M-BASE COLLECTIVE — Anatomy Of A Groove

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M-BASE COLLECTIVE - Anatomy Of A Groove cover
4.00 | 1 rating | 1 review
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Album · 1992

Tracklist

1 Cool Lou 6:14
2 Teefah 6:05
3 Anatomy Of A Rhythm 3:21
4 Nobody Told Me 6:32
5 Non-Fiction 7:58
6 Prism 4:49
7 Cycle Of Change 6:59
8 One Bright Morning 5:50
9 Hormones 6:46

Line-up/Musicians

Alto Saxophone – Steve Coleman, Greg Osby
Baritone Saxophone – Jimmy Cozier (tracks: 4, 6 to 9)
Bass – Kevin Bruce Harris (tracks: 4, 7, 8), Reggie Washington (tracks: 1 to 7, 9)
Drums – Marvin "Smitty" Smith
Guitar – David Gilmore
Keyboards – Andy Milne (tracks: 1 to 3), James Weidman (tracks: 4 to 9)
Trumpet – Mark Ledford (track 5)
Vocals – Cassandra Wilson (tracks: 1 to 5, 7 to 9), Mark Ledford (tracks: 4, 9)

About this release

DIW – DIW-864 (Japan)

Recorded At Systems Two In Brookly, NY, Dec 1991-Jan 1992

Thanks to snobb for the addition

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M-BASE COLLECTIVE ANATOMY OF A GROOVE reviews

Specialists/collaborators reviews

snobb
M-Base, in a musical sense, was a development of Ornette Coleman's Prime Time ideas from the early 90s. Not a band per se, M-Base Collective was a loose formation of Brooklyn based artists led by alto saxophonists Steve Coleman and Greg Osby. Some other future well-known artists participated as well, partially guitarist David Gilmore and vocalist Cassandra Wilson.

Perfectly recorded (and surprisingly released in Japan only by domestic DIW label), "Anatomy of a Groove" represents M-Base music at its best. Groovy, funky, precisely played, creative but well-framed, it sounds fresh and unexpected, especially taking into account that the 90s weren't the most inspiring time for jazz. Comparing to Steve Coleman's later and better known work, the music here on "Anatomy of a Groove" is less mechanical, more playful (partially thanks to Cassandra Wilson's wordless vocalize) and in general can be even tagged as "slick" and "stylish". The interplay between musicians is just amazing.

For sure, it still is a music for an acquired taste. Similar to other genres based on rhythmic structures and repetitive construction (as in funk or funk jazz), for some it can sound pointless or undirected. For genre fans, it's a true gem though.

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