Pop/Art Song/Folk

Jazz music community with review and forums

The Jazz Related Pop/Art Song/Folk genre is for artists who perform pop jazz music, for instance; George Benson, Bob James, David Sanborn and Wes Montgomery. This genre also includes jazz influenced art song performers such as Tuomi and Robert Wyatt, as well as jazz influenced folk performers such as Paul Simon and Joni Mitchell.

pop/art song/folk top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm | 24 hours caching

MILTON NASCIMENTO Clube da Esquina Album Cover Clube da Esquina
MILTON NASCIMENTO
4.80 | 6 ratings
Buy this album from MMA partners
ROBERT WYATT Rock Bottom Album Cover Rock Bottom
ROBERT WYATT
4.42 | 29 ratings
Buy this album from MMA partners
STEVE WINWOOD Roll With It Album Cover Roll With It
STEVE WINWOOD
4.62 | 7 ratings
Buy this album from MMA partners
STING The Soul Cages Album Cover The Soul Cages
STING
4.46 | 13 ratings
Buy this album from MMA partners
JOE JACKSON Night and Day Album Cover Night and Day
JOE JACKSON
4.50 | 3 ratings
Buy this album from MMA partners
JONI MITCHELL Joni Mitchell (aka Song to a Seagull) Album Cover Joni Mitchell (aka Song to a Seagull)
JONI MITCHELL
4.48 | 3 ratings
Buy this album from MMA partners
PAUL SIMON Still Crazy After All These Years Album Cover Still Crazy After All These Years
PAUL SIMON
4.46 | 3 ratings
Buy this album from MMA partners
CHICAGO Stone of Sisyphus Album Cover Stone of Sisyphus
CHICAGO
4.35 | 4 ratings
Buy this album from MMA partners
DONALD FAGEN The Nightfly Album Cover The Nightfly
DONALD FAGEN
4.10 | 11 ratings
Buy this album from MMA partners
CHICAGO Chicago VII Album Cover Chicago VII
CHICAGO
4.11 | 8 ratings
Buy this album from MMA partners
GEORGE BENSON Weekend in L.A. Album Cover Weekend in L.A.
GEORGE BENSON
4.33 | 3 ratings
Buy this album from MMA partners
TOM WAITS Blue Valentine Album Cover Blue Valentine
TOM WAITS
4.33 | 3 ratings
Buy this album from MMA partners
This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

