CHICK COREA — Origin: Live At The Blue Note (review)

CHICK COREA — Origin: Live At The Blue Note album cover Live album · 1998 · Post Bop Buy this album from MMA partners
3.5/5 ·
Renown pianist Chick Corea started his career in jazz highest league playing in Miles Davis band in 60s. After few mainstream solo albums as leader he co-founded technically superior (if short-lived) all-star avant-garde jazz quartet Circle (with bassist Dave Holland, sax player Anthony Braxton and drummer Barry Altschul) and then moved to stardom with his fusion band Return To Forever.

Still from mid 70s, when his successful fusion formula experienced dramatic decline under pressure of myriad of clones and and army fuzak players, Corea lost direction for decades unsuccessfully trying to find new inspiration (or another formula of success).Recorded few quite interesting fusion albums as leader,he started series of repeating changes of bands and genres with only very limited success trying everything from pop-jazz to chamber jazz,revitalizing electric fusion formula and returning back to mainstream jazz.

The only thing is obvious with no doubt - starting from late 70s Corea's best bands/albums all are post-bop. His acoustic sextet with young Israeli bassist Avishai Cohen (which opened to Cohen doors to best jazz scenes),drummer and reeds section is probably his Chick's best band for two decades. There are two releases only documenting Origin music, "Live at the Blue Note" debut (later released as box set incl. hours of unreleased material) and studio album "Change", released year later with different drummer (Jeff Ballard replacing Adam Cruz).

"Live at the Blue Note" contains material,selected from a week-long gig in December 1997,recorded in New York club. Sextet plays Corea's new originals with one exception (album's closer "It Could Happen To You"). Musically the album contains quite conservative post-bop with lot of brass/reeds, often sounding as bigger orchestra. Rhythm section is groovy and warm/physical recalling recordings from 60s, Corea plays his trademark tuneful moody piano,often with Latin touch and his old fans can easily hear some citations recalling early Return of Forever Latin scented music. He smartly adds few more complex and freer moments which work as tasteful spices making Origin music more delicious.

For sure, nothing is new here. Starting from mid 70s Corea's music is usually more or less of good quality, but always safe. Still great musicians' interplay and technical excellence makes his best albums (incl. Origin recordings) a pleasant listening. A few years later Corea will establish another short-lived project with bassist Avishai Cohen - the New Trio (with drummer Jeff Ballard). In new Millennium Chick will continue playing with acoustic post-bop trios releasing his better recordings and enjoying moderate success (partially in Japan)
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