Forum Admin Group · Site admin
Registered more than 2 years ago · Last visit 2 minutes ago

Favorite Jazz Artists

All Reviews/Ratings

802 reviews/ratings
LOUIS ARMSTRONG - The Louis Armstrong Story, Volume I: Louis Armstrong And His Hot Five Classic (1920s) Jazz | review permalink
MILES DAVIS - Agharta Fusion | review permalink
EARTH WIND & FIRE - Gratitude RnB | review permalink
HERBIE HANCOCK - Speak Like a Child Post Bop | review permalink
FRANK ZAPPA - One Size Fits All (as Frank Zappa And The Mothers Of Invention) Jazz Related Rock | review permalink
HERBIE HANCOCK - Crossings Fusion | review permalink
PARLIAMENT - Mothership Connection Funk | review permalink
HERBIE HANCOCK - Thrust Funk Jazz | review permalink
SUN RA - Angels and Demons at Play Progressive Big Band | review permalink
SUN RA - Sun Ra And His Astro Infinity Arkestra : Atlantis Avant-Garde Jazz | review permalink
SANTANA - Santana Latin Rock/Soul | review permalink
FUNKADELIC - America Eats Its Young Funk | review permalink
MILES DAVIS - Live At The Fillmore East Fusion | review permalink
HERBIE HANCOCK - V.S.O.P. Post Bop | review permalink
MILES DAVIS - Get Up With It Fusion | review permalink
JIMI HENDRIX - Electric Ladyland (Jimi Hendrix Experience) Jazz Related Rock
MILES DAVIS - Miles Davis Quintet : Miles Smiles Post Bop | review permalink
MILES DAVIS - Nefertiti Post Bop | review permalink
MILES DAVIS - Big Fun Fusion | review permalink

See all reviews/ratings

Jazz Genre Nb. Rated Avg. rating
1 Fusion 105 3.69
2 Avant-Garde Jazz 61 3.99
3 Hard Bop 51 3.84
4 Post Bop 51 4.15
5 Soul Jazz 40 3.40
6 World Fusion 39 3.60
7 Big Band 37 3.84
8 Eclectic Fusion 35 3.76
9 RnB 33 3.62
10 Jazz Related Rock 31 3.74
11 Bop 28 4.04
12 Funk Jazz 26 3.60
13 Progressive Big Band 25 4.08
14 Nu Jazz 23 3.39
15 Pop/Art Song/Folk 21 2.81
16 Funk 21 3.90
17 Third Stream 19 3.84
18 Exotica 18 3.44
19 Jazz Related Electronica/Hip-Hop 18 3.39
20 Post-Fusion Contemporary 13 3.46
21 Cool Jazz 12 3.75
22 Dub/Ska/Reggae 12 4.04
23 Blues 10 3.80
24 Jazz Related Soundtracks 10 3.95
25 Vocal Jazz 10 3.75
26 Latin Jazz 9 3.89
27 Jazz Related Improv/Composition 8 3.38
28 Swing 8 4.00
29 21st Century Modern 7 4.29
30 Latin Rock/Soul 6 3.75
31 African Fusion 5 4.00
32 Acid Jazz 4 3.50
33 Classic (1920s) Jazz 2 4.50
34 Dixieland 1 3.50
35 Afro-Cuban Jazz 1 4.50
36 Bossa Nova 1 3.50
37 Jazz Education 1 3.50

Latest Albums Reviews

HENRY ROBINETT Jazz Standards Then, Volume 1

Album · 2019 · Hard Bop
Cover art Buy this album from MMA partners
Guitarist Henry Robinett has been playing jazz since the late 70s, including stints in NYC with big names like Hal Galper, Clifford Jordon, Muhal Richard Abrams and Chico Freeman. Since the late 80s he has been recording as a leader, usually in a somewhat radio friendly style of fusion with influences from around the world. If you are already familiar with his previous albums, then it might come as a surprise that his latest offering, “Jazz Standards Volume 1”, is a set of grooving hard bop played with energy and playful creativity. These tracks were not actually recorded recently, instead, they were recorded back in 2000 and have been sitting on the shelf since then. Apparently Henry gave them a listen again and decided they were worth putting out and it’s a good thing because this is one of the better recordings of these well known tunes in recent years. Its hard breathing new life into songs that have been recorded by so many, it takes a lot from an artist to lift these up one more time, and Robinett and his quartet come through on every track.