pop/art song/folk online videos

pop/art song/folk New Releases

.. Album Cover
Best of the Trio
Album
ROB MULLINS
Buy this album from MMA partners
.. Album Cover
Motherhood
Album
BRENDA EARLE STOKES
Buy this album from MMA partners
.. Album Cover
Home For Christmas
Album
SIMONE KOPMAJER
Buy this album from MMA partners
.. Album Cover
Social Anthems – Volume 2
Album
CATHY SEGAL-GARCIA
Buy this album from MMA partners
.. Album Cover
The Legend of Sugarbelly
Album
GUY DAVIS
Buy this album from MMA partners
.. Album Cover
Twenty Pills Without Water
Album
BENT KNEE
Buy this album from MMA partners
.. Album Cover
Songs You Kinda Know
Album
JOE ALTERMAN
Buy this album from MMA partners
.. Album Cover
Amazing Grace
EP
SYLVIA BROOKS
Buy this album from MMA partners
.. Album Cover
It’s Christmas
Album
RICK BRAUN
Buy this album from MMA partners
.. Album Cover
Venus Smiles Not in the House of Tears
Album
SAMORA PINDERHUGHES
Buy this album from MMA partners
.. Album Cover
In the Real World
Album
ERIC BIBB
Buy this album from MMA partners
.. Album Cover
Pink Mountain Sagas
Album
SARAH BUECHI
Buy this album from MMA partners
.. Album Cover
Gratitude
Album
PATRICK BRADLEY
Buy this album from MMA partners
.. Album Cover
Maple To Paper
Album
BECCA STEVENS
Buy this album from MMA partners
.. Album Cover
Transmissions
Album
AMOS LEE
Buy this album from MMA partners
.. Album Cover
50
Album
HERB ALPERT
Buy this album from MMA partners
.. Album Cover
Walkin' After Midnight
Live album
EVA CASSIDY
Buy this album from MMA partners
.. Album Cover
Sombras
Album
LAUREN HENDERSON
Buy this album from MMA partners
.. Album Cover
Fastlandet
Album
TORUN ERIKSEN
Buy this album from MMA partners
.. Album Cover
Straight Up Down
Album
RICHARD ELLIOT
Buy this album from MMA partners
.. Album Cover
Za Górami
Album
ALICE ZAWADZKI
Buy this album from MMA partners
.. Album Cover
Adi Shakti
Album
VIDYA
Buy this album from MMA partners
.. Album Cover
Bluer Than Blue
Album
SWEET MEGG
Buy this album from MMA partners
.. Album Cover
Night Reign
Album
AROOJ AFTAB
Buy this album from MMA partners
.. Album Cover
The Border
Album
WILLIE NELSON
Buy this album from MMA partners
.. Album Cover
Time And Again
Album
ELIANE ELIAS
Buy this album from MMA partners
.. Album Cover
Positively 4th Street
Album
RORY BLOCK
Buy this album from MMA partners
.. Album Cover
Baby I’m A Fool
EP
MELODY GARDOT
Buy this album from MMA partners
.. Album Cover
Sayonara Meu Amor
Album
MELODY GARDOT
Buy this album from MMA partners
.. Album Cover
Path of a Tear
Album
JO HARROP
Buy this album from MMA partners
.. Album Cover
Shoot For The Moon
Album
DAVINA AND THE VAGABONDS
Buy this album from MMA partners
.. Album Cover
Phoenix
Album
GRÉGORY PRIVAT
Buy this album from MMA partners
.. Album Cover
The Supreme Collection
Boxset / Compilation
BECCA STEVENS
Buy this album from MMA partners
.. Album Cover
Mystical
Album
REZA KHAN
Buy this album from MMA partners
.. Album Cover
Let's Walk
Album
MADELEINE PEYROUX
Buy this album from MMA partners
.. Album Cover
Shadow
Album
LIZZ WRIGHT
Buy this album from MMA partners
.. Album Cover
Sun Without The Heat
Album
LEYLA MCCALLA
Buy this album from MMA partners
.. Album Cover
Run Your Race
Album
KANDACE SPRINGS
Buy this album from MMA partners
.. Album Cover
Visions
Album
NORAH JONES
Buy this album from MMA partners
.. Album Cover
Turn It Up
Album
MICHAEL KAESHAMMER
Buy this album from MMA partners
.. Album Cover
Here
EP
CYRILLE AIMÉE
Buy this album from MMA partners
.. Album Cover
Stealing Moments
Album
VIKTORIA TOLSTOY
Buy this album from MMA partners
.. Album Cover
Boomer Vibes Volume 2
Album
TOM COLLIER
Buy this album from MMA partners
.. Album Cover
à Fleur de Peau
Album
CYRILLE AIMÉE
Buy this album from MMA partners
.. Album Cover
Elles
Album
YOUN SUN NAH
Buy this album from MMA partners
.. Album Cover
At The Movies
Album
GRACE KELLY
Buy this album from MMA partners

pop/art song/folk Music Reviews

DEODATO Prelude

Album · 1973 · Pop/Art Song/Folk
Cover art Buy this album from MMA partners
FunkFreak75
Another addition to my list that may surprise many readers but take pause to read that list of musicians contributing to this album: it's a practical Who's Who of Jazz-Rock All-Stars! Plus, the album produced an anomoly in the world-wide Top 5 hit single, "Also Sprach Zarathustra"--a phenomenon that may have changed the course of Jazz music forever!

Side A: 1. "Also Sprach Zarathustra" (9:00) a song that changed the course and direction of Jazz music: letting record companies know that a certain kind of jazz could make them money! Listening to the album version of the song lets you know why this album belongs in this Compendium. (20/20)

2. "Spirit of Summer" (4:04) a heavily-cinematic Burt BACHARACH-like display of orchestral magic out of which emerges several very brief individual performances: Eumir's BOB JAMES-like Fender Rhodes, Jay Berliner's classical guitar (which is, in my opinion, a little over the top), and Hubert Laws' tasteful flute. The highlight, however, is truly the orchestra. (8.875/10)

3. "Carly & Carole" (3:38) an obviously-sexist homage to two of the era's premier female singer-songwriters. (8.75/10)

