kev rowland So the Canadians are back with their ninth studio album, and a slight change in line-up as they move back to a quartet, but as all of the guys play multiple instruments anyway there isn’t a noticeable difference in that area. As with the excellent ‘Cobra Fakir’, the first word that springs to mind is “staccato”, as this is music that is rapidly moving around and for the most part doesn’t have time for long held-down chords but just wants to get on with it. Coming from a RIO/Avant background, they have been listening to some of the early Canterbury bands as well as to King Crimson and Art Zoyd to create something that is always interesting and complex, and just a little different to much that is available within the prog scene, let alone mainstream.

It is the type of album that will polarise opinions, as those who like it will enjoy it a great deal, while others will fall into the “what on earth are you listening to” camp, and won’t give this album the time it both needs and deserves to get the most out of it. This is complex, with lots of melodies and counter-melodies, with Bernard Falaise often crunching the guitar against myriad keyboard sounds, but that can all change in an instant. It is music that does demand respect and attention, and those prepared to do just that will get a great deal out of this, as it is incredibly rewarding.