MOLE

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It was nearly eight years ago that Mexican born pianist-composer Mark Aanderud joined forces with Argentinian drummer Hernan Hecht. Their chemistry was immediate and natural. “The first things we did were all related to free music, with electronic elements or not, but always with the idea of creating songs or forms in the moment,” says Aanderud. “We do have some incredible magic going on, inasmuch as we can play concerts or record without ever speaking of music, and never repeating ideas or stifling development. This actually hasn’t changed over the years.”

From their initial encounter, the two kindred spirits progressed to the formation of Mole (pronounced Mo-Lay), an exhilarating quartet that is breaking new ground in its approach to contemporary jazz with their auspicious RareNoiseRecords debut, What’s The Meaning?. “I think this project is an inevitable spot in my career,” says Hecht, who is also a member of the RareNoiseRecords band
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MOLE What's The Meaning? album cover 3.50 | 2 ratings
What's The Meaning?
Nu Jazz 2012

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MOLE What's The Meaning?

Album · 2012 · Nu Jazz
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Mole is a new nu jazz band comprised of four musicians who are already well known on the international jazz scene. Mark Aanderud plays the piano and electric piano while Herman Hecht minds the trap set, David Gilmore provides the guitar pickin and Jorge Molina holds down the bass. Aanderud sites modern jazz artists such as Esbjorn Svensson and Kurt Rosenwinkel as influences, and certainly Svensson’s mixture of post bop and melodic rock is a big influence on the Mole sound. During Gilmore’s jazzier moments he can sound like Wes Montgomery, while his post bop influenced fusion style may remind some of Schofield and Abercrombie, finally his more rockin moments recall the young Larry Coryell. To all this Hecht and Molina provide a variety of modern rhythms including drumnbass, ambient rock and jazzy funk.

The songs on “What is the Meaning?” range from guitar shredding fusion workouts to piano driven indie/progressive rock instrumentals and quiet ambient interludes. Along with their jazz influences, Aanderud also sites modern moody rock groups such as Radiohead and Massive Attack as influences on their sound. All of the musicians on here are great, but possibly the star of the show is David Gilmore and his burning, yet beautifully understated guitar solos. He also displays tricky syncopated rhythmic skills that he has built up through his work with Steve Coleman.

For those who seek an excellent merger of nu jazz ambience with classic fusion energy, Mole delivers both while always sounding both contemporary and original.

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