RnB

Jazz music community with review and forums

The line between jazz and RnB is often blurry. Both styles of music come from the same sources and both influence each other as they constantly cross paths. The Jazz Related RnB genre at JMA pays tribute to RnB bands that are not jazz bands in name only. For example, the early to mid-70s version of Earth Wind and Fire caught the attention of many jazz and fusion fans with their virtuoso horn charts, poly-rhythmic foundation and extended harmonies over modern jazz chord changes. Many of the RnB artists listed in this genre had a strong impact on the development of jazz.

rnb top albums

Showing only albums and live's | Based on members ratings & JMA custom algorithm | 24 hours caching

STEVIE WONDER Songs in the Key of Life Album Cover Songs in the Key of Life
STEVIE WONDER
4.73 | 12 ratings
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STEELY DAN Aja Album Cover Aja
STEELY DAN
4.58 | 26 ratings
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STEVIE WONDER Innervisions Album Cover Innervisions
STEVIE WONDER
4.60 | 16 ratings
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STEELY DAN Countdown to Ecstasy Album Cover Countdown to Ecstasy
STEELY DAN
4.50 | 20 ratings
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EARTH WIND & FIRE Gratitude Album Cover Gratitude
EARTH WIND & FIRE
4.70 | 6 ratings
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STEVIE WONDER Fulfillingness' First Finale Album Cover Fulfillingness' First Finale
STEVIE WONDER
4.46 | 10 ratings
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CURTIS MAYFIELD Curtis/Live! Album Cover Curtis/Live!
CURTIS MAYFIELD
4.79 | 3 ratings
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ISAAC HAYES Hot Buttered Soul Album Cover Hot Buttered Soul
ISAAC HAYES
4.37 | 9 ratings
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STEVIE WONDER Talking Book Album Cover Talking Book
STEVIE WONDER
4.27 | 11 ratings
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EARTH WIND & FIRE All 'n' All Album Cover All 'n' All
EARTH WIND & FIRE
4.29 | 8 ratings
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SADE (HELEN FOLASADE ADU) Diamond Life Album Cover Diamond Life
SADE (HELEN FOLASADE ADU)
4.36 | 5 ratings
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EARTH WIND & FIRE That's the Way of the World Album Cover That's the Way of the World
EARTH WIND & FIRE
4.24 | 6 ratings
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This list is in progress since the site is new. We invite all logged in members to use the "quick rating" widget (stars bellow album covers) or post full reviews to increase the weight of your rating in the global average value (see FAQ for more details). Enjoy JMA!

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rnb Music Reviews

JOHN TROPEA Tropea (aka Guitarra Galáctica)

Album · 1975 · RnB
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dreadpirateroberts
If you’re a fan of the more laid back CTI Jazz or Deodato then you’ll probably enjoy this album from John Tropea who worked as a sideman for so, so many folks in the 1970s Jazz Fusion and Funk scene.

His self-titled debut as a leader finds him playing more so as an important ‘part’ of the music rather than dominating with endless soloing. (Having said that, I certainly don’t hate the idea of lots of solos at all). I was really interested to see that he both produced and mixed this album too and it sounds really clear and sharp, making great use of the wide range of performers and friends he draws upon.

I think that the funk and jazz on here ranges from energetic to a little too laid back at times – although, that’s not automatically a problem. And based on my star rating, I think this album is objectively better than the amount which I *enjoyed* it, if that makes sense.

Still, I tend to be drawn to some of the fuller arrangements on these songs – like the stellar “Muff’ and the opener too, one of the places Tropea fires up a bit. I also enjoyed the final, more atmospheric piece “Dreams” where I noticed a trumpet solo. Now, I don’t want to rest my whole review on some idea of “solos = jazz” and thus “less or no solos = pop” but it might give you an extremely general idea of the style here, which is firmly pop/light funk and not so much Jazz Fusion as some of Tropea’s other work.

TONY ADAMO Did Mark Murphy Believe in UFOS?

EP · 2020 · RnB
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tonyrocadamo
By NICHOLAS F. MONDELLO Allaboutjazz

The interrogative title of this fine track shares an interesting insight, as well as its supposition. Whether the late singer literally did buy into UFOs—a la Sun Ra who saw "space as the place"—or he didn't is irrelevant. What is key is the fact that Mark Murphy has had a definitive and lasting impact on jazz vocalists today—and very much so on the High Prince of sing-speak, Tony Adamo who salutes Murphy on this infectious single. Further, the savvy integration of Michael Franks' "Don't Be Blue" into the performance adds encouragement and a positive sheen on the proceedings. It's a brilliant production choice.

