UT GRET

Jazz Related Rock • United States
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A wide-ranging band drawing from prog rock, jazz, modern composition, world fusion, and creative improvisation, Ut Gret ("Ut" signifying the lowest note on the medieval music organ and "Gret" an apparent reference to 12th century Barbarian invaders) were formed by multi-instrumentalist Joee Conroy in 1981 in Santa Cruz, California. In 1979 Conroy had moved to Santa Cruz from his hometown of Louisville, Kentucky, where his musical experiences had included participation in two groups with Steve Roberts, a drummer who would later switch mainly to keyboards and co-found Louisville proggers French TV. A fan of Gong, Material, the Muffins, and Fred Frith, Conroy managed a record store, worked for Greenpeace, and played in various groups in Santa Cruz before the formation of Ut Gret. Conroy played fretless bass and violin in the band, joined by other musicians including David Stilley (saxes, brass, double reeds) and James Potter (clarinets).

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UT GRET Time Of The Grets album cover 3.50 | 1 ratings
Time Of The Grets
Jazz Related Rock 1996
UT GRET Recent Fossils album cover 4.00 | 1 ratings
Recent Fossils
Jazz Related Rock 2006
UT GRET Radical Symmetry album cover 4.00 | 1 ratings
Radical Symmetry
Jazz Related Rock 2011
UT GRET Ancestors' Tale album cover 4.50 | 2 ratings
Ancestors' Tale
Jazz Related Rock 2014

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UT GRET Ancestors' Tale

Album · 2014 · Jazz Related Rock
Cover art Buy this album from MMA partners
FunkFreak75
Another stellar release thanks to AltrOck Productions. Melodic, at times Canterburian, Bruford/Annette Peacock/Earthworksish, King Crimsonesque, UZedish, Zeuhlish, and, always, perfectly AltrOck. Wonderful vocals. Wonderful presence up front of woodwinds (including didgeridoo!). Awesome interweaving of electric keys and mellotrons. From the album's opening a cappella vocal notes and ensuing woodwind weave I knew I was going to love this music.

Album highlights: "The Raw, The Cooked, and The Over-easy" (5:27) which sounds like it came from some classic Latin-influenced jazz album from the 1960s--at least until the amazing KING CRIMSONian shifts at the 2:50 mark and again later at the 4:45 mark (10/10); the COS/ANNETTE PEACOCK-like Avant-Canterbury-ish title song (5:24) (10/10); the mesmerizingly beautiful multi-instrumental weave of "Walk the Plank" (7:37) (9/10); the fun hyper-weave of "Hopperknockity Tune" (4:00) an instrumental which sounds like it could come from an EARTHWORKS or FIVE-STOREY ENSEMBLE album (9/10); the mesmerizing minimalist OCEANSIZE-like magic of "The Grotesque Pageantry of Fading Empires" (9:17) (9/10), and; the FOCUS-like piano and electric guitar duet work and John Wetton-like bass play of "Zodiac" (8/10).

In the vein of last year's stunning AltrOck releases from FIVE-STOREY ENSEMBLE and EMPTY DAYS we have another adventurous and yet entirely accessible collection of fresh music.

A 4.5 star album I'm bumping up for its diversity, daring, and freshness.

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