KETIL BJØRNSTAD — La notte

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KETIL BJØRNSTAD - La notte cover
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Live album · 2013

Tracklist

1 I 6:53
2 Il 8:23
3 Ill 4:36
4 IV 5:27
5 V 8:31
6 Vl 6:44
7 Vll 7:04
8 Vlll 7:00

Line-up/Musicians

Andy Sheppard tenor and soprano saxophones
Anja Lechner violoncello
Eivind Aarset guitars, electronics
Arild Andersen double bass
Marilyn Mazur percussion and drums
Ketil Bjørnstad piano

About this release

ECM Records ‎– ECM 2300 (Germany)

Recorded live July 21, 2010 at Molde International Jazz Festival

Thanks to snobb for the addition

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KETIL BJØRNSTAD LA NOTTE reviews

Specialists/collaborators reviews

Matt
Commissioned by the Molde International Jazz Festival and Recorded Live in 2010 at the Norway Festival for later release By ECM records has the multi talented Norwegian Ketil Bjørnstad presenting his perception in music on Italian Filmmaker Michelangelo Antonioni with his 1961 film sharing the title of this very album from Ketil Bjørnstad “La Notte” ( The night). Ketil Bjørnstad has been around since the late sixties since playing Classical piano in his later teens but in the seventies headed for Jazz and Folk with a distinct Northern European influence of retaining Classical elements within his compositions. He has recorded over fifty albums as well most likely written as many books, hence the multi talented which is often used to describe his artistic output. Although this album was recorded in 2010 ECM did not release it until three years later in 2013 due to most likely the fact they already had an album recorded by Ketil prior, still in the can being “The River”.

The album line up is a Sextet with the majority involved having played with each other in various ensembles and bands with Arild Anderson the bassist having the most extensive experience with Ketil Bjørnstad and just about everyone else in European Jazz. The cellist David Darling who has played with Ketil extensively in the past is not present and has been replaced with the stunning German born Anja Lechner who usually you will find in ECM’s New Series having played with the Rosamunde Quartet, Tarkovsky Quartet, the pianists Vassilis Tsabropoulos and Francois Couturier as well as the great Bandoneon player Dino Saluzzi. Andy Sheppard who is usually in Carla Bley’s ensembles or leading his own these days is on tenor and soprano saxophone, Marilyn Mazur is on percussion and drums having played with Jan Garbarek for one as well as doing her own albums and also included is Eivind Aarset also an artist in his right as well as playing with Andy Sheppard above and who also has many well known productions behind him is playing guitar and providing electronics.

Ketil Bjørnstad has composed eight parts within the album’s structure with “La Notte I” commencing with a slight electronic drone and touches of bass and percussion with the sound picking up as the introduction of piano and cello is added in this mediative opening number. Andy Sheppard’s tenor and Eivind Aarset’s guitar inject two lovely pieces with Ketil’s piano and Marilyn’s percussion as the base in the bolder “La Notte II”. The ensemble delivers a delightful mix within “La Notte III” with Andy Sheppard’s saxophone barely noticeable coming in over Anja Lechner’s cello with a superb middle timed underlay from the rest of the musicians within the piece. It’s a slow tempo for “La Notte IV” primarily comprising piano and more of that beautiful cello from Anja Lechner who I have to say is the star amongst all these musicians within these beautiful compositions from Ketil Bjørnstad. The album continues with more of the stunning mediative input for “La Notte V and VI” with more stunning cello, soprano sax and Marilyn Mazur’s just right percussion comprising the odd chimes, beat etc with the ensemble picking things up again in “La Notte VII” with Arild Anderson’s superb bass opening and Eivind’s fabulous guitar solo. The album comes to an end with another beautiful slow relaxing piece in “VIII”

Leaning towards Classical at times and leaning towards some great Fusion at others in this highly interesting album which after quite a few plays with many in a row, I still have not tired of. One other note although the album states it is Live there is not a whisper of audience sound to be heard.

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