SOFT MACHINE — Softs (review)

SOFT MACHINE — Softs album cover Album · 1976 · Jazz Related Rock Buy this album from MMA partners
0.5/5 ·
Warthur
With Mike Ratledge only appearing on a couple of tracks - and then only billed as a guest artist - Softs marks the precise moment where Soft Machine's links to its illustrious past were finally severed forever. Though to be fair, the only remaining link was the fact that Mike was present, rather than anything he was playing or contributing - by Mike's own account, Karl Jenkins and others had essentially taken over the songwriting for a while, and his last years in the band were a deeply uncomfortable experience he was glad to put past him.

So, what does Soft Machine sound like without Mike Ratledge? That's a good question, and one which the band show no sign of knowing the answer to. There's a gentle acoustic bit here, a bit of unimaginative rockin' out on electric guitar by John Etheridge over there, and Karl occasionally tinkles on the synthesisers but doesn't seem to come up with anything decisive or compelling to do with them. The album sounds like a technically competent band waiting to receive their marching orders and aimlessly jamming whilst they wait, only to accidentally release the directionless, aimless, pointless guff that results instead of a properly composed album.

Softs, quite simply, is a bunch of guys playing under the name Soft Machine for the sake of being Soft Machine. No creative vision on the part of anyone present is in evidence, and it's shockingly clear that this era of the band was dominated by Karl Jenkins not by design but by default - quite simply, he's prominent enough on the album to be considered by most to be the band leader despite not really bringing anything resembling leadership or direction to the table. Those absolutely devoted to hearing everything the Machine ever produced will probably want this one, but for everyone else there's plenty of alternatives if you want a slight, technically competent fusion album - try, oh, I don't know, anything by any band with any sense of identity or purpose whatsoever.

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