OZRIC TENTACLES — The Hidden Step (review)

OZRIC TENTACLES — The Hidden Step album cover

Album · 2000 · Jazz Related Rock

3/5 · 2025-04-25
FunkFreak75

Do these guys ever make a bad album? I'm guessing not. This is one I'd put in my top 5 of theirs (along with ten others).

1. "Holohedron" (5:49) like a car driving through city traffic, this one is stop and go, at times squirting through traffic like Neo through the Matrix--matter of fact, this one has a bit of that sound and feel: as if the film The Matrix might have had a little influence on Ed and the gang. (8.75/10)

2. "The Hidden Step" (7:47) a synth opening that could rival anything by any Berlin School electronic artist, the rhythm section soon joins in to launch and steer them toward the Alpine roads. I'm not a super fan of the two bounce-chords coming from the keyboard while Ed thrashes and slices with his axe, but then a different autobahn-speed section takes over which Ed and the synth-master shapeshift and time-bend. Then things drop away and we're left skating here-and-there through a cosmic radiation storm, all the while the pulse of the Galactic Logos continues its organizing guidance from below. (13/15)

3. "Ashlandi Bol" (6:04) opens with a Middle Eastern sounding synth performing a Middle Eastern-sounding melody around which the rest of the band joins forces to support and embellish. The song never really develops as one might think or hope--kind of meanders, starting and stopping several times without ever really developing a consistent theme or hook. (8.5/10) 4. "AraManu" (5:59) more Middle Eastern themes--even the sheep, goats, caravan and/or open air market place to set the mood (90 seconds of this before a drum beat or second instrument is even introduced). The main theme being established in the second and third minutes seems ominous--like the music for a scene from a spy novel set in the Arabian "third" world. in the fourth minute it's really just been a drum and synth arpeggio show, but finally some folk "flutes" join in as the background fill with space synths. In the end, this just feels as if it was meant for a cinematic scene. (8.25/10)

5. "Pixel Dream" (6:21) guitar and rolling bass line open this before drums and some background synths join in to fill the traveller's mix tape. Swirling organ takes the lead before morphing into a couple of other spacey synths before Ed takes off with his searing space-renting shooting star solo. Feels kind of SANTANAesque. (8.5/10)

6. "Tight Spin" (8:45) lots of computer glitch-type of sounds in the lead above the solid, driving rhythm tracks here. it's kind of cool (and different without the dominance of Ed's searing electric guitar). Sizzling acoustic guitar soloing with Arabian percussion in the final two minutes. Could be a popular rave party dance song. (17.75/20)

7. "Ta Khut" (7:05) opens with solo bamboo flute, wind chimes, and animal bells looped on fast-play. Pretty and cool. At the 2:45 mark djembe, acoustic guitar, and sitar-like Middle Eastern stringed instrument take over before being joined by bass, hand shakers, and the same bamboo flute to create some very authentic sounding Middle Eastern soundscapes. It feels like a montage and not really acomplete song, but it's still good. (13/15)

Total Time: 47:50

B/four stars; a very nice addition to any prog lover's music collection.