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793 reviews/ratings
LOUIS ARMSTRONG - The Louis Armstrong Story, Volume I: Louis Armstrong And His Hot Five Classic (1920s) Jazz | review permalink
MILES DAVIS - Agharta Fusion | review permalink
EARTH WIND & FIRE - Gratitude RnB | review permalink
HERBIE HANCOCK - Speak Like a Child Post Bop | review permalink
FRANK ZAPPA - One Size Fits All (as Frank Zappa And The Mothers Of Invention) Jazz Related Rock | review permalink
HERBIE HANCOCK - Crossings Fusion | review permalink
PARLIAMENT - Mothership Connection Funk | review permalink
HERBIE HANCOCK - Thrust Funk Jazz | review permalink
SUN RA - Angels and Demons at Play Progressive Big Band | review permalink
SUN RA - Sun Ra And His Astro Infinity Arkestra : Atlantis Avant-Garde Jazz | review permalink
SANTANA - Santana Latin Rock/Soul | review permalink
FUNKADELIC - America Eats Its Young Funk | review permalink
MILES DAVIS - Live At The Fillmore East Fusion | review permalink
HERBIE HANCOCK - V.S.O.P. Post Bop | review permalink
MILES DAVIS - Get Up With It Fusion | review permalink
JIMI HENDRIX - Electric Ladyland (Jimi Hendrix Experience) Jazz Related Rock
MILES DAVIS - Miles Davis Quintet : Miles Smiles Post Bop | review permalink
MILES DAVIS - Nefertiti Post Bop | review permalink
MILES DAVIS - Big Fun Fusion | review permalink

See all reviews/ratings

Jazz Genre Nb. Rated Avg. rating
1 Fusion 103 3.69
2 Avant-Garde Jazz 61 3.99
3 Hard Bop 50 3.84
4 Post Bop 49 4.12
5 Soul Jazz 40 3.40
6 World Fusion 39 3.60
7 Big Band 37 3.84
8 Eclectic Fusion 35 3.76
9 RnB 33 3.62
10 Jazz Related Rock 30 3.77
11 Bop 27 4.02
12 Funk Jazz 26 3.60
13 Progressive Big Band 25 4.08
14 Nu Jazz 23 3.39
15 Pop/Art Song/Folk 21 2.81
16 Funk 21 3.90
17 Third Stream 19 3.84
18 Exotica 18 3.44
19 Jazz Related Electronica/Hip-Hop 18 3.39
20 Post-Fusion Contemporary 13 3.46
21 Cool Jazz 12 3.75
22 Dub/Ska/Reggae 11 4.00
23 Blues 10 3.80
24 Jazz Related Soundtracks 10 3.95
25 Vocal Jazz 10 3.75
26 Latin Jazz 9 3.89
27 Jazz Related Improv/Composition 8 3.38
28 Swing 8 4.00
29 Latin Rock/Soul 6 3.75
30 21st Century Modern 6 4.33
31 African Fusion 5 4.00
32 Acid Jazz 4 3.50
33 Classic (1920s) Jazz 2 4.50
34 Dixieland 1 3.50
35 Afro-Cuban Jazz 1 4.50
36 Bossa Nova 1 3.50
37 Jazz Education 1 3.50

Latest Albums Reviews

NIKOLOV-IVANOVIĆ UNDECTET Frame and Curiosity (feat. Magic Malik)

Album · 2019 · Progressive Big Band
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“Frame and Curiosity” is the second album by the Nikolov-Ivanovic Undectet, and it finds them following a similar formula as their first one, modern big band arrangements guided by Balkan rhythms and melodies, although to many, the Balkan influences might not seem so obvious at first. Vladimir Nikolov handles the arrangements and piano, while Srdjan Ivanovic guides the band from the drum set. The two also wrote all of the original material. The group is fleshed out with a wide array of instruments including three saxophones, a horn quartet and accordion, plus special guest Magic Malik on flute. Magic makes for an excellent addition as he provides some of the most creative solos and adds a bright sound color to the arrangements. Although some jazz flautists can sound a bit shrill at times, Malik gets a strong deep sound from his flute that can hold its own against busy horn charts.

The three tracks that open the album are possibly the strongest, and although the press kit review from Jazz Times sites Gil Evans and Maria Schneider, I’m hearing a lot of classic Don Ellis. The odd-metered East European rhythms topped with complex and busy horn workouts recall Don’s ground breaking concert and recording at Monterrey. Maybe no one remembers Ellis anymore … sad. The rest of the album features some impressionistic ballads, a rock influenced track called “Anonymous”, a slight Latin flavor on “Carefree” and one more ambitious big band excursion titled “Sade Sati”. Jazz’s dance floor era passed long ago, but big bands are back more than ever as creative arrangers seek new sounds and tone colors. Fans of the modern big band sound should find much to like on “Frame and Curiosity”.

