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“Bohemian Rhapsody” Producer Roy Thomas Baker Dies |
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snobb ![]() Forum Admin Group ![]() ![]() Site Admin Joined: 22 Dec 2010 Location: Vilnius Status: Offline Points: 30624 |
![]() ![]() ![]() ![]() ![]() Posted: 23 Apr 2025 at 7:39am |
The British producer and engineer also worked with the Cars, Foreigner, the Smashing Pumpkins, and more
![]() Roy Thomas Baker, December 2005 (Jim Steinfeldt/Michael Ochs Archives/Getty Images) A cause of death has not been revealed. Baker was 78 years old. Baker was born in London in 1946. He got his start in the music industry at an early age, working at the city’s Decca Studios at age 14. Through his role as an apprentice engineer, he was exposed to the music of England’s biggest rock stars, like David Bowie, the Rolling Stones, and the Who. After Decca, Baker worked at Trident Studios, the recording facility in London’s Soho district where Queen recorded. He first worked with Queen on their 1973 debut, co-producing the album with the band and John Anthony. He next co-produced Queen II, Sheer Heart Attack, and A Night at the Opera, the 1975 album that houses “Bohemian Rhapsody.” Speaking with The New York Times, in 2005, Baker recalled the origins of Queen’s most famous song. “[Freddie Mercury] played the beginning bit on the piano,” Baker said, “then stopped and said, ‘This is where the opera section comes in.’ Then we went out to eat dinner.” Years later, Baker was portrayed by the British actor Tim Plester in the movie Bohemian Rhapsody. Following A Night at the Opera, Baker did not produce Queen’s next two studio albums (1976’s A Day at the Racees and 1977’s News of the World), but he did return to work with the group once more, on 1978’s Jazz. Beyond his work with Queen, Baker produced the Cars’ first four albums: 1978’s The Cars, 1979’s Candy-O, 1980’s Panorama, and 1981’s Shake It Up. He also worked with Yes, Journey, Devo, Mötley Crüe, Ozzy Osbourne, Dusty Springfield, the Smashing Pumpkins, the Darkness, Foreigner, and Slade, among others. from https://pitchfork.com Edited by snobb - 23 Apr 2025 at 7:40am |
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Moshkiae ![]() Forum Senior Member ![]() ![]() Joined: 18 Dec 2024 Location: Grok City Status: Offline Points: 162 |
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Hi,
Nice video at the end, really helps ... but in many ways, and remembering way back when it showed up and our station was not sure how to handle it, and thought it was meant to be a comic something or other, but then, all of a sudden, everyone is playing it in LA and ... of course, it is a great song with the folks at the station that had as much of an ability to listen and talk music as a telephone poll when your car hits it! I had two of their albums by that time ... and in some ways, I thought it was cool that this showed up and it stood out, and it kinda fit, specially if you enjoyed playing things like 10CC that also had some fine satirical and funny stuff. It wasn't "rock'n'roll" as some of the idiots at the station loved to say (at least one of them said the same thing about Golden Earring) ... as an excuse to not bother playing new things at all ... considering that it was a #1 FM station in the area, so its ego was through the roof on the floor! God work, by Roy ... although he was not exactly the best with the bands he worked on, and none of them really stood out as "different", but at the very least, he was a really clean and special person behind the knobs and a lot of his work was noticed very quickly!
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Pedro Sena www.pedrosena.com
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Moshkiae ![]() Forum Senior Member ![]() ![]() Joined: 18 Dec 2024 Location: Grok City Status: Offline Points: 162 |
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Hi,
After reading a bit more, as much as I think that his listing of bands is quite amazing, in general, it was not exactly centered on the hit song itself, though some of the bands he worked with did very well, The Cars, Queen and Foreigner the most notable. I think he had an ear for music that was not a copy ... and he had fun helping folks evolve in their music, and the video of one of The Cars members describing what he did with the vocals is crazy to say the least, but it worked and gave that band a personality that otherwise might not have shown up. I think the same for Foreigner, though with Queen, I think that Freddie had a lot more to do with it, that we can imagine, and he might not have been the most noted listener of music out there, but he knew a lot of it, and when he says "the opera starts here" kinda thing, you know that he is thinking about how the music itself gets used to bring out a feeling, or story, instead of expecting the lyrics to tell you a story and the music is incidental and meaningless. In that sense, Roy added a lot to what Freddie had in mind and probably helped decorate it even better. Hearing that piece, TODAY, is almost scary ... when it is in the middle of so much copy of a copy of a copy of a copy thing in pop music ... but it was such a huge piece, that could not be ignored, and folks at our station in Santa Barbara, thought that it was pretentious (their word for anything that was art rock, that became progressive rock) and even stupid, but in the end, their stupid comments were thrown from the pier into the ocean ... and Freddie and Queen are really well remembered, which tells you quickly that many times it is the music that lives ... NOT OUR COMMENTS! One other comment, is on the Hawkwind album ... and the side 1 of the LP is excellent, and for the first time, it makes the keyboards important, and on par with the guitars and sound for the band ... it made Hawkwind, a lot more than a loud space rock thing, even if the lyrical content and Michael Moorcock connection made them "space rock", but the music was not, at the time, exactly using the keyboards, that were used strictly to provide noise that suggested something alien and out there, which was a strong part of the "Space Ritual" album, though the wording and various spoken word moments, drove the album better to create the illusion amidst a very loud concert that was ... crazy and insane! But how the keyboards were used, by Simon House, was excellent and his addition to the band took the keyboards out of the closet to actually add to the music, and I tend to think that Roy was responsible for that ... and later Hawkwind even played with at least one other well known keyboard player (Tim Blake), who by that time had become an independent experimentalist with a couple of really fine albums!
Edited by Moshkiae - 09 May 2025 at 8:08am |
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Pedro Sena www.pedrosena.com
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