MATCHING MOLE — On the Radio

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MATCHING MOLE - On the Radio cover
3.88 | 3 ratings | 1 review
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Live album · 2006

Filed under Fusion
By MATCHING MOLE

Tracklist

1. Marchides / Instant Pussy / Smoke Signal (20:33)
2. Part of the Dance (7:56)
3. No 'alf Measures (6:49)
4. Lithing and Gracing (7:19)
5. Immediate Kitten (9:59)
6. Instant Pussy (5:47)
7. Lithing and Gracing (4:49)
8. Marchides (6:49)
9. Part of the Dance (6:32)
10. Brandy as in Benj (1:17)

Total Time: 77:50

Line-up/Musicians

Bass Guitar, Effects [Fuzz Pedal] – Bill MacCormick
Drums, Vocals – Robert Wyatt
Electric Guitar [Gibson Sg Special], Effects [Pedals] – Phil Miller
Electric Piano [Modified Fenbder Rhodes], Effects [Wha-wha Pedal] – Dave MacRae
Organ [Hammond A100] – Dave Sinclair

About this release

Hux Records ‎– HUX 083 (UK)

Track 1: John Peel Session recorded 17.04.1972
Tracks 2, 5: John Peel Session recorded 17.01.1972
Tracks 3, 4: John Peel Session recorded 06.03.1972
Tracks 6 to 10: BBC Radio 1 Live in Concert 27.07.1972 previously issued in 1994 as "BBC Radio 1 Live in Concert" (WIN CD 063)

Thanks to snobb for the updates

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MATCHING MOLE ON THE RADIO reviews

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Members reviews

Sean Trane
Over the year Matching Mole were together, they managed four BBC sessions, but only one had surfaced so far, with the BBC In Concert album issued in 92, containing their longer session from July. As that album had been OOP, Hux records unearthed the other three sessions and gathered them with the July session. Exactly why Hux chose not to organize the sessions chronologically is beyond me (there is even the Jan 72 session broken up in two parts), but the main thing is that we get all of them. An unrelated but colourful ugly artwork, some very informative liner notes, some precious photos, all of this make the only live MM album you’ll ever need, because so far, it’s the only one with an excellent sound.

The first session we are subjected to is the April 72 one, where all three tracks are meddled into a 20-mins, where MM already has some tracks down for their second album LRR. Indeed Marchides and Smoke Signals were only works-in-progress and both sound much different than in their future studio version (including a drum solo in the former); and are sandwiching Instant Pussy where Robert explodes his scat voice into echo effects. Up next is the Jan 72 session, broken up by the March 72 session, with the delicious Part Of The Dance (with Sinclair still in the line-up and McRae in as well), with their first album just about to be released. The Miller-penned PotD song features both an Hammond organ and a Fender Rhodes, and even though the sound quality is a bit approximate, this is one of the disc’s highlights. The two March session tracks (Sinclair was gone by then) are much clearer sounding, especially the Ayers cover No ‘alf Measures and the never studio-encapsulated Lithing track, an exciting Miller, McRae & Wyatt comp. Rounding up the unreleased tracks is an extended version of Immediate Kitten, where Sinclair’s organ charms into the superb intro, then going fuzz into the body of the song. An extended and excellent workout that confirms that MM’s best moments were with both Sinclair and McRae in the band.

The second part of the album had seen the light of day in 94, but it gets added on here. It is an In Concert feature from late July 72, just as their second album LRR was almost finished; less than three months away from the group’s demise. His “session starts on the best Wyatt scat vocals ever with Instant Pussy, he yodels away madly in their best-ever version of this track. The next three tracks have been already featured in this compilation, but are presented in much different versions and you’d have to be a chiefmasterconoisseur to guess blindly where Lithing And Gracing track begins. LAG sees MM in full madness roaring at 120 MPH, and Marchides sees McRae’s Fender Rhodes take a solid intro, before the group blinds us with their dexterity and virtuosity a bit further down the track. Part Of The dance is again much livelier in this version than either the radio or studio version. Here, it is the pinnacle of MM’s short career, with Phil Miller shinning throughout the 6 minutes of the track. Absolutely essential stuff, with the closer ode to Benj (a roadie) melted in as a finale for the track.

Unless you own the old (94) BBC issue, there is no way that any MM fan should hesitate more than five seconds before running out to the shops to get their copies. And if you do own it, you already have the best part of this album, but the other three sessions are all worthy even if the Jan and March session’s sound are a bit less sparkling. Indispensible!!

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