10000 VARIOUS ARTISTS No Energy Crisis

Boxset / Compilation · 1974 · Avant-Garde Jazz
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ABC Records compilation, “No Energy Crisis” , features one of the most unattractive and banal album covers ever, yet houses some of the hottest avant-garde jazz from that era. In fact, this may very well be the best compilation of early avant-garde jazz ever as it contains an all-star roster that leaves very few of the big names out. It also helps that almost every track is an absolute smoker as the players enthusiastically dig into the ‘new sound’ of the early days of free jazz. Free jazz is the tie that binds much of these artists together, but there is plenty of variety on here too. John Klemmer plays loose and noisy jazz rock, Gato Barbieri performs wild and chaotic Brazilian grooves, while Marion Brown backs his saxophone explorations with an African percussion ensemble. Side two of this four record set features some imaginative ensemble arrangements by Archie Shepp and Albert Ayler. At least four tracks on “No Energy Crisis” did not appear on any previous recordings, which furthers its value to the jazz vinyl collector.

Like most compilations, “No Energy Crisis” never made it to CD, or even vinyl re-issue, but it still shows up at used record resources for fairly reasonable prices. If you want to hear eleven of the biggest names in early avant-garde jazz history playing at their best, its all right here.

SIMON VINCENT Simon Vincent's The Occasional Trio : Live In Berlin

Live album · 2019 · Hard Bop
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Simon Vincent is a modern composer who often works with electronics and other experimental sources. Occasionally he also performs as a jazz pianist with his trio under the moniker, The Occasional Trio’. Despite his ‘long haired’ and academic background, Simon’s jazz playing is often rough and blues centered, which he then colors with the abstractions of his more avant-garde leanings. Possibly it is because he performs mostly in Europe and the UK, that Vincent is not better known in the US, but this is one pianist that stateside jazz fans would really appreciate if they would give him the chance. Simon points to Monk, Brubeck and Mingus as influences. The Monkness shows up in Vincent’s rough dissonant approach, the Brubeck leanings lead to big block chords played in odd rhythms against his backup players, and you can hear Mingus in Simon’s tendency to take the blues into outside improvisations. His latest album, “Live in Berlin”, was recorded live because in Simon’s own words, “In front of an audience you tend to stretch out and take risks on the spur of the moment which makes the music more exciting, and makes it breathe and come to life.”

Simon’s partners on here include bassist Roland Fidezius and drummer Kay Lubke. Fortunately there is very little gratuitous solos for the other two, instead, all three players keep at it non-stop for the duration of the concert in constant interplay and communication. Given Simon’s diverse musical background you can expect a rather eclectic set from this free wheeling trio. The group’s tendency towards hard hitting bluesy bop shows up on “Blues in Fink”, “Well You Shouldn’t” and “Sweedad’s Pastry”. More lyrical and sensitive post bop approaches s appear on “Raindrops in June” and “Every Moment of Every Day” and an ability to freely improvise in modern idioms can be found on, “Portsmouth Blue” and “Prayer unto the People and unto the Land”.


Album · 2019 · Post Bop
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Brian Scanlon is one of those musicians who you have probably listened to before, but didn’t realize who you were listening to. A long time session saxophonist, Brian has recorded with stars like Bob Dylan and Randy Newman, appeared on TV soundtracks such as The Simpsons and Family Guy, as well as movies like “La La Land” and “Crazy Rich Asians”. After a 32 year career Brian finally decided to record his first album as leader and packed “Brain Scan” with mostly his original tunes. Brian counts Coltrane and Parker as major influences, and you can also hear a good bit of Sonny Rollins and some Eric Dolphy too. Scanlon plays both tenor and alto and is a bopper at heart, always swinging, but he also works in plenty of RnB and soul on his eclectic debut.

The album opens with two modern abstract post bop tracks with Latin and fusion influences. Brian’s son, Avery, turns in a Holdsworth flavored electric guitar solo on the opener. “Re-entry” follows with some funky soul jazz that sounds like an instrumental version of a classic Steely Dan track, particularly in the guitar scratching of Andrew Synowiec. After a well written melodic ballad the band goes full tilt bebop on “I Hear Something” and a major overhaul of “Harlem Nocturne”. Scanlon turns down the heat for the closing numbers, with “My Right Foot” providing some bluesy grooves.

I’m not sure why Brian waited so long to step out as a leader, this should have happened long ago. He is an excellent writer and his constant melodic invention recalls his favorite sax mentors, but Scanlon also provides his own very smooth delivery and relaxed sound that is unique to him.

DIZZY GILLESPIE The Small Groups 1945-1946 Original Recordings

Boxset / Compilation · 1970 · Bop
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If you are looking for that unmistakable sound of early bebop on vinyl and don’t want to spend a bundle, then you might want to keep an eye out for, “Dizzy Gillespie: The Small Groups {1945 - 1946}”, on the Phoenix label. This is an excellent compilation that came out in the 70s and shows up in used stores and the internet for very reasonable prices. The music on here comes from five different recording sessions, every track features Dizzy, while other tracks feature varying bebop greats such as Charlie Parker, Al Haig, Sonny Stitt, Curly Russell and more.