Side B: 4. "Baubles, Bangles and Beads" (5:20) so fitting with all of the Latin jazz-rock that had been flowing through the American airwaves during the previous ten years. Great lead guitar work from John Tropea. (8.875/10)

5. "Prelude to the Afternoon of a Faun" (5:13) despite Billy and Airto's contributions, this is really more of a duet between Stanley and Eumir. The smooth transition into Latin-jazz for the second half is so cool: Ray Barretto's congas and Jay Berliner's rhythm guitar providing so much for Eumir and trumpeter Marvin Stamm to fly over. Another chaotic dismantling to get back to the bass and Fender simplicity of the opening in order for Marvin to complete the cover of Debussey's timeless piece. (9/10)

6. "September 13" (5:24) back to the funk. Love those wah-wahed rhythm guitars. Great melody line from the horn bank 90 seconds in. I love it when Stanley and Billy are in sync and the playful flourishes are flowing. (8.875/10)

Total time: 32:39

A-/five stars; a minor masterpiece of jazz-rock fusion and one of my top 30 Favorite Jazz-Rock Fusion Albums from the "Classic Era."

GABOR SZABO Nightflight

Album · 1976 · Pop/Art Song/Folk
Cover art Buy this album from MMA partners
js
Although Gabor Szabo was one of the first jazz artists in the mid 60s to play what we now call ‘fusion’, his name has just about disappeared into obscurity, which is a real shame. Gabor was a top notch guitarist and innovator combining different elements in his music and joining with Chico Hamilton to make some of the very first jazz fusion albums. Unfortunately, Gabor had long running problems with drugs and alcohol, which is why his life ended at a fairly young age, and also possibly why he is not honored and remembered as much as he should be. His life just ended too soon for him to make a lasting impression on the jazz world. Although he made many excellent albums in the 60s and early 70s, by the time 1976 rolled around, he was being pressured by the disco fad to come up with something more commercial, which led to this very well made, but also very commercial album, “Night Flight”.

In 1976, fellow jazz guitarist George Benson came out with his hugely successful album, “Breezin”. I don’t think it’s a coincidence that Gabor‘s “Night Flight” soon followed. Obviously Gabor and the people around him thought they might have a chance to come up with a similar success following the Benson formula of orchestrated art pop with a touch of disco and plenty of tasty guitar solos to go around. Those CTI/Don Sebesky arranged lush orchestrated pop jazz records of the time were probably an influence as well. “Night Flight” is not a cheap hastily arranged album at all. A lot of work went into the arrangements, orchestrations and production of this album. It really has a nice full sound, but the music is fairly commercial and not what the average Gabor fan is looking for.

There is one killer track on here, the very funky “Baby Rattle Snake”. This would be a great cut for that DJ looking for something that no one else has. The rest of the album is okay, but not particularly remember-able. On the plus side, all through the album Szabo lays down an endless stream of guitar solos with a mix of bop swing and RnB rhythmic punch.

'IGGINBOTTOM 'Igginbottom's Wrench

Album · 1969 · Pop/Art Song/Folk
Cover art Buy this album from MMA partners
FunkFreak75
Allan Holdsworth's first band--for which he wrote the majority of the material. It will not surprise anyone to learn that the music here is blues-rock based with very jazzy guitar. In fact, the music here--all ten of its songs--represent a direction of jazz-rock fusion that is rather unique in the prog/j-r fusion world--and one that has very seldom been approached again.

1. "The Castle" (2:55) the album opens with an Allan Holdsworth composition. Jazzy guitar playing syrupy chords all alone starts the song before the bass, drums, and guitars settle into a BEATLES-like blues-rock song over which Allan sings. He has a rather pleasant, unexceptional voice that sounds like a cross between RICHARD SINCLAIR, a young, higher-pitched Chet Baker, and demo-level GREG LAKE. The instrumental performances on the tune are full-on jazz rock with Mick Skelly's electric bass moving prominently in the foreground while the two guitars amply fill the sonic field with their sophisticated chord and riff playing. What a big, unexpected surprise! Like very little I've ever heard (before or since) for its instrumental jazz virtuosity and melodic Beatles/Caravan capriciousness. (9.25/10)

