CHET BAKER — She Was Too Good to Me

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CHET BAKER - She Was Too Good to Me cover
3.27 | 4 ratings | 1 review
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Album · 1974

Filed under Vocal Jazz
By CHET BAKER

Tracklist

A1 Autumn Leaves 7:05
A2 She Was Too Good To Me 4:39
A3 Funk In Deep Freeze 6:06
B1 Tangarine 5:29
B2 With A Song In My Heart 4:03
B3 What'll I Do 4:00
B4 It's You Or No One 4:28

Line-up/Musicians

Bass – Ron Carter
Clarinet – Romeo Penque
Drums – Jack DeJohnette (tracks: B2, B3, B4), Steve Gadd (tracks: A1, A2, A3, A4, B1)
Electric Piano – Bob James
Flute – George Marge, Hubert Laws
Saxophone [Alt] – Paul Desmond
Trumpet, Vocals – Chet Baker
Vibraphone – Dave Friedman

About this release

CTI Records ‎– CTI 6050 S1 (US)

Recorded July, October, November 1974

Thanks to snobb, liontime for the updates

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Members reviews

Sean Trane
The least we can say is that the late 60’s and early 70’s were not Chet’s best years. Not far from being the low point of his career (I believe his drugs problem was peaking), that period also represent a major trough in his already lengthy discography, only releasing the present album in a period of at least 5 years. So his only album of that era is relatively unrepresentative, but it’s in the CTI mould (the label it was released on), with the usual chained-to-the-studio suspects as actors, like B James, Laws, Penque, etc. but also some major stars like Desmond, Carter, JDJ, Gadd, Friedman, and a few others.

Opening on the ultra-known Autumn Leaves cover, you’ll get right away the usual soft and friendly and warm CTI sonics. Other covers like Mobley’s Deep Freeze or Mercer’s Tangerine and the album-closing You Or No One are dealt in a very standard way. You’ll also get Chet’s crooning vocals on some drippy ballad tunes like the title track or What I’ll do, but also in a quicker tune like Song In My Heart. The Cd reissue offers a bonus crooner ballad, My Future Just Passed, which fits in rather nicely with the rest of the album.

While the album does clash with the usual CTI pre-soft-jazz standard, I wouldn’t call this a typical CTI album in terms of soundscapes. And if it is one of my preferred Chet works, it is mostly because of the more modern recording techniques, but it’s not like I will find it an essential piece of my collection.

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