js Dave Liebman is probably one of the top saxophonists to come out of the 70s scene. He has played with greats including Elvin Jones, Chick Corea, Miles Davis and so many more, but even the greats have an off day, and for Liebman that would be this album, “Light’n Up Please”. Its not a terrible album, but far from a great one for sure. Initial problems occur just looking at the cover. Who does a photo op in the back of a Ford Pinto? Not only was it a complete crap car, but if someone had struck the car‘s infamous backside, Dave and his lovely missus would have surely gone up in flames. Then on the back cover you get a sticker telling you that the track listing on the album back cover is incorrect and you are to read the record label to get the correct listing. We haven’t even placed the album on a turntable and we are already off to a bad start, ha.

Apparently “Light’n Up” was Dave’s shot at funk jazz, a hugely popular style at that time, but this just isn’t Dave’s forte. He even enlisted JBs member Pee Wee Ellis to help out, but it didn’t work. To the novice this album may sound okay, but just play it back to back against the JBs, the Meters or the Headhunters and you will hear that something is just not quite right. Part of the problem is in the rhythm section. The cuts that feature Tony Saunders on bass and Jimmy Strassburg on drums are the better ones, but the ones that feature Jeff Berlin on bass and Al Foster on drums suffer. Jeff is a good prog and fusion bassist and Al is top notch in post bop and fusion, but as a funk team, they just don’t lock with each other, and Dave doesn’t lock with them either. Dave plays his usual flowing post bop lines instead of the short punchy riffs that make funk work. I’m reminded on Monk’s famous advice to Steve Lacy, ‘make the drummer sound good’.

Dave’s song writing on here is not great either, for supposedly being funk tunes, a lot of the music is just clumsy. One of the better cuts, “Chicken Soup” is just a straight up rip off of Maceo’s “The Chicken”, yet Dave puts his name on the song writing credits. The best song on the album, “Tranquility of the Protective Aura” is the only song not written by Liebman, instead it was penned by keyboardist Harold Williams and it is a luxurious piece of Ravelish exotica. Once again, this isn’t a really terrible album , but if you really love good funk music, you will hear the weaknesses pretty quickly.