2. "Out of Confusion" (2:09) a whole-band composition that opens with a recording of a random conversation between the band members--one with levity and purpose--which leads into a rather wild expressly-Coltrane-inspired improvisation (mostly by Allan) over which one of the band members recites a poem. (4.333333/5)

3. "The Witch" (3:03) another Holdsworth composition, this one opens with snare and hi-hat-dominated (and stereotypic) jazz drum before the bass and guitars join in and the band settles into a with almost-Hawai'in slack-key style guitar chord play between and, sometimes, beneath the vocal. It's the ultra-Beat/jazzy flourishing that everybody does between the vocal passages that are interesting for their jarring million-mile per hour note exhibitions that impress and astound. Another impressive lyric with melancholy, almost-detached Astrud Gilberto/jazz delivery and affect. (8.875/10)

4. "Sweet Dry Biscuit"s (2:52) Holdsworth and company opening with some Charlie Christian/Wes Montgomery-caliber music (this is another Allan Holdsworth original) before his mellifluous voice joins in to settle the musicians down into a gentler support role while he provides a laid-back almost MICHAEL FRANKS- (though, more accurately, Astrud Gilberto-) like vocal. Wow! What a shocking revelation is this music, this album, this singer! And he was just 23-years old! And I love the jazzy sound engineering and mix of this with the instruments all up front and the slightly reverbed vocal track in the middle, just in front of the drums but behind/beneath the bass and guitars. (9.75/10)

5. "California Dreamin" (4:00) a cover of the classic Mamas & The Papas hit song, Allan has chosen to slow this down--way down--which is totally unexpected and absolutely genius. As one might expect, Allan gives this such an unique form that it becomes, at times, almost unrecognizable from its original form. I even love the high-speed improvisational work at the two-minute mark in which Allan fails: his mistakes and missteps lead to an actual pause and breakdown in the music! But then, like a good jazz musician, he picks it up again and tries once more. VERY impressive guitar playing. (8.875/10)

6. "Golden Lakes" (5:12) a very cool, even beautifully-textured song with excellent lead vocals of some great lyrics. Allan's vocal styling is so much more like some of the laidback 1960s French jazz/café chanteuses than anything I know from Britain. By the way, this is another Allan Holdsworth composition. The instrumental section that occurs after the second chorus, however, turns very blues-rock with some quite jazzy and quite experimental guitar play over some very VAN MORRISON-feeling music. Then it returns to the main motif for the gentle finish. (9.75/10)

7. "Not So Sweet Dreams" (5:00) another unique song (and, of course, a Holdsworth composition), here a very interesting jazz-chromatic play on some of the pop jazz standards of the 1940s by Cole Porter or perhaps George Gershwin. There are moments in which I feel I'm listening to Beatnik music as well as early King Crimson and/or Terje Rypdal--or a French chanteuse--or JAN AKKERMAN's solo work or work with Kaz Lux. It's really all-over the place yet quite beautiful and relaxing. (9.5/10)

8. "Is She Just a Dream" (4:33) credited to bassist Mick Skelly and Allan Holdsworth, this song opens up with an unusually-simple arpeggiated chord progression performed by the guitar before a dramatic drum roll redirects the band toward an unusually melodied jazz vocal motif that is interspersed with wild uptempo instrumental passages filled to the brim with jazz flourishes from guitars and drums--mostly playing all at once. This could be a BRUFORD song with ANNETTE PEACOCK's melodic sensibilities running the show. (Interesting that Allan and Annette would be working together on that first Bruford album.) An odd little duck that sits far outside the realms of pop/radio-friendly music but might be quite popular in an underground Beat coffee house. I still find it eminently impressive. (9/10)

9. "Blind Girl" (3:46) the first of two songs credited to guitarist Steven Robinson, one can tell from the opening notes and chords because this is nothing like the ultra-complex yet-very-melodic jazz-rock that Allan makes: it's actually more experimental, dissonant, and obtuse than Allan's compositions--even the vocal performance! And the chord progressions Steven uses are definitely distinctly different from those favored by Allan. I hear a lot of similarity to Paul Weller and Steve White's STYLE COUNCIL in the vocal sections (which are still sung by Allan despite this being Steve's song) of this one, but it is, in fact, more instrumental "Moonchild" like than pop-vocal. The vocal makes me think rather distinctly of Caravan's classic hit, "Golf Girl"--in many respects. (8.875/10)

