PRESERVATION HALL JAZZ BAND — So It Is

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PRESERVATION HALL JAZZ BAND - So It Is cover
4.00 | 1 rating | 1 review
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Album · 2017

Tracklist

A1 So It Is 3:46
A2 Santiago 4:01
A3 Innocence 5:28
B1 La Malanga 5:31
B2 Convergence 5:42
B3 One Hundred Fires 6:26
B4 Mad 3:19

Japanese Edition (Legacy ‎– SICP-5307,2017) Bonus Tracks:
8 Higher Ground (Live) 5:35
9 That's It! (Live) 5:48

Line-up/Musicians

- Ben Jaffe / bass, tuba, percussion
- Charlie Gabriel / tenor saxophone, clarinet
- Clint Maedgen / tenor saxophone
- Ronell Johnson / trombone
- Walter Harris / drums, percussion
- Kyle Rousell / piano, Wurlitzer, organ
- Branden Lewis / trumpet
- Stephen Lands / trumpet

About this release

Legacy ‎– 88985417921 (US)

Recorded At Sonic Ranch Studios

Thanks to snobb for the addition and js for the updates

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PRESERVATION HALL JAZZ BAND SO IT IS reviews

Specialists/collaborators reviews

js
Remember the days when jazz was the music for wild hell raising parties and secret drug dens? No, …me neither, because just like you I was not around from the 1920s to the 1940s. Instead, just like you, I came up in that post Miles/Coltrane era when jazz moved out of the dens of sin and into the universities where it now competes with classical music for student dollars. This is not a bad thing because a lot of great jazz has come out since the 50s. While jazz was transforming, Little Richard and Chuck Berry borrowed parts of jazz, gave it a more pronounced backbeat, and created a whole new music for hell-raising and wild parties, rock-n-roll and RnB. The Preservation Hall Jazz Band’s new album; “So It Is”, doesn’t sound anything like 20s-40s jazz, but it does return jazz to a partying foot-stomping vibe, only with a more current sound.

The Preservation Hall Jazz Band was started back in 1961, and for many years they did exactly what their name implies, they played original New Orleans jazz the way it is supposed to be played, and provided many a good time for tourists on their visit to New Orleans. Starting in the late 90s, under the guidance of a whole new generation that had joined the band, the band began to open up their horizons and started to take on a myriad of jazz styles, as well as music from outside the jazz world. On this latest offering, they find a rhythmic common ground between New Orleans jazz, Afro-Cuban jazz and Calypso, and produce smoking hot beats that make it hard to sit still. On top of these pressure cooker grooves, they layer classic minor key noire melodies, the type preferred by Ellington and others of the swing era, and also often found in early Jamaican ska and Afro-Cuban mambos. The end result is exactly what people are talking about when they refer to ‘hot jazz’, because this is one of the hottest for 2017. This is not background music, try to play this in the car and keep the volume down, you won’t be able to. All seven tracks are great, but if all of them reached the peaks of “Santiago”, “La Malanga” and “Mad”, this would be a five star album. On another plus, all of these tunes are original. One can only hope The Hall Band can deliver more like this the next time out.

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