js With a title like "In the Key of the Universe", and promotional advertising that plays up Pharoh Sanders' contributions on saxophone, it would be easy to think that Joey DeFrancesco is trying to cash in on the current 'spiritual jazz' revival on his new album. Its true that there are some tunes on here that reference Sanders' past as the originator of the spiritual modal jazz style, but none of this is gratuitous or insincere, and there is also such a wide variety of music on here that the modal jams are just a part of what goes down. Also, Sanders only appears on a couple tracks, elsewhere on here the very capable Troy Roberts supplies the tenor, alto and soprano sax work. In short, 'In the Key' is one of Joey's better albums and is rife with inspired solos and top notch song writing.

DeFrancesco's rapid fire solos take the Coltrane idea of 'sheets of sound' to new levels on the Hammond B3. This is used to good effect on the energetic post bop of "Awake and Blissed", and then given a double dose on the bebop barn burner, "It Swung Wide Open". The next couple tracks feature Pharoh, who still sounds as great as ever, as he takes a somewhat laid back and mature approach to classic material such as "The Creator has a Master Plan". Some other highlights include a couple of mystical samba lounge outings and a few hard groove blues numbers.

On the two closing tracks, Joey caps things off with something we don't hear often enough, really interesting melodies set to non-cliche chord changes. Both of these songs would make for great vehicles for others to try out their creativity on. The production is a little heavy on the reverb, which sounds fine on the groove numbers, but a bit heavy handed on the uptempo ones.

js “40” was recorded in celebration of Joey DeFrancesco’s 40th birthday, and seems to present an overview of the different music he has played over the years. Taken as that, this CD’s eclectic nature makes sense, but it still can be a little frustrating for the listener looking for some continuity. De Francesco is all over the jazz internet radio stations these days with his smart modern hard bop and flawless technique on the B3, and that was the music I was looking for when I picked up this CD. The first two tracks on “40” start off with Joey’s expected trademark abstract bluesy cross between Jimmy Smith and Larry Young and then at track three this CD takes off in all kinds of directions. The next four tracks veer from Joey singing a soft ballad to hip-hop gospel, Ray Charles style jump blues and an old school B3 ballad that features a dead on imitation of Jimmy Smith’s weird tremolo technique. Its all well done and excellently played, but the ADHD musical shuffle seems to lack any logic or flow except as a possible career overview as mentioned earlier.

“40” closes with more material similar to the opening tracks and once again Joey shows why he is today’s top player on the Hammond B3. Despite my complaints about consistency, this is a good CD and if you are a DeFrancesco fan who wants to hear Joey cutting up on a smorgasbord of musical styles, then this one is for you.