10. "The Donkey" (10:42) the second and final Robinson composition ends the album with a nearly-eleven minute epic suite. It opens with a minute and a half of jazz drum soloing before walking jazz bass joins in, helping the drummer to usher in a structure so that the guitarists can also join in. When they do, it's a solo fest, first with the speed runs of one guitarist in the left channel while the other plays interesting support chords from the right side. At the 5:29 mark the right side guitarist gets his turn to fly and impress while the left side provides quite standard blues and jazz chords in support. At 7:45 the drums and guitars simply disappear, leaving bassist Mick Skelly to venture off on his own. His solo is interesting for his choice to slow down and work within the sparsity of a vacuum. All in all, this is my least favorite song on the album due to the fact that it is pure jazz with very little melody (and no vocals. Who would ever though you'd hear/read that an Allan Holdsworth song is lacking because it doesn't have vocals on it!?!?!?) (17/20)

Total Time 44:12

Definitely an unique listening musical experience. Not unlike King Crimson's "Moonchild" and early Penguin Café Orchestra or some of Terje Rypdal's most experimental works, there is a quietude to the sonic landscapes presented on this album that one rarely hears in recorded music--and something that one almost never hears on stage since the advent of loud rock 'n' roll power amps. With almost every song on this album I found myself thinking a lot of the small, quiet Beat/Beathnik poetry readings and bongo music often parodied in 1960s film and television (shows like The Many Loves of Dobie Gillis and Peter Sellers films), scenes that have much more in common with the music of this album than anything else I can conjure up. It is my strong feeling that this album qualifies as a musical masterpiece--a significant landmark in history--not only for its sophisticated performances and top notch musicianship, but for the utterly unique angle of jazz-rock fusion (and often Canterbury Style-like pop-jazz fusion) that Allan and mates created.

A-/five stars; a minor masterpiece of one of the strangest, most unique examples of jazz-rock fusion from the very earliest days of fusionhood; definitely an album that every so-called prog-lover should hear before they die. I'll even go so far as to exclaim that several of the songs on this album are among my all-time favorite Holdsworth songs--and sometimes for the presence of the smooth, very quirky vocals of Mr. H!

SADAO WATANABE Good Time For Love

Album · 1986 · Pop/Art Song/Folk
Cover art Buy this album from MMA partners
js
Sadao Watanabe is one of the top alto saxophonists in the jazz world for the last six decades. He, along with Phil Woods, Eric Dolphy and Cannonball Adderly, is one of the top successors to the legacy of Charlie Parker. Sadao has put out many great records over the years and has worked with some of the best musicians that the US and Japan have to offer, but he is also known for putting on some commercial fare, more than likely to help pay the bills, which leads us to 1986’s “Good Time for Love”. The mid-80s were not a great time for jazz, commercial interests had taken over and saccharine smooth jazz was dominating the jazz charts. There is a lengthy list of musicians involved on this album and you may recognize many names from the US, Japan and Jamaica. About half the album is okay smooth jazz, with the other half just being way too sweet and vacuous for consumption.

Lets look at some of the better tracks. The album opener shares the same title as the album and is a decent reggae groove. It helps that they have some top notch Jamaican musicians on board as few things sound worse than badly played reggae. “Loving You is Easy” is a good funky soul jazz number and may be the best cut on the album except for the Caribbean groove of “Pogo”. “Pogo” is the only track on the album that just seems to end too soon. “Step Out on the Street” is okay smooth jazz RnB, but the rest of the album is pretty sappy and hits a low with “When We Make a Home”. This one actually has cringe vocals and the sort of lyrics you could imagine that would go with a song title like that. Overall, this is an okay smooth jazz record if you like that sort of thing, but if you like the real jazz, Watanabe has some much better albums out there.

JUKKA PERKO Jukka Perko & Mikko Kuustonen : Profeetta

Album · 2008 · Pop/Art Song/Folk
Cover art Buy this album from MMA partners
Matti P
Again I review an album rooted on the writings of Lebanon-born Kahlil Gibran (1883-1931). Both are Finnish works witnessing a collaboration between a jazz musician and a vocalist who's not exactly connected to the jazz genre; the first one was by pianist and composer Olli Ahvenlahti (b. 1949) and actor-singer Vesa-Matti Loiri.

