2017

Tracklist

1. The Tin Soldier's Last Dance (feat. Tony Sammut, Melchior Busuttil & Angela Grima)
2. Daruma Doll
3. Be the Change (feat. Melchior Busuttil & Jonathan Ellul)
4. Promethean Man (feat. Melchior Busuttil)
5. Crossing (feat. Melchior Busuttil, Tony Sammut, Lena Sammut & Marc Galea)
6. Shades of Ember (feat. Mark Attard, Marc Galea, Melchior Busuttil & Kris Spiteri)
7. Bell Ringer (feat. Melchior Busuttil)
8. Fifty Something (feat. Kevin Abela, Ivan Borg, Godfrey Mifsud, Jesmond Azzopardi, Jonathan Ellul, Tony Sammut & Melchior Busuttil)
9. Frozen Glass
10. Frontier (feat. Melchior Busuttil & Tony Sammut)
11. When Stone Comes to Life (feat. Melchior Busuttil)
12. Princes of Serendip (feat. Jonathan Ellul & Melchior Busuttil)

Line-up/Musicians

Tony Sammut: piano
Mark Attard: piano
Melchior Busuttil: drums, percussion, programming
Marc Galea: classical, electric guitars
Jonathan Ellul: electric guitars
Kris Spiteri: melodica
Kevin Abela: trumpet
Ivan Borg: tenor saxophone
Godfrey Mifsud: baritone saxophone
Jesmond Azzopardi: bass, trombone
Marlene Sammut: voice
Simon Sammut: upright bass, electric basses

About this release

self release

Thanks to snobb for the addition

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SIMON SAMMUT CROSSING - A VISUAL AND MUSIC EXPERIENCE reviews

Specialists/collaborators reviews

Carmel
As humans, we have been enamored with acts of crossing, be it literally of figuratively, since the beginning of time. There is always a point where a person crosses into something, into a field or mindset of adventure, leaving the known limits of the world of point “A” and venturing into an unknown and dangerous realm or mindset where the rules and limits are unknown to get to point “B.” Bassist and composer Simon Sammut uses the crossing as a point of inspiration, to bring meaning to the act through music. Using specific events in history and mythology, Sammut focuses his musical mind by using visual art by Anthony Catania that depicts the events related to crossing, to form the mechanics of his compositions. His new project is entitled, Crossing and it marks the combining of music and visual art, forming beauty and color. Both music and paintings expressing emotions and ideas, and in this project work together to create something truly striking and unique.

Sammut’s artistic pallet is vast on both the upright and electric bass. On the electric bass especially, his use of chords possesses a color pallet that far exceeds the usual spectrum of a bassist. He cites Jaco Pastorius as an influence, and like Jaco, Sammut’s ability to convey complex harmonies using chordal movement on the bass, is dynamic and adds a great deal to the music. Sammut additionally uses orchestral colors of voice, guitar, melodica, keyboards, percussion, electronics, brass and woodwinds. “The Tin Soldier’s Last Dance” displays this ability perfectly. Sammut’s chordal work on the bass is wonderful. The tune has a strong melody and a form that keeps the music marching forward.

On “Promethean Man,” Sammut’s inspiration is that we are not alone in our journey, but ultimately guided by a higher intelligence that is involved in our Crossing and change, the process brought to us through the world. Sammut’s upper register melody on the bass starts the melodic journey. Developing into programmed drums with keyboard swells and backing, Sammut continues to take the lead melodic role. Sammut’s bass solo is tuneful, with lines the build a story and again he uses chords in his solo in a inimitable way.

Sammut’s compositions are focused and provide a sonic delight for Crossing, taking the listener on a journey into the magical world music. The bassist’s impressionistic soundscapes contribute to the album’s success as well. Crossing is a consistently musical and entertaining listen from beginning to end. Highly Recommended, and an enlightened melding of art and sound.

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