Slava Gliožeris
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Favorite Jazz Artists

All Reviews/Ratings

775 reviews/ratings
LYUBOMIR DENEV - Lyubomir Denev Jazz Trio And Petko Tomanov Fusion | review permalink
SOFT MACHINE - Third Jazz Related Rock | review permalink
SOFT MACHINE - The Peel Sessions Fusion | review permalink
KRZYSZTOF KOMEDA - Astigmatic Post Bop | review permalink
SOFT HEAP / SOFT HEAD - Rogue Element (as Soft Head) Fusion | review permalink
ROBERT WYATT - Rock Bottom Pop/Art Song/Folk | review permalink
KAZUTOKI UMEZU - Eclecticism Eclectic Fusion | review permalink
JAN GARBAREK - Afric Pepperbird Avant-Garde Jazz | review permalink
DAVID TORN - Polytown Nu Jazz | review permalink
MASADA - 50⁴ (Electric Masada) Eclectic Fusion | review permalink
ANTHONY BRAXTON - Dortmund (Quartet) 1976 Avant-Garde Jazz | review permalink
MATANA ROBERTS - Coin Coin Chapter One: Gens De Couleur Libres Avant-Garde Jazz | review permalink
FIRE! - Fire! Orchestra : Exit! Avant-Garde Jazz | review permalink
MAL WALDRON - Reminicent Suite (with Terumasa Hino) Post Bop | review permalink
JOE MCPHEE - Nation Time (Live at Vassar College) Fusion | review permalink
WILDFLOWERS - Wildflowers 1: The New York Loft Jazz Sessions Avant-Garde Jazz | review permalink
MAL WALDRON - What It Is Avant-Garde Jazz | review permalink
SEI MIGUEL - Salvation Modes Avant-Garde Jazz | review permalink
WADADA LEO SMITH - Wadada Leo Smith & Bill Laswell ‎: The Stone Avant-Garde Jazz | review permalink
ADAM LANE - Adam Lane's Full Throttle Orchestra ‎: Live In Ljubljana Progressive Big Band | review permalink

See all reviews/ratings

Jazz Genre Nb. Rated Avg. rating
1 Avant-Garde Jazz 256 3.66
2 Post Bop 80 3.52
3 Fusion 79 3.40
4 Eclectic Fusion 55 3.67
5 21st Century Modern 33 3.77
6 Nu Jazz 33 3.62
7 World Fusion 30 3.10
8 Jazz Related Rock 30 3.27
9 Jazz Related Improv/Composition 22 3.52
10 RnB 22 3.34
11 Hard Bop 21 3.31
12 Third Stream 17 3.44
13 Post-Fusion Contemporary 15 3.17
14 Progressive Big Band 15 3.83
15 Pop/Art Song/Folk 11 2.86
16 Vocal Jazz 10 3.15
17 Funk 9 3.39
18 African Fusion 8 3.75
19 Jazz Related Electronica/Hip-Hop 7 3.29
20 Funk Jazz 4 3.38
21 Jazz Related Soundtracks 4 3.25
22 Soul Jazz 3 3.33
23 Cool Jazz 2 3.50
24 Exotica 2 3.00
25 Big Band 2 2.75
26 Blues 1 2.00
27 Afro-Cuban Jazz 1 3.50
28 Acid Jazz 1 3.00
29 Jump Blues 1 3.50
30 Latin Jazz 1 3.50

Latest Albums Reviews

DOKO Ikebana

Album · 2019 · Jazz Related Improv/Composition
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Doko is a Belgian duo of reedist/synth player Gregor Siedl and drummer Nicolas Chkifi playing free jazz scented rhythmical improvs.

Different from more popular nowadays electronics improvisers, their music isn't too abstract or psychedelic. Rooted in minimalism and obviously influenced by Berlin school of the 70s, they often sound as a freer deviation of Can.

Often well framed by real drum/ drum machine rhythmical frames, they sound most interesting when they incorporate African rhythms to bold Teutonic marching pulsation. Freer analog module filled pieces sound more nostalgic, but don't work such well.

Free sax soloing is presented too, but rhythms and analog synth loops are still dominating. In moments their music recalls early Japanese avant-rock, but the latter is much more chaotic and brutal.

Cross-genre music for required taste which has its moments.

ANTHONY JOSEPH The Rich Are Only Defeated When Running for Their Lives

Album · 2021 · African Fusion
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Caribbean-born, London-based poet, university professor and singer/musician Anthony Joseph is often tagged in adverts as "leader of the black underground" in London, but leaving the marketing tricks aside I would call him Caribbean immigrant's poetic soul.

His song lyrics split right by half between bitter-sweet melancholic rememberings dedicated to his native Trinidad and Tobago, and more dark, but still very artistic and beautiful in their own way, themes from Caribbean immigrants life in England.

Differently from cult figure Shabaka Hutchings, the true leader of younger wave of enormously popular new London street-wise Afrojazz, Joseph is too wise, too philosophical and not enough confrontational for being the leader of any underground.