Henry’s playing is often in a rapid abstract blues bop style, maybe somewhat similar to Joe Pass or Barney Kessel, but really he has a personal voice all his own, particularly when he goes into a skittering barrage of muted notes as sheets of sound. Pianist Joe Gilman is similar in his playing that mixes in the pocket hard bop with more extravagant excursions that push the band. As a quartet they present a healthy variety from the high speed, “The Way You Look Tonight”, to the mysterious, “Soul Eyes”, and the rambunctious free wheeling chaotic energy of “Invitation”.


Live album · 2019 · 21st Century Modern
Cover art Buy this album from MMA partners
Think of all the great musicians that have come from Chicago’s AACM and its influence. If you are not already familiar with Junius Paul, then you can add him to your list. Paul has been around for a while, jamming with heavyweights like the Art Ensemble, Roscoe Mitchell, Oliver Lake and Fred Anderson, but he didn’t release his first album, “Ism”, until 2019. With an album out as a leader now, Paul’s name will start becoming more familiar because he is a powerhouse on the acoustic bass. I forget which famous bass player once said that the most important part of playing the bass is being heard. On “Ism”, Paul comes through loud and clear as he keeps a strong presence amid some very busy ensembles.

“Ism” is made up of various jam sessions, many recorded live, arranged cohesively to make a sort of collage album. Despite being recorded in different locations with different musicians, the album has a nice flow and logic. Junius is a very versatile musician and the music on here veers from free jazz, to hip-hop grooves, high energy McCoy Tyner styled modal trips, electronic psychedelics and simulated African percussion ensembles. Through it all, Paul is always a bass player and avoids any gratuitous soloing, he is a bass player’s bass player and that is what makes so much of this music sound so good and tightly together. An all-star cast of musicians appear on here, including Tomeka Reid, Marquis Hill, and many more.

MAX ROACH Deeds, Not Words (aka Conversation)

Album · 1958 · Post Bop
Cover art Buy this album from MMA partners
If you are looking for a midway point on that line that runs from ‘out there’ bebop to free jazz, Max Roach’s “Deeds not Words” would be a good place to start. Max is one of those young guys in the 1940s who helped invent the new radical style that became known as bebop. As time moved on, Max always stayed involved in what was happening, making him the perfect musician in the late 50s to craft a sound that bridged that short gap from Yardbird to Ornette. His crew on here share a similar vision, particularly trumpeter Booker Little, who eschewed the bluesier sounds of Miles and Lee Morgan for a busy and angular bop approach much like his frequent band mate, Eric Dolphy. Although the hectic energy on here is east coast, Max’s use of a three horn front line to build complex arrangements and intertwining contrapuntal lines is more like the west coast innovators of the day. Along with Booker, the front line includes George Coleman on tenor and Ray Draper on tuba.

Most of the tracks on here fall in the up tempo range, plus there is one ballad, and one odd sort of Latin groove titled “Filide“. “Filide” is a Draper original and it features the tuba prominently. Tuba can not be an easy instrument to solo on and Ray does about as good as anyone could hope to. The ballad, title track “Deeds not Words”, gives Little a great vehicle to show off how much he can do with and to a melody. Its interesting to note that Max’s drumming foreshadows the way drummers play today. Instead of just keeping time on the ride cymbal, Max is all over the kit and quite free in his approach as he maintains a constant interchange with the soloists. Although the original version of this album probably carries a hefty tag, the vinyl re-issue titled “Converstion” can be found at a very reasonable price.

DAVE ASKREN Dave Askren & Jeff Benedict Paraphernalia - Music Of Wayne Shorter

Album · 2020 · Fusion
Cover art Buy this album from MMA partners
Dave Askren and Jeff Benedict are a guitar and sax duo who record together occasionally when they are not performing with other high profile artists. For their third album together, “Paraphernalia”, they enlisted Jonathan Pintoff on bass and Chris Garcia on percussion as they pay tribute to Wayne Shorter by recording ten of his compositions. They go for a nice variety of Wayne’s work by including tracks from his solo albums, plus his work with Miles, and one from Weather Report. Thankfully there is no attempt to emulate Shorter, the feel and rhythm for each song has been altered considerably, and Benedict’s sound and phrasing do not carry much similarity to Shorter either. Having a percussionist instead of a full trap set gives the music a light buoyant quality, this is west coast music, somewhat cerebral and laid back, but still very rhythmic and funky.

As mentioned earlier, the basic rhythms of these classic songs have been changed. “E.S.P.” has a relaxed hip-hop shuffle, “Yes and/or No” becomes a mambo and “Fall” is a 6/8 Afro-Cuban groove. Its interesting to notice that due to the abstract nature of Shorter’s melodies, some of his songs are not instantly familiar when the background has been altered. Considering how many times I heard “Heavy Weather” back in the day, “Harlequin” from that album almost slipped by me, barely recognizable without its original big electronic sound. Top track on here may be “Mahjong” with its propulsive drive and John Schofield flavored guitar scratching.

