MILT JACKSON — Reverence And Compassion (review)

MILT JACKSON — Reverence And Compassion album cover Album · 1993 · Hard Bop Buy this album from MMA partners
4.5/5 ·
Steve Wyzard
CAREER ACHIEVEMENT

You've heard the putdowns: "Uncle Milty-baby", "Tuxes and Cocktail Lounges", and "Everybody's Darling Dozing Deacon of Good Vibezzzz". Then there's the Damned with Faint Praise category: "consistent", "dexterous", "solidly entertaining", and, of course, "nice". Very occasionally, a voice in the wilderness will speak up. Bobby Hutcherson and Gary Burton have never been shy about the influence of Milt Jackson upon their music. The Rev has even been called "one of the great soloists in jazz". So just who is he, really?

If ever an album qualified as a "career achievement" album, Reverence and Compassion is it. No, it can't rightly be called the greatest moment in the history of recorded sound, but simply the album that sums up and epitomizes his very full life in music. Who is Milt Jackson? Listen to this album! 50% classics and 50% originals, Milt calls it "the best CD I have ever made" in the liner notes.

So who's accompanying Milt on this album? On piano, Cedar Walton almost steals the show on "Reverence", "Young and Foolish", and "Newest Blues". On bass and arrangements, the underrated John Clayton sets down a funky groove on "This Masquerade", receives a solo spotlight on Milt's composition "J.C.", and duets with him on "Compassion". Drummer Billy Higgins is admittedly under-utilized, but he provides a great solo on the galloping "Bullet Bag". Everyone plays like the momentous occasion it is, but it's Milt's awe-inspiring playing that dominates the album. At 61:30, Reverence and Compassion is not in an agitated hurry to go anywhere, yet it never drags or meanders.

It should be mentioned (because everyone else does) that there is also a huge string orchestra and a six-piece brass section on this album. The textures can be slightly heavy, and from time to time, there are reminders of the infamous CTI sound. Listen to the haunting, otherworldly performances of "Little Girl Blue" and "It Never Entered My Mind". This is achingly beautiful (without being soporific), endless blue sky music, even if they do close with "Here's That Rainy Day". I've heard many a "sleepy w/strings" albums in my day, and let it be said here that this is not one of them. And while Milt still had a few more albums up his sleeve before the end of his life, the truly poignant Reverence and Compassion is the one to remember him by.

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