Adamo, the ultimate hipster's hipster, is dead on his game on this hip-hop grooved masterpiece. Brilliantly performed and laid down over a killer rhythm, Adamo speaks "jazz gospel" and offers verbal high praise to Murphy by way of his own poetics about Murphy's verbiage on Oliver Nelson's "Stolen Moments." (Murphy wrote a well-known version of lyrics for the classic tune.)

https://www.allaboutjazz.com/did-mark-murphy-believe-in-ufos-tony-adamo-ropeadope-records

STEVIE WONDER Innervisions

Album · 1973 · RnB
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js
Stevie Wonder was on a roll in the 70s, knocking out one great album after another that placed at the top of the game in RnB, pop and singer/songwriter productions. With so many good albums to choose from, picking the best would be hard, but you couldn’t be too far off if your choice was 1973’s “Innervisions”. Here we have a near perfect Wonder album, with each song being a polished gem that bears the obvious fruits of endless care and toil. When you listen to all the ornate instrumental details, you can hear the immense amount of labor that went into this project, but just let the songs sing and you will be immersed in emotional narratives that cover the spectrum from mournful to celebratory.

“Innervisions” is an eclectic album that ranges from the hard funk of “Living for the City”, to the art balladry of “Visions” and “All in Love is Fair”, to the jazzy abstractions of “Too High”. The music is inventive and became very influential over the years, but likewise, the lyrics are heartfelt and can hit hard in their insights and unflinching truth as Stevie address personal turmoil in relationships, as well as the irrational hatred and fear of his fellow man. Wonder performs almost every instrument on here himself, with some limited help from guests on a few tracks, but the result does not sound stifled as some home recording projects can sound, instead, Stevie by himself sounds like one hell of a hot jam session, no easy task.

BERNARD FOWLER Inside Out

Album · 2019 · RnB
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snobb
Native New Yorker singer and percussionist Bernard Fowler was a back up vocalist for Rolling Stones during last twenty years. Is lesser known he was a member of Bill Laswell Material and participated recording Philip Glass ("Songs from Liquid Days"), Herbie Hancock("Future Shock" & "Sound-System") and James Blood Ulmer("America – Do You Remember the Love?") albums among many others.

His third album as a leader is a true success. Fowler takes "Rolling Stones" early years songs (far not only hits)and rework them deeply to beatnik-rap minimalist straight-to-your-face singing poetry, in a tradition of Gil Scott-Heron. It's always a risky business working with such renown material as Rolling Stones legacy, but here on "Inside Out" Fowler finds very his own and perfectly working take on material.

Predominantly rapping over the minimalist quartet of three percussionists and one of three drummers, Bernard takes renown songs lyrics on the front, and them almost always sound both very actual and poetical at the same time. Rarely if ever the Rolling Stones songs' lyrics have been so much in the center of attention when played by original authors during 60s or 70s.

There are very tasteful addition of some more musicians on separate songs, as wah-wah guitars from Geo Evan and Ray Parker Jr. on "Dancing with Mr.D" or long sax soloing from Tim Ries on "Must Be Hell".

Probably most difficult target was reworking of two bigger hits, "Undercover of the Night" and "Sympathy for the Devil", but even here Fowler generally succeeded. Differently from British r'n'b we so well know from Stones' originals Fowler offers very American album of proto-rap, African percussion and funky rhythms.

Started once, you can't stop listening it again and again.

URBANITY Urbanity

Album · 2019 · RnB
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kev rowland
Guitarist Albare and keyboard player/programmer Phil Turcio are back with another album of smooth, melodic, laid-back jazz. It is perfect background music, something which allows the listener to drift away on gentle sounds knowing there is nothing here which is going to cause alarm. They have been writing and recording together for more than twenty years, when Phil first became a member of Albare’s band at the tender age of 18. They have an easy relaxed knowledge of each other, so either of them can happily take the lead and the other knows exactly how to follow. There is a cover on the album, a slowed down very smooth and R ‘n’ B take on “Desperado” which is interesting yet has removed much of the emotion which was there on the original.

I think for me that is possibly the issue with the album, it is very smooth, and it is as if the heart and soul of music has gone for a walk and forgotten to return. That it is very clever and that they are masters of their craft is never in doubt, but while I enjoyed the debut this one is just too relaxed and quiet for me.

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Artists with RnB release(s)

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