GEORGE RUSSELL George Russell Sextet Featuring Don Ellis & Eric Dolphy ‎: 1 2 3 4 5 6extet

Boxset / Compilation · 1969 · Post Bop
Cover art Buy this album from MMA partners
“George Russell Sextet” is a compilation album that pulls from three of Russell’s albums from the early 60s, “Ezz-thetics”, “Stratus Seeker” and “the Outer View”. Much of what goes on in today’s jazz world can be traced back to George Russell and his sidemen such as Eric Dolphy, Don Ellis, Dave Baker and Steve Swallow. Listening to these tracks you can hear today’s abstract approach that walks a thin line between post bop and the avant-garde. Much like today’s players, sometimes Russell and his crew are in the pocket, and other times quite free. Likewise, they have room to play both inside and outside the chord changes. This is creative music that avoids clichés or expectations.

The album cover promises the appearance of Don Ellis and Eric Dolphy, which is only partially true. While Ellis does appear on every track, Eric is only on three, but the other tracks feature brilliant saxophone work from under-rated horn men such as John Pearce and Paul Plummer. Possibly just as important, Steve Swallow is the bassist on every track and he turns in his usual powerful performance. Hearing the young Ellis is interesting as his playing changed a bit over the years. In his youth, his playing was very bright and extroverted, and displayed a very noticeable Dizzy Gillespie influence.

This is a great selection of tracks that flow together very well for a compilation album. The music ranges from a very out there rendition of Charlie Parker’s “Au Privave”, to a funky blues original by Russell called “Blues in Orbit”. Elsewhere on here, Dolphy turns in the most intense reading of “Round Midnight” ever, and altoist John Pearce breaks a few land speed records on “The Stratus Seekers”. As mentioned earlier, much of what goes on in today’s scene can be traced back to these albums. If you are not familiar with Russell, this compilation is a great place to start.

Latest Forum Topic Posts

  • Posted 1 day ago in 2019 RnB, funk, dub, blues, Afrobeat albums
    Direct to disc sessions with Seun Kutihttps://seunkutiegypt80.bandcamp.com/album/seun-kuti-egypt-80-night-dreamer-direct-to-disc-sessions snobb2020-05-31 03:00:16
  • Posted 1 day ago in 2019 RnB, funk, dub, blues, Afrobeat albums
    Kamaal Williams   "DJ KIcks"https://kamaalwilliams.bandcamp.com/album/dj-kicks-kamaal-williams snobb2020-05-31 03:00:54
  • Posted 8 days ago in Can aynyone identify song&artist of Big Band swing
    I wouldn't be surprised if a Slovenija studio band is who it is. This may be the studio's own library music.The main melody is being played by a guitar and doubled by another instrument that is hard to make out, but probably a vibraphone. js2020-05-23 07:57:08


Please login to post a shout
Warthur wrote:
more than 2 years ago
Hey dude,

You've banned me from the forums but I can still access the review submission system and site interactions.

If that is intentional then fair enough but if not I thought it'd only be honest to give you a heads up.

Warthur wrote:
more than 2 years ago
js - please clear some space in your PM inbox, I'm trying to send you something.


Rating by members, ranked by custom algorithm
Albums with 30 ratings and more
A Love Supreme Post Bop
Buy this album from our partners
Kind of Blue Cool Jazz
Buy this album from our partners
The Black Saint and the Sinner Lady Progressive Big Band
Buy this album from our partners
My Favorite Things Hard Bop
Buy this album from our partners

New Jazz Artists

New Jazz Releases

Thierry Maillard Big Band : Zappa Forever Progressive Big Band
Buy this album from MMA partners
Cathedral Jazz Related Improv/Composition
Buy this album from MMA partners
Ernesto Rodrigues, Fred Lonberg-Holm, Rodrigo Pinheiro : Multiforms Jazz Related Improv/Composition
Buy this album from MMA partners
Idris Ackamoor & The Pyramids : Shaman! African Fusion
Buy this album from MMA partners
Color Of Noize Nu Jazz
Buy this album from MMA partners
More new releases

New Jazz Online Videos

Zappa Forever
js· 99 minutes ago
More videos

New JMA Jazz Forum Topics

More in the forums

New Site interactions


Latest Jazz News


More in the forums

Social Media

Follow us