Steve Wyzard INCOMPARABLE LIGHT AND SHADE

With the passage of time, the trumpet has become increasingly important to ECM Records. Following in the footsteps of Tomasz Stanko and Enrico Rava, we are here introduced to Paolo Fresu, who has led many ensembles and recorded many albums (available as imports) in his native Italy. For his first widely distributed release in he western hemisphere, he is paired with long-time ECM recording artist/guitar virtuoso Ralph Towner. The two met at a festival in Italy, and decided to perform and record together as a duo.

So when was the last time you heard a guitar/trumpet duet? This album works brilliantly on every level despite taking a risk with an unusual pairing. While this is mostly reflective, introspective, meditative music, there is also way too much happening with both performers for it to remain placidly in the background. Towner, who has played on many of ECM's greatest albums (Matchbook, Solstice, Solo Concert, et al), contributes fleet-fingered picking on "Punta Giara", double-tracks a baritone guitar on "Sacred Place" and "Doubled Up", and recaptures throughout the classical/jazz/world/folk sound he has given us since the early 1970s. Fresu plays both trumpet and flugelhorn, and his tone has just enough sharp edges (especially on the title track) to avoid being dismissed as a smooth impressionist. He performs a muted tribute to Miles Davis on "Blue in Green", which receives a very different arrangement from Towner's cover with Gary Burton on 1986's Slide Show album. Chiaroscuro closes with two brief but haunting improv pieces, "Two Miniatures" and "Postlude".

It all sounds "very ECM", and one wonders why this instrumental pairing hasn't been attempted before (or if it has, why so rarely). At 46:43, the idea is not overworked and never drifts into aimless repetitiveness. Outstanding recording and booklet graphics, as always, are a given with ECM. Highly recommended for late-night listening, and for those looking for something different.