js The early part of the Chico Hamilton discography is a bit of a confusing mess to descramble with many tracks showing up on more than one album and many albums bearing the same title such as “The Chico Hamilton Quintet” or “The Original Chico Hamilton Quintet” etc. To clarify the situation, this “The Original Chico Hamilton Quintet” album that is being reviewed here was part of a live concert recorded at Strollers back in 1955, but not released until 1960, probably to cash in on the rising popularity of the band. This concert shows Hamilton’s creative group in fine form as they combine a wide array of styles including west coast bebop, hard bop, classical chamber music and rhythms from Africa and South America. All of this music was presented with that distinctly 50s west coast style that came to be called ‘cool’. You really couldn’t call Chico’s quintet avant-garde, but they were one of the more experimental and unorthodox bands of the time, definitely beating out a path all their own.

The album opens with two well known standards, “Caravan” and “Tea for Two”, which the band gives signature creative arrangements. The version of “Caravan” shows the cross-relationship between west coast jazz and the lounge exotica scene of the time, no surprise as many exotica records were performed by west coast jazz musicians. Two up tempo numbers follow with “Fast Flute” living up to its name as Buddy Collete fires off a frantic flute solo while backed by Hamilton’s driving rhythm, which sounds rooted in the music of Africa or Brazil. On track six, “A Mood”, the band shows their specialty, a cleverly arranged melody with shifting time signatures and a surprise around every corner. Something for ‘deep listening’ that still has the snap of a catchy pop tune. “I’ll be Loving You” is their ballad offering and features Buddy’s flute playing melodic exchanges with Fred’s cello. Another up-tempo bop number closes out the set in energetic fashion and features a very musical drum solo from Hamilton, always a master of that peculiarly west coast ‘playing with brushes’ sound.

“The Original Chico Hamilton Quintet” is a good example of a young jazz group all excited about the new possibilities that are being offered to them as they learn from each other. If there is a drawback to this album, the sound quality of the recording is okay, but a little murky, especially the guitar. I’m going to guess that maybe this was not meant to be a released album until the record label saw how popular the band had become.