RON CARTER — Ron Carter, Jack DeJohnette & Gonzalo Rubalcaba : Skyline

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RON CARTER - Ron Carter, Jack DeJohnette & Gonzalo Rubalcaba : Skyline cover
4.00 | 2 ratings | 1 review
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Album · 2021

Filed under Post Bop
By RON CARTER

Tracklist

1 Lagrimas Negras 6:52
2 Gypsy 9:02
3 Silver Hollow 6:42
4 Promenade 6:44
5 Novia Mia 3:26
6 Quite Place 4:46
7 Ahmad the Terrible 7:36
8 Siempre Maria 7:55
9 RonJackRuba 7:37

Total length: 60:40

Line-up/Musicians

Ron Carter - (ba)
Jack DeJohnette - (dr)
Gonzalo Rubalcaba - (p)

About this release

5 Passion Records 5P070 (US)

Thanks to snobb for the addition and js for the updates

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RON CARTER JACK DEJOHNETTE & GONZALO RUBALCABA : SKYLINE RON CARTER reviews

Specialists/collaborators reviews

snobb
Super-trio album, "Skyline", reunites Cuban pianist Gonzalo Rubalcaba with his American mentors - drummer Jack DeJohnette and acoustic bassist Ron Carter. Rubalcaba played with them in the late 90s, when he arrived to Miami from the Dominican Republic.

On "Skyline", all three musicians offer some of their previously played tunes. So, this album is more about collaboration and emotional colors than about really a new thing. The opener, "Lágrimas Negras"(traditional Cuban "Black Tears" from 20th) played as a bolero is an absolute winner. "Novia Mia" is another Cuban classic, dreamy and melancholic.

Still, the main album's flow is mainstream jazz, with swinging rhythm section and lots of groove. Ron Carter adds his "Gypsy" (originally released in 1979 on his album with Chick Corea) and “A Quiet Place” from his 1978 album, "A Song for You", (Jack DeJohnette played on the original version as well). DeJohnette offers “Silver Hollow”, originally recorded with his fusion project New Directions in 1978, and “Ahmad the Terrible” - his dedication to Ahmad Jamal. Rubalcaba's addition is “Promenade”, from his late 90s album, and “Siempre Maria” - another Cuban rhythm scented song, originally released by him in 1992. The album's closer, "RonJackRuba", is a bluesy improv, which was born right in the recording studio.

During the decades of the genre's existence, acoustic trio post bop experienced many ups and downs, and nowadays it is far not so noticeable and dominating as it was in late 60s or early 70s. Quite often new generations of jazz fans are more familiar with once widely influential fusion or more modern jazz sounds of the late 90s and New Millennium. Still it's post bop which is saving the jazz tradition till now, and sometimes it is undeservedly forgotten. "Skyline" is an album made by the genre's masters, reminding us how great this music can sound again.

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