It took three long years for me waiting for his new release after I've been so highly impressed by Joseph's previous one, "People Of The Sun"(2018) both recorded and live. All Joseph's albums work for me by the same way - after very first listening I feel ... slightly disappointed. Music sounds too simple, too predictable. Then after repeated listening it slowly grows on me in a progression. And quite soon it occupies my player for months, as it happened with "People Of The Sun", (it became my most often listened album during the last two years).

Oppositely to the above mentioned work, which happened to be massive double-vinyl longer than an hour long release, "The Rich Are Only Defeated When Running For Their Lives" is of classic single vinyl size, and I love this format more and more. At early days of digital technologies, 80+ minutes of regular CD album looked as huge advantage against thirty-something minutes of vinyl. But quite soon we all realized that increased space worked against the artists themselves. Trying to fill technically available free space of commercial recordings, labels and artists started adding a lot of not-so-mandatory material in their albums. As a result, really well edited containing no fillers album is a real rarity for a few decades, even speaking about the best artists' music.

So, we have here just six songs, each between four and ten minutes long. Characteristic soulful Caribbean jazz with simple but memorable melodies, knotted rhythms and not so simple arrangements. Less Latin, than previous work. Same working band with Jason Yarde on sax, percussionist Roger Raspail and Thibaut Remy on guitar among others. Shabaka Hutchings on sax as guest (Shabaka just released his own new album with his band "Sons Of Kemet" - similar Caribbean jazz with surprising amount of vocals, which is still more musical and less poetic work, compared to Joseph's newest release).

Same themes about Caribbean and immigrants' life in London. "Calling England Home" is an absolute peak, everything about Joseph's creation is concentrated there. Same bitter-sweet and melancholic atmosphere, balancing well between love, frustration and hope. Not really a new step - its just like watching another movie from a director you like and with actors you love.


Album · 2019 · Avant-Garde Jazz
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Rorschach, or more precisely, Rorschach test, is controversial psychological test developed in the early 1920s and named by its author Swiss Hermann Rorschach. It's based on psychological analysis of personal interpretations of inkblots and suggested to be used to examine a person's personality characteristics and emotional functioning. Such inkblot example is used as the front cover art for unorthodox Belgian quartet named "Rorschach" debut album.

In combination with seven untitled free form compositions, subjoined with authors recommendation "title the music pieces with your own associations", it becomes obvious that the listener is offered to participate in such a test of sorts, just interpreting musical pieces, not inkblots.

Rorschach quartet is in fact existing Antiduo (teacher/pupil pianists duo Erik Vermeulen and Seppe Gebruers) expanded by adding two drummers, Eric Thielemans and Marek Patrman. On paper this may sound quite confusing and even probably dreadful, but in real life this album consists of seven beautiful etudes, very different from often hardly accessible free form improvisational music. The two pianos play a lot of melodic snippets, often with obvious roots in European romantic classics, what builds is a very moody atmosphere, with touch of sentimentalism, almost dreamy. True, musical compositions have no special structure and develop unpredictably but somehow the pianists control that process very well. Drummers are both delicate, with use of mallets more often than sticks, and are more responsible for adding some sound accessories to the whole music than for framing or anchoring the sound. Abstract and impressionistic, this music has a more modernism spirit of the 20th century than of the more destructive and noisy fashion of more current experimentalism.

As the album's authors suggested in their liner notes, I tried to interpret their offered sound-blots as I felt them. Short excursion to Rorschach testing evaluation analysis says that interpretations of the same inkblot varies depending on many factors, even a person's origin and cultural background. So, every listener will probably hear something different, but I expect many will like what they hear anyway.


Album · 2017 · Eclectic Fusion
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Boston-born Brooklyn-based drummer Tomas Fujiwara is quite well known by his participation in projects playing with Matana Roberts and Michael Formanek among many others. On "Triple Double", his own album as a leader, he combines two unorthodox horns-guitar-drums trios in one band (including 2/3 of the Thumbscrew trio, Halvorson and Fujiwara, but not Formanek).

All-star band of two drummers (Tomas Fujiwara & Gerald Cleaver), two guitarists (Mary Halvorson & Brandon Seabrook) and two horns (Taylor Ho Bynum on cornet & Ralph Alessi on trumpet) plays modern high energy fusion with lot of free jazz elements.

From the very first opening sounds with great old-fashioned separated by channels guitar's sound (with recognizable Halvorson's guitar on the left side and Seabrook on the right) it became obvious that "Triple Double" is not another explosive attack on listener's ears. With heavy anchoring drummers, often playing in unison and framing the music (with longish just-drummers solo piece), melodic and emotionally rich compositions sometimes sound as if they are complex rock pieces, but with all-the-time changing rhythms, plenty of guitar and horn free solos and in all very complex, almost big-bandish, multilayered sound remind listener that we're listening to a real jazz band.