Saxophonist Jukka Perko (b. 1968) is among the best known Finnish jazz musicians of his generation. His large discography contains several collaborative works, including a poem-based album sung by the mentioned Loiri -- which I'll review some day. This Gibran themed album is undoubtedly one of the least jazz-oriented albums Perko has co-composed. It is thoughtful, serene Vocal Music with an emphasis on the meaningful lyrics. Composing credits are shared by Perko, vocalist Kuustonen and guitarist Timo Kämäräinen, who is equally at home in jazz and rock.

Mikko Kuustonen (b. 1960) is a renowned pop/rock-oriented singer-songwriter whose musical past includes blues-rock and gospel. One can sense some gospel-reminding spirit here, which is understandable due to the "Prophetic" essence of Gibran's poetry. The arrangements are sensitive with a minimum amount of a rocking edge, only the rhythm section accompanying saxes and guitars. Kuustonen's warm barytone voice carries the lyrics with heartfelt depth.

Now, if my words make you think this is a very SONG based, vocal oriented album, I wish to point out that the music has a lot of space and nuances created by the playing, which is not there for merely backing the vocalist. And besides that, there's not much of the tight chorus-refrain structure. Instead it all flows beautifully. If the vocals were replaced by instruments, this could function as a slightly New Agey instrumental album for relaxating and introspective listening.

I'm not going through the eleven tracks in detail. The entire album works very well for a listener who appreciates introspective thoughtfulness. Understanding of Finnish is of course needed for full artistic reception.

pop/art song/folk movie reviews

STING Bring On The Night

Movie · 2005 · Pop/Art Song/Folk
Cover art Buy this album from MMA partners
Slartibartfast
The concept here is a documentary of a band forming, The Blue Turtles Band, rather than a band at their peak or breaking up. Fortunately it is heavier on the music than the documentary.

The first half takes place in a French countryside chateaux and consists of presentable songs from nine days of practice sessions for what was to be their first show. Everyone in the band seems to be having a good time. The chateaux provides nice a nice backdrop to the sessions. The second half is the show itself.

Since this was Sting's first post Police effort, there's a lot of reworked Police songs mixed in with tracks from the first album. It's sort of like the Police meets jazz with Andy Summers ejected so Sting could play guitar. The band line up is primarily younger jazz musicians that already had a good reputation for work they had done before hooking up with Sting.

There are interview excerpts between the songs. One of the more interesting ones was Miles Copeland, Sting's manager and Stewart's brother going on about negotiations with the rest of the band. He was extremely dismissive of the band in relation to Sting when it came to monetary compensation. I suspect that was more about himself getting a bigger piece of the pie than a reflection on Sting, although I do recall him guest appearing on a Saturday Night Live show with Steve Marting and Steve introducing him as Stin-gy.

I originally saw this one in a theater and was really pleased to see it released being reworked with "high definition digital anamorphic picture transfer and digitally remastered surround audio." It actually does look a little sharper than I recall and I think the orginal sound was just stereo.

Artists with Pop/Art Song/Folk release(s)

JMA TOP 5 Jazz ALBUMS

Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
A Love Supreme Post Bop
JOHN COLTRANE
Buy this album from our partners
Kind of Blue Cool Jazz
MILES DAVIS
Buy this album from our partners
The Black Saint and the Sinner Lady Progressive Big Band
CHARLES MINGUS
Buy this album from our partners
Blue Train Hard Bop
JOHN COLTRANE
Buy this album from our partners
My Favorite Things Hard Bop
JOHN COLTRANE
Buy this album from our partners

New Jazz Artists

New Jazz Releases

Friday the Thirteenth 21st Century Modern
MICHAEL CHILLINGWORTH
Buy this album from MMA partners
Zettalogue Nu Jazz
IVO NEAME
Buy this album from MMA partners
Alex Hitchcock and Tom Barford : AuB – Folk Devils Pop/Art Song/Folk
ALEX HITCHCOCK
Buy this album from MMA partners
Love Is Hard Bop
JOHN HART
Buy this album from MMA partners
More new releases

New Jazz Online Videos

More videos

New JMA Jazz Forum Topics

More in the forums

New Site interactions

More...

Latest Jazz News

members-submitted

More in the forums

Social Media

Follow us