ARASHI — Semikujira

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ARASHI - Semikujira cover
4.00 | 1 rating | 1 review
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Album · 2016

Filed under Avant-Garde Jazz
By ARASHI

Tracklist

A1 Blow Of Humpback Whale 7:34
A2 Saitaro-Bushi - Atlantis Version (Japanese Trad. Folk Song) 15:35
B1 Sheep Said Again "Wolf Is Coming" 3:12
B2 Semikujira (Right Whale) 17:43

Line-up/Musicians

Alto Saxophone, Clarinet, Voice – Akira Sakata
Double Bass – Johan Berthling
Drums, Percussion – Paal Nilssen-Love

About this release

Trost Records ‎– TR146 (Austria)

Recorded at Atlantis Grammofon, Stockholm 20 May 2015

Thanks to snobb for the addition

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ARASHI SEMIKUJIRA reviews

Specialists/collaborators reviews

snobb
74 years old veteran of Japanese avant-garde jazz reedist Akira Sakata leads furious acoustic trio with two young Scandinavians - Swedish bassist Johan Berthling and Norwegian drummer Paal Nilssen-Love. The name of the trio is Arashi("Storm"), and their second album,released two years after their self-tittled debut,recorded in Swedish studio and released on Austrian label, is titled "Semikujira"("North Pacific Whale").

Paal Nilssen-Love is extremely prolific artist and producer pushing all Nordic adventurous noisy jazz ahead, bassist Berthling is known as Swedish super bands Angles and Fire!/Fire! Orchestra member, so one can expect really muscular and quirky rhythm section work here - they fulfill expectations in full. Still main star of the show is Akira himself,who not only plays alto sax and clarinet, but adds lot of vocalize (which hardly can be called "singing").

Differently from many other Akira's more abstract works, Arashi is power trio which plays well framed muscular free jazz in New York of 80s tradition, but on very Japanese manner. Over the tight rhythm basis Akira blows some attacking if quite soulful sax soloing, but much more impressive is his absolutely shamanic vocalizes in Japanese,repetitive,hypnotizing and very organic.

From songs titles it's obvious that Japanese folklore, or better to say - ritualistic songs were taken as source of inspiration, and the result is not less than fascinating. Without loosing trad songs structure and some melodious component,power trio reworks them right to free jazz shamanic compositions which surprisingly enough don't lose their relation with shamanic nature of originals.For sure Sakata's voice is not for everyone taste, but those familiar with Japanese brutal avant-rock or experimental radical free jazz (which was a main source of inspiration for John Zorn series of early releases),or fans of Diamanda Gallas' singing will accept Akira's vocal pyrotechnics without big problems.

Arashi's debut two years ago received lot of positive critics, their second work is even better.

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