FISHBONE — Truth and Soul

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FISHBONE - Truth and Soul cover
3.50 | 3 ratings | 1 review
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Album · 1988

Tracklist

A1 Freddie's Dead 4:29
A2 Ma And Pa 3:17
A3 Questions Of Life 3:00
A4 Pouring Rain 5:11
A5 Deep Inside 1:20
A6 Mighty Long Way 3:21
B1 Bonin' In The Boneyard 4:45
B2 One Day 4:56
B3 Subliminal Fascism 1:25
B4 Slow Bus Movin' (Howard Beach Party) 2:35
B5 Ghetto Soundwave 4:20
B6 Change 2:55

Total Time: 41:38

Line-up/Musicians

Bass – Kendall Jones(track B2)
Guitar [Acoustic & Electric], Vocals – Kendall Jones
Vocals, Bass – John Norwood Fisher
Vocals, Brass – "Dirty" Walter A. Kibby II, "Dog King Of The Freaks"
Vocals, Keyboards, Drums, Percussion – Charlie Downs
Vocals, Saxophone – Angelo Moore, "The Missing Link"

About this release

Columbia ‎– C 40891 (US)

Recorded: 1987 & 1988 at Sunset Sound Factory in Hollywood, California

Thanks to snobb for the updates

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siLLy puPPy
FISHBONE stepped things up a bit with their third release TRUTH AND SOUL (counting the eponymous debut EP). After a phenomenal debut and a mediocre second release as a fully realized album the band return with a slightly better album. This album is officially recognized as when they started to incorporate hard rock and metal into their sound but it's certainly not like they put the pedal to the metal full throttle. It is obvious on the first track “Freddie's Dead” a Curtis Mayfield cover that they changed their sound up a bit by incorporating amplified guitars to the mix but straight away on the second track they revert back to what they had been known for at this point by having a nice pleasant upbeat jazzy ska number. This trend would continue throughout most of the album with a few exceptions on the way.

Overall this feels like a transition album where the band was still grasping for straws and hadn't quite settled on any particular sound yet. They borrowed heavily from the past but were obviously intent on creating a newer sounding future. The most convincing foray into the much better fusion sound that is to be fully realized on their next album takes form here on the track “Show Bus Movin'.” This is an album that deserves a listen but if it feels a little awkward keep in mind that this is the collision of a jazzy ska band in transition to becoming a jazzy ska gospel metal band. The songs stand up as great on their own but the album as a whole feels a little clunky. Despite it though there is enough strong material on this to warrant a listen and an excellent introduction to the much better following release.

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