Side one opens with a band that is more in a pre-bop swing style, but when we hit track five, Sonny Stitt and Al Haig have stepped in to push things in a more modern direction. The big revelation all through this side is Chuck Wayne’s jaggedy swinging guitar lines. Alice Roberts guests to sing a bluesy “A Handfulla of Gimmie”, and “Blue ‘N’ Boogie” features a young Dexter Gordon on tenor sax. Side two features Charlie Parker and starts off with a band that is competent, but not quite up to what Bird n Diz are capable of. For the second half of this side, Al Haig takes the piano chair and Curly Russell picks up the bass and now we are in abstract cubist bebop heaven. The recorded sound on “Salt Peanuts” is perfect for this era, unfortunately, the next three tracks fall off a bit in the high end department, but are still enjoyable and musically superb, the best tracks on the record.

Latest Forum Topic Posts

  • Posted 45 minutes ago in 2019 avant-garde & free improv albums
    Axel Domer and Tomaz Grom explore sound possibilities on trumpet, bass and electronics.https://sploh.bandcamp.com/album/omejeno-gibanje-confined-movement-2 snobb2020-02-22 09:52:03
  • Posted 1 day ago in Russia being allowed to influence 2020 US election
    More details on this issue. If this print is hard to read, move your mouse pointer off of the print and it will look okay.By Jonathan LandayWASHINGTON (Reuters) - U.S. intelligence officials told lawmakers last week that Russia is interfering in the 2020 election campaign by aiming to cast doubt on the integrity of the vote and boost President Donald Trump's re-election, a person familiar with the briefing said on Thursday.The person, who spoke on condition of anonymity because of the matter's sensitivity, said Trump's Republican allies on the Democratic-led House Intelligence Committee questioned the assessment presented by officials of the Office of National Intelligence last Thursday."The Republicans responded as you would expect. They went nuts," said the person. "They questioned the intelligence."The briefers warned the committee in the classified briefing that Russia was working to cast doubt on the integrity of the Nov. 3 vote while at the same time boosting Trump's election to a second four-year term."They (the Russians) are favouring one candidate while they do it," said the person, adding that the briefers identified that candidate as Trump. The source declined to elaborate.There was no immediate response to a request for comment from committee Republicans.The New York Times reported on Thursday that a day after the briefing, Trump rebuked acting Director of National Intelligence Joseph Maguire for allowing his staff to appear before the committee. It quoted five people familiar with the matter.Trump said on Wednesday he was replacing Maguire on an acting basis with Richard Grenell, a strong Trump loyalist who has served as ambassador to Germany since 2018.The Times said that in reprimanding Maguire, Trump cited the presence in the briefing of Democratic Representative Adam Schiff, the intelligence panel chairman. He led the House impeachment proceedings against Trump on charges of abuse of power and obstruction of Congress stemming from the president's dealings with Ukraine.The Republican-controlled Senate acquitted Trump of the charges last month.The White House did not immediately respond to a request for comment.The Washington Post reported that Trump rebuked Maguire in an Oval Office meeting after a Republican ally informed the president of the election security briefing.Shelby Pierson, a Maguire lieutenant who oversees election security, led last week's briefing for the House committee, according to the Times.The Office of the Director of National Intelligence declined to comment.U.S. officials have long warned that Russia and other countries would try to interfere in the 2020 U.S. presidential election campaign.The U.S. intelligence community concluded that Russia used fake news, cyber attacks and other methods in an operation designed to swing the 2016 presidential election to Trump over Democrat Hillary Clinton.Russia denies the allegation.Trump has repeatedly questioned the finding. At a 2018 summit, he said he found Russian President Vladimir Putin's denials of Russian meddling "extremely strong and powerful."Former Special Counsel Robert Mueller concluded in a report last year that there was no conclusive evidence of coordination between Russia and the Trump campaign. Mueller was unable, however, to clear Trump of obstructing his investigation.(Reporting by Jonathan Landay; Editing by Peter Cooney) js2020-02-21 06:55:12
  • Posted 1 day ago in Russia being allowed to influence 2020 US election
    "Former CIA Director John Brennan is very disturbed by a new report from The New York Times, which says last week, members of the House Intelligence Committee were warned by an aide to Acting Director of National Intelligence Joseph Maguire that Russia is actively meddling in the 2020 campaign in order to get President Trump re-elected."We are now in a full-blown national security crisis," Brennan said. "By trying to prevent the flow of intelligence to Congress, Trump is abetting a Russian covert operation to keep him in office for Moscow's interests, not America's." Brennan served as CIA director from 2013 to 2017.The briefing was delivered by Shelby Pierson, one of Maguire's aides known for her blunt delivery, the Times reports. When Trump found out about the briefing, he was livid, and complained that the committee's chair, Rep. Adam Schiff (D-Calif.), will "weaponize" the intelligence against him, a person with knowledge of the matter told the Times. On Wednesday, Trump announced Maguire is being replaced by U.S. Ambassador to Germany Richard Grenell, a Trump loyalist." js2020-02-21 06:23:44


Please login to post a shout
Warthur wrote:
more than 2 years ago
Hey dude,

You've banned me from the forums but I can still access the review submission system and site interactions.

If that is intentional then fair enough but if not I thought it'd only be honest to give you a heads up.

Warthur wrote:
more than 2 years ago
js - please clear some space in your PM inbox, I'm trying to send you something.


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