Catchy tunes, excellent techniques and perfect interplay makes this album one great example of modern creative jazz, difficult to classify, and often because of that appealing to very different listeners. It would be extremely interesting to see such a band playing live, it looks like their announced 2020 European tour (with second trumpeter Adam O’Farrill instead of cornetist Taylor Ho Bynum) has been postponed due to COVID19 pandemic, with some concerts moved on-line.

PAUL VAN GYSEGEM Paul Van Gysegem Quintet : Square Talks

Live album · 2021 · 21st Century Modern
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Leaving aside stars of the past such as Django Reinhardt and Toots Thielemans, Belgian jazz is only fragmentarily known outside of their domestic scene. Besides classical music, most of what the outside world knows of Belgian music for the last couple decades is quirky non-conventional avant-rock bands.

Still, even for local jazz fans, seasoned bassist Paul Van Gysegem is hardly a household name. Omniscient Google says he's a sculptor and shows some examples of his art. Still, one can find out that in the magical, for jazz, year of 1971, Van Gysegem released a free jazz album on the renown French label, Fortuna, plus a few more albums during the next half-a-century.

"Square Talks" is Paul Van Gysegem's extremely rare release as a leader. Recorded live in 2019, he leads a sextet of seasoned Belgian musicians (trumpeter Patrick De Groote even played with Van Gysege on his above mentioned debut in 1971!) plus younger generation Czech ex-patriate drummer Marek Patrman.

I listened to this album during the last few days, when the weather outside was really freaky - the snow was falling day after day in the end of April, which isn't usual, even for us living in Northern Europe. It recalled for me the times when I was much younger, probably a teen, when winters were much colder and much longer. "Square Talks" music fitted pretty well to this deja vu feeling.

Van Gysegem's band doesn't demonstrate virtuosity or technical equilibristic at all. They play mature mid-tempo chamber avant-garde jazz as if it is still early 70s outside. Warm wooden bass, excellent sound and an almost non-existing anymore atmosphere of freedom, and escape with a touch of lyrical melancholy. Yeah, we all know that this world doesn't exist anymore, but what a beautiful world it was!

During some last years I found out some excellent artists, playing music without even a touch of some of the modern trends of the few last decades - fusion, hip-hop, electronics, even funk. Free-jazz, coming straight from the late 60s, plus some European chamber traditions, sometimes local folk elements. These artists are often based outside of the world's jazz capitols, as New York or London, and playing their own jazz in such different places such as Sardinia or Serbia. That absence of whole musical layers or decades of influence makes their music sound very special. Paul Van Gysegem's music works the same way, it's a nowadays recording but with a well-preserved spirit of European late 60s without being nostalgic or self-parodying at all. Not sure, if it works for those knowing about 70s from internet and movies only, probably to feel that spirit one needed to experience it in one way or another from living when it was the elixir of the day.

Those with still a strong memory will recognize it in this music quite soon , others can just try, why not?

Latest Forum Topic Posts

  • Posted 14 days ago in Recently Watched Films
    not really a fan of Disney movies, their newest "Cruella" attracted me by's atmosphere. Based on same "101 Dalmatians" story (I never liked previous version with Glenn Close),  "Cruella" is the movie far not for teenagers. Extremely stylish, with 70s-80s hyperbolized poetic London's fashion and music, perfect Emma Stone and Emma Thompson and LOT of music from that time. To be precise, it doesn't represent exact decade, but extracts some most attractive ingredients from 60s,70s and 80s, and mixes them in one eclectic but catchy mix. Excellent sound too.One can hear Blondie "One Way Or Another", Ohio Players "Fire", Stones "Sympathy For The Devil", The Doors "Five To One" among many others...[TUBE]LSuwbZs_mxw[/TUBE]
  • Posted 27 days ago in Recently Watched Films
    hungry for big screen movies after more than half-year gap because of lock-down restrictions, my this week-end movie was Danish-Swedish-Dutch "Druk", one of this movies dedicated to "normal" people becoming alcoholics. Quite typical North European movie with slow dynamics, some near-boring dialogs and longer-than-it-should-be in a first half, then it develops to quite involving one. In a rich and socially responsible North European society, probably most socially responsible and supportive in the world, people for decades don't care much about having a job or paying bills for heating. These kind of problems are generally solved long ago, but the growing problem is people lost the interest to live and just exist in quite comfortable and boring life. Four school teachers/friends in their mid forties are bored by routine, their own small everyday problems and generally - in living their lives. Alcohol looks like a right stimulator, which helps in short perspective , but destroys their lives finally at the end of the day.  It is a movie with lot of drinking, some vomiting and super-hit level main musical theme[TUBE]40X5EX6Us7c[/TUBE]  snobb2021-05-16 13:13:02
  • Posted 32 days ago in 2020 avant-garde and free improv albums
    it looks after  ECM period Berne returned back to his usual more raw music 


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