GABOR SZABO — High Contrast

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4.18 | 5 ratings | 1 review
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Album · 1971

Tracklist

A1 Breezin' 3:03
A2 Amazon 4:55
A3 Fingers 7:25
A4 Azure Blue 4:12
B1 Just A Little Communication 7:45
B2 If You Don't Want My Love 5:08
B3 I Remember When 7:35

Total Time: 40:11

Line-up/Musicians

Bass – Wolfgang Meltz (tracks: A2 to B2)
Congas – Felix Falcon (Flaco)
Drums – Jim Keltner
Percussion – Carmelo Garcia (tracks: A1 to A3)
Rhythm Guitar [Electric] – Bobby Womack
Tambourine, Percussion [Gourd] – The Shadow

About this release

Blue Thumb Records ‎– BTS 28 (US)

Recorded At – Record Plant, Los Angeles & Capitol Studios

Thanks to snobb, js for the updates

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GABOR SZABO HIGH CONTRAST reviews

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Members reviews

Sean Trane
As far as I know, this is Szabo’s first incursion in jazz-rock/fusion territory and it was a fairly successful one, partly because he has some high-profile friend, such as Bobby Womack on rhythm guitar, Jim Keltner on drums and Falco on percussions. Don’t get me wrong: despite its 71 release date, High Contrast is definitely not a fiery energy-filled lava-hot jazz rock album. Nope, we’re more in the CTI-label brand of 70’s light-fusion that would eventually veer into the 80’s soft-jazz.

Don’t be discouraged by the opening aptly-titled Breezin’, which present a gentle soft-Latin-jazz with over-mixed string arrangements, as it’s indeed a light summer breeze that won’t ruffle your feathers, but will not awake you either. Of much greater interest is the steamy Amazon piece, which has a slight Santana reminiscence, if you overlook Carlos’ inimitable guitar sound’s absence. The 7-mins+ Fingers instrumental piece (like the whole album) takes the debate a few steps higher while retaining the steamy Santana feel, with Falco’s excellent conga work and Levine’s dynamic piano to rise the energies sky-high. Bu (high) contrast, the soft string-overloaded Azure Blue can simply not compete and appears rather tedious, even though Szabo’s guitar is flawless.

On the flipside, the 7-mins+ Communication opens fire right from the first Latin flavoured notes reaching your eardrums and the Latin feast continues with the gentler If You Don’t Want. The closing almost-8mins I Remember When remains in the mid-tempo Latin genre, but tones down the energy, while retaining the quality of the previous tracks, if it wasn’t for the overly-present string arrangements at the end. Considering his previous works for Impulse and Indo-Jazz Fusion, HC is a surprising but pleasant change of direction, and hints at what his future albums will sound like in years to come, to culminate with 76’